Delhi-based content creator Simran Anand has captured widespread attention on social media after she upcycled a 20-kilogram patchwork bedsheet into a unique and eye-catching lehenga. Sharing the process with her followers on Instagram on 1 July, Simran highlighted the creative transformation of a traditional decorative textile into a fashionable statement piece.
The striking fabric was discovered during a casual visit to Janpath, one of Delhi’s popular street markets. The bedsheet, although heavy and originally intended for home décor, featured intricate hand embroidery, mirrorwork, and patchwork – elements commonly found in festive wall hangings in regions like Gujarat and Rajasthan.
“These types of embroidered textiles are usually hung as tapestries or used as festive décor,” Simran noted. “But I saw fashion in it,” she added, referring to the moment she decided to turn the bedsheet into a garment. Inspired by ideas on Pinterest, she took the fabric to a local tailor and collaborated with him to create a custom lehenga.
The result was a bespoke outfit that retained the charm of the original patchwork while embracing a modern silhouette. The lehenga quickly gained attention online, with many social media users praising her creativity and the craftsmanship involved. One commenter wrote, “Love a smart woman with an amazing fashion sense, love this on youuu.” Another applauded the tailor’s skill: “Lucky bhaiya is so skilled ❤️.” A third user even suggested exploring more pieces: “A blazer out of this would have been so good too, another one!!”
Patchwork has increasingly emerged as a trending element in fashion, blending sustainability with style. Simran’s project reflects a growing shift towards mindful fashion choices and showcases how traditional or overlooked fabrics can be reimagined into statement garments. Her approach not only highlights individual creativity but also promotes the value of upcycling and working with local artisans.
Transforming a 20kg decorative item into wearable fashion underlines the evolving nature of design today, where vision and innovation are often found outside conventional fabric stores. As fashion continues to explore sustainable practices and cultural references, creations like Simran’s patchwork lehenga demonstrate how inspiration can come from the most unexpected sources.
Television personality Frankie Bridge has revealed the one beauty product she relies on to cover dark under-eye circles, particularly when dealing with fatigue caused by travel. Known for frequently sharing skincare and makeup tips with her followers, Bridge has identified the Huda Beauty #FauxFilter Colour Corrector as her must-have item for a refreshed appearance.
The former Saturdays singer and current Loose Women panellist praised the product for its effectiveness in neutralising under-eye discolouration and brightening the complexion. The colour corrector, available in a range of shades, is priced at £26 through retailers such as Beauty Bay, Sephora, and Cult Beauty. In select shades, it is currently available for a reduced price of £20.75, making it an affordable option for those seeking to enhance their makeup routine.
What makes the product stand out
The Huda Beauty #FauxFilter Colour Corrector is designed to conceal dark circles and even out the skin tone around the eyes. The product features a crease-resistant, sweat-proof and transfer-proof formula, making it suitable for long-lasting wear throughout the day. It is formulated to be lightweight and creamy, offering sheer yet effective coverage without settling into fine lines or appearing cakey.
One of the main benefits of the corrector is its ability to provide natural-looking results. It is formulated to blend easily into the skin, delivering a smooth and radiant finish. The product works well on its own or under a concealer, allowing users to layer makeup without it feeling heavy or overly made-up.
Dermatologist-tested and photo-friendly
In addition to its practical features, the colour corrector has also been tested by dermatologists and is designed to be flashback-free. This means it maintains its coverage and tone even under camera flashes, making it a useful option for social events, photography, or video appearances.
Frankie Bridge highlighted how the product suits her lifestyle, helping her maintain a fresh and bright under-eye appearance after long-haul travel or late nights. The #FauxFilter Colour Corrector is part of the wider Huda Beauty range, known for its popular and highly-rated products that combine professional-level results with ease of use.
Consumer reviews back the hype
Bridge’s endorsement of the colour corrector is supported by high customer ratings across various platforms. One Beauty Bay shopper left a five-star review stating, “The Huda Beauty Colour Corrector is super creamy and easy to blend. It covers dark circles and spots really well without feeling heavy. The colours are strong but natural, and they work great under concealer. It stays in place all day and helps the makeup look smoother and brighter.”
Another reviewer commented on its texture: “It’s creamy but not drying under-eyes – and minimal creasing!” A third added, “I loved the product, it's very smooth when you apply it and blends so beautifully with the concealer.”
Several users also noted the corrector’s compatibility with different skin tones, with one customer stating: “So good for cool undertones.”
Where to buy it
Frankie Bridge’s favourite colour corrector is available from several major beauty retailers. Beauty Bay currently lists the product for £26, with some shades reduced to £20.75. Boots also offers it for £20.80, while Sephora and Cult Beauty stock it at the standard retail price of £26.
