Dhanush is a big name down South and has also starred in a couple of Hindi films. The actor made his international debut with the English film The Extraordinary Journey of the Fakir, and now, he is all set to star in one more international project.
Dhanush will be seen in Netflix’s movie The Gray Man which will be directed by Russo Brothers, Anthony and Joe Russo.
The movie was officially announced a few days ago. Netflix had tweeted, “Ryan Gosling x Chris Evans x Ana de Armas = THE GRAY MAN. A new film from directors Anthony & Joe Russo, the upcoming action thriller is based on the debut novel by Mark Greaney.”
And recently, they tweeted about other actors joining the cast of the film, “THE GRAY MAN cast just got even better. Jessica Henwick, Wagner Moura, Dhanush, and Julia Butters will join Ryan Gosling, Chris Evans, and Ana de Armas in the upcoming action thriller from directors Anthony and Joe Russo.”
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Announcing about joining the cast of the film, Dhanush shared a note which read, “Elated to announce that I will be joining the team of Netflix The Gray Man starring Ryan Goslings and Chris Evans, directed by The Russo Brothers (Avengers, Captain America: Winter Soldier). Looking forward to being a part of this wonderful action packed experience. My sincere thanks to my dearest fans from all over the world for all the love and support you have been showing me throughout these years. Love you all. Spread Love…! OM NAMASHIVAYA. Love, D.”
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Well, talking about his other movies, Dhanush will next be seen in Aanand L Rai’s Atrangi Re. The shooting of the film is currently going on, and it also stars Sara Ali Khan and Akshay Kumar.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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