Creators hope 'Forward Together' monument in Birmingham will spark conversation
By Mark CardwellJul 06, 2021
CREATORS of the city centre’s new 13-metre-long monument celebrating the region’s everyday heroes hope the work will spark a conversation about representation.
The Forward Together monument – which features 25 life-size representations of real people from the Midlands who have overcome or are overcoming hardships – was installed at Victoria Square on Monday (5).
The steel work was made in 14 days in Cradley Heath by a team of five people led by artist Luke Perry, and is due to stay in the city centre for a year.
MC and honorary fellow of the Edward Cadbury Centre Raaj Shamji, one of the team members who created the piece, was touched by the positive responses the work received at its unveiling.
He said: “The reactions were all positive while people walked past while we were setting up. ‘It’s really nice to see people working together’ was a common quote.
“Some were curious on what it meant – we asked them what they thought. The majority thought it was about people working together. Its refreshing for people to treat each other as simple humans.
“I hope places of work and major institutions in the city and region continue their endeavours to make leadership more diverse based on merit where encouragement is given for those who don’t traditionally see themselves in those roles.
“It’s the start of a conversation where we all need to think hard on our place called Earth. How can we create opportunities for communities to build better sustainable relationships at all levels not just via community leaders or those we think have the responsibility.
“It’s a responsibility for all of us. But those in position need to create opportunities for fair and safe conversations where people express themselves.
“We need to focus on how we create opportunities for conversations. Art is a wonderful starting point.”
The team who made the work include Shamji, Perry, artist Pauline Bailey, author Nats Perry and musician Haldin Wright.
In Shamji’s view, the monument depicts how the team “sees Birmingham and the wider Midlands and how we together can overcome problems and challenges” – and is an attempt to “level up public art”.
Luke Perry said: “I’m so proud to have been able to work with such wonderful people to make a work which already seems to have a value beyond our expectation.
“The responses to the unveiling were incredibly thoughtful and varied but the undoubtedly unifying message was: ‘it’s about time – we need more of this’.
“With the Forward Together Sculpture we have tapped into a vein of positive energy and need for representation that is in all of our communities.
“Our sculpture isn’t the first about representation and it won’t be the last but it does seem to be the loudest, it says ‘We Need Change Now!’.
Many of the 25 people depicted in the monument met for the first time on Monday (5).
Desrene Gentles-Simms, who is represented in the work, said: “I, alongside 24 everyday people – Midlands Heroes – am very proud to have taken part in this very diversely infused project i.e. the public monument statue ‘Forward Together’.
“I also feel so specially happy to have met everyone at the unveiling and have gained a new family of friends.”
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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