For those looking to refresh their look or combat the signs of tiredness, the Huda Beauty #FauxFilter Colour Corrector appears to be a tried-and-tested favourite, recommended not only by beauty enthusiasts but by Bridge herself.
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The jacket tribute, blending personal sentiment with fashion
Actor Janhvi Kapoor recently paid tribute to her late mother, the legendary Sridevi, by wearing a custom denim jacket inspired by the 1990 Telugu cult classic Jagadeka Veerudu Athiloka Sundari. Janhvi took to Instagram to share the look and express her admiration for the film and her mother’s performance, calling the experience deeply emotional and nostalgic.
In her post, Janhvi described the jacket and film as something she is “obsessed” with. She revealed she had watched the re-released version of the film a few days prior and was reminded of the cinematic magic that brought it to life. “Mumma is like an angel fairy princess and so funny and so cute,” Janhvi wrote, remembering Sridevi’s ethereal screen presence.
She also praised co-star Chiranjeevi Konidela, director K. Raghavendra Rao, and the late Amrish Puri, among others, highlighting the film’s humour, visuals, and overall impact. “The revival of this new print couldn’t have been executed by more able hands and is a gift to cinema lovers today,” she added, noting that it “felt like a visual spectacle that would give our contemporary films a run for their money.”
Jagadeka Veerudu Athiloka Sundari was recently re-released in cinemas, giving fans and the next generation of film lovers an opportunity to experience the classic once again on the big screen. The film, known for its fantastical elements and musical score, holds a special place in Indian cinema history and in Janhvi’s personal memories.
Sridevi, who passed away in 2018, was regarded as one of Indian cinema’s most celebrated actresses. The film remains one of her most iconic roles, and Janhvi’s tribute reflects the emotional bond the actor continues to share with her mother’s legacy.
On the professional front, Janhvi Kapoor is currently enjoying a successful run. She was recently seen in Devara: Part 1 alongside Jr NTR. Her upcoming projects include Param Sundari with Sidharth Malhotra, Homebound featuring Ishaan Khatter and Vishal Jethwa, Sunny Sanskari Ki Tulsi Kumari opposite Varun Dhawan, and Peddi alongside Ram Charan.
The jacket tribute, blending personal sentiment with fashion, has resonated with fans online, reinforcing Janhvi’s connection to her roots and her mother’s iconic cinematic journey.
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To help concert-goers stay dry, at least from the neck down
With Oasis reuniting for a series of sell-out shows across the UK this summer, Radio X has launched a timely – and humorous – solution to a familiar gig dilemma: flying pints. The radio station has introduced a limited-edition “beer-proof parka” just in time for the much-anticipated return of the Gallagher brothers.
According to new research commissioned by Radio X and conducted by 3Gem, Oasis fans are expected to purchase over 8.6 million pints during the band’s UK shows. Of those, nearly a quarter – a staggering 2,219,458 pints – are expected to be tossed into the air during moments of celebration, a phenomenon widely recognised at British gigs and major sporting events.
That number of airborne beers would be enough to fill a 25-metre swimming pool, more than one and a half times over, and represents a loss of around £16.6 million in lager, based on the average cost of a pint at a gig being £7.47.
To help concert-goers stay dry, at least from the neck down, Radio X has launched its so-called beer-proof parka, designed to protect fans from accidental or intentional beer showers. While it may resemble a classic waterproof poncho, the parka has been branded with mod-inspired detailing and comes in one colour only: green. It's described as “packable” and “ready for the messiest moments of the summer”.
Radio X’s 4 Til 7 Thang presenter Johnny Vaughan put the garment to the test outside a London pub, checking how it held up against liquid attacks. It passed with flying colours.
The station only produced 250 units of the special-edition parkas, priced at £28 each, and sold them through the Radio X online store. Unsurprisingly, they sold out almost immediately. However, fans are being encouraged to keep listening to Radio X for a possible restock or follow-up campaign.
75% of the proceeds from each parka went to Global’s Make Some Noise, Radio X’s charity initiative that supports small UK charities delivering vital services to communities. The remaining funds went towards production and promotion costs.
How the beer stats were calculated
The beer-spillage estimates came from a survey of 2,000 British adults who identify as Oasis fans. The data was then analysed by data specialist Ed Jefferson. Based on an estimated 1,398,000 people attending the Oasis gigs, fans were projected to buy an average of 6.2 pints each. That results in a total of 8,667,600 pints being purchased across the tour.
75% of the proceeds from each parka went to Global’s Make Some NoiseRadio X
As for the beer thrown: survey respondents indicated that roughly 60% of fans had previously thrown, or would be willing to throw, a pint during a gig. Multiply that by the average of 2.6 celebratory songs that prompt the action, and the total comes to 2,219,458 pints chucked.
With each pint priced at £7.47, the cost of the beer “sacrificed” to celebration is just over £16.5 million.
The excitement is real
The level of anticipation for the Oasis reunion is difficult to overstate. The survey revealed that 77% of respondents considered it one of the most exciting events in their lives. 37% even ranked it on par with, or more memorable than, their wedding day.
When asked about their favourite Oasis album, 41% chose Definitely Maybe, cementing its place as the band’s most beloved work. Although the reunion shows will only include Oasis’ classic hits, a large majority – 88% – expressed a desire for new material from the Gallagher brothers.
Weather also doesn’t seem to be a deterrent. British fans, well-versed in dealing with summer downpours, appear prepared for anything. The survey found that 77% would attend regardless of rain, and fans said they’d be willing to stand in the rain for an average of nine hours just to watch Oasis perform live once more.
A parka with a purpose
Radio X’s Managing Editor, Matt Deverson, said the idea for the beer-proof parka came from wanting to protect the station’s passionate listeners from the all-too-common gig soaking.
It’s possible the beer-proof parka could make a return before the last encore rings outRadio X
“We’ve created limited-edition Radio X packable parkas to keep you beer-proofed and looking good during this summer of live music – including the biggest reunion gig in history,” said Deverson. “Because when pints start flying, we want to make sure you’re not wearing them. It’s just another way Radio X looks after the most passionate fans and listeners – especially when things can get messy.”
The initiative blends practical merch with charitable giving, all while tapping into the excitement of one of the year’s biggest music stories.
Although the initial stock has sold out, fans are advised to stay tuned to Radio X for updates. With demand soaring and summer just beginning, it’s possible the beer-proof parka could make a return before the last encore rings out.
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Crafted by Cartier in 1930, the tiara is being offered for public sale for the first time
A rare Cartier turquoise and diamond tiara once owned by Nancy Astor, the first woman to take a seat in the House of Commons, is set to go under the hammer in London next month, with expectations it could sell for as much as £350,000.
The American-born politician, who represented Plymouth Sutton from 1919 to 1945, wore the striking tiara at high-profile events, including the 1931 film premiere of City Lights at the Dominion Theatre in London. Auction house Bonhams described the piece as “exceptionally rare” and cited its “impeccable provenance” as a key factor in its anticipated high value.
Crafted by Cartier in 1930, the tiara is being offered for public sale for the first time. It was originally purchased by Astor’s husband, Lord Waldorf Astor, 2nd Viscount Astor, also American-born, who gave it to her during their marriage.
Jean Ghika, global head of jewellery at Bonhams, said the tiara dates from a period when Cartier London was “at the height of its creative prowess.” She added, “With impeccable provenance and a compelling marriage of Western and Eastern influences in the design, the tiara is exceptionally rare. We are honoured to have the opportunity to present it for sale for the first time in nearly a century.”
The tiara features single, rose-cut and brilliant-cut diamonds, and three fluted turquoise plumes set with diamond stems – a style reflecting Cartier’s Art Deco aesthetic of the time.
Nancy Astor, born Nancy Witcher Langhorne in Danville, Virginia, in 1879, moved to England in 1905 and met Waldorf Astor on a transatlantic voyage the same year. The couple married in 1906 and had five children. In 1919, when her husband was elevated to the peerage and moved to the House of Lords, Nancy Astor stood for election and won his vacated seat in the House of Commons, becoming the first woman to take up her position as an MP.
During her 26 years in Parliament, Lady Astor was a prominent advocate for women’s rights. She was instrumental in the passing of the Intoxicating Liquor (Sale to Persons Under 18) Act 1923, known as “Lady Astor’s Bill”, which raised the legal drinking age from 14 to 18. She also supported the Equal Franchise Act of 1928, which equalised the voting age for men and women, reducing the female voting age from 30 to 21.
Astor was re-elected seven times before retiring from political life in 1945. However, her legacy remains mixed. Campaigners have criticised her for alleged anti-Semitic and anti-Catholic views, and some have accused her of sympathising with Nazi Germany. Supporters, however, argue that she was a target of misogyny and that her views have been misrepresented, pointing to evidence that she opposed Nazism.
Lady Astor died in 1964 at the age of 84 at her home in Lincolnshire.
The auction of her tiara will take place at Bonhams in New Bond Street, London, on 5 June. The lot is expected to fetch between £250,000 and £350,000.
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Stars are turning memories into marketing in 2025’s most nostalgic campaigns
From 90s fashion flashbacks to revived cartoon icons, 2025 is proving that everything old is new again or at least in celebrity-fronted brand campaigns. This decade, nostalgia isn’t just a vibe, but a full-blown economy. Across fashion, gaming, beauty, and music, brands are digging into pop culture’s archives to strike an emotional chord with consumers. Whether it’s John Cena teaming up with SpongeBob SquarePants for a gaming crossover, or Beyoncé revisiting a classic Levi’s ad from 1991, the throughline is clear: audiences crave the familiar but with a fresh twist.
But why does it work? Because in a world of algorithm-chasing trends and digital fatigue, nothing hits harder than the warm, fuzzy punch of ‘remember when’. And the biggest names in entertainment, fashion, and music are cashing in big time. Here are 10 brilliant nostalgia plays of 2025, ranked by how hard they made us yell, "Take my money!"
John Cena x Brawl Stars x SpongeBob SquarePants
WWE legend and actor John Cena teamed up with Supercell’s Brawl Stars to celebrate the 25th anniversary of SpongeBob SquarePants. The ad hilariously shows Cena’s phone sinking into the ocean, merging the worlds of Brawl Stars and Bikini Bottom. This crossover not only brought together gaming and animation fans but also played on Cena’s iconic wrestling persona, generating significant buzz online.
French DJ David Guetta collaborated with Hypaton and Europe to release ‘The Final Countdown 2025’, reimagining the classic 1986 rock anthem with an electronic twist. The track blends Guetta’s EDM style with the song’s epic essence, hitting both new listeners and long-time fans. This modern revival became an instant hit on streaming platforms, proving that the iconic track’s spirit is still alive.
Tom Cruise’s Mission: Impossible – The Final Reckoning Farewell
At the 2025 Cannes Film Festival, Tom Cruise made a surprise appearance to promote Mission: Impossible – The Final Reckoning, the eighth and final instalment of the franchise. Cruise’s global promotional tour, complete with daring stunts and a rare TikTok appearance, stirred nostalgia while celebrating the 25-year legacy of the iconic spy series.
Fronting Louis Vuitton’s Resort 2025 campaign, Zendaya brought back the brand’s iconic Takashi Murakami cherry print. With over 70 pieces bringing together early 2000s aesthetics and contemporary fashion, the campaign was a nod to a nostalgic fashion era, and Zendaya’s star power made it a viral hit.
Hailey Bieber led Rhode Beauty’s ‘Peptide Lip Shape’ campaign, embracing ’90s nostalgia with pastel visuals reminiscent of films like Clueless. Accompanied by singer-dancer Tate McRae, the campaign’s vibrant aesthetic and Bieber’s influence made it a top trend on beauty blogs and social media.
As the face of Tommy Hilfiger’s Tommy Girl capsule collection, Wonyoung from IVE channelled the brand’s 1990s fragrance and preppy fashion. The collection marked Tommy Girl’s 40th anniversary, and Wonyoung’s global fanbase ensured the campaign’s success, bringing together retro and modern streetwear.
Beyoncé starred in Levi’s RE:IMAGINE ‘Pool Hall’ campaign, paying homage to the brand’s iconic early-1990s ads. Set in a vintage pool hall, the spot featured classic 501 jeans and retro styling. Beyoncé’s stardom revived Levi’s heritage, and her social media teasers racked up over 12 million views, boosting denim sales significantly.
Salt-N-Pepa & Grandma’s Cookies ‘Sweet Beat’ Campaign
Hip-hop icons Salt-N-Pepa teamed up with Grandma’s Cookies to launch the ‘Sweet Beat’ campaign, remixing the childhood rhyme ‘Who Stole the Cookie from the Cookie Jar?’ into a catchy rap. The ad’s playful throwback vibes and Salt-N-Pepa’s performance made it a hit among both millennials and Gen Z, while social media challenges fuelled its viral status.
Hellmann’s recreated the iconic diner scene from When Harry Met Sally with Meg Ryan, Billy Crystal, and Sydney Sweeney. The commercial cleverly mixes the classic rom-com’s charm with contemporary humour, resonating with audiences who fondly remember the original 1989 film. The ad’s light-hearted nostalgia made it a memorable Super Bowl moment.
Comedian Chloe Fineman starred in Maybelline’s ‘Ugly Cry, Perfect Liner’ campaign, channelling the dramatic emotions of 1990s music videos. The ad humorously presents Maybelline’s Tattoo Studio Ink Pen Eyeliner, playing off the durability of makeup during emotional moments. Fineman’s quirky take on ’90s pop culture became a social media favourite.
Let’s be real: nostalgia isn’t just marketing. It’s emotional time travel. These stars know exactly which buttons to push: the cartoons we watched, the songs we screamed into hairbrushes, the jeans we begged our parents to buy. And in 2025? They’re not just selling products. They’re selling a feeling; one that says, ‘Remember this? Yeah, you loved it. Here it is again.’