WARM tributes were paid to the British espionage writer John le Carré, author of such Cold War spy classics as The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy, who died last Saturday (12), aged 89.
What was slightly overlooked was the feud between le Carré and the Indian-origin Booker Prize winner Sir Salman Rushdie which lasted for 15 years. It was on the subject of freedom of speech.
Rushdie, who had received a fatwa from the Iranian leader Ayatollah Khomeini after his book The Satanic Verses was published in 1988, complained of a speech le Carré had delivered about freedom of speech. Rushdie accused him of sympathising with Islamic fundamentalists who had threatened to murder him.
In November 1997, le Carré complained that he had been called an anti-Semite in a New York Times book review.
The battle ground between the two was to be the letters’ columns of the Guardian newspaper.
Rushdie shot off a letter on November 18, 1997: “John le Carré complains that he has been branded an anti-Semite as a result of a politically correct witch-hunt and declares himself innocent of the charge. It would be easier to sympathise with him had he not been so ready to join in an earlier campaign of vilification against a fellow writer.
“In 1989, during the worst days of the Islamic attack on The Satanic Verses, le Carré wrote an article in which he eagerly, and rather pompously, joined forces with my assailants. It would be gracious if he were to admit that he understands the nature of the thought police a little better now that, at least in his own opinion, he’s the one in the line of fire.”
Le Carré responded the next day: “Rushdie’s way with the truth is as self-serving as ever. I never joined his assailants. Nor did I take the easy path of proclaiming him to be a shining innocent. My position was there is no law in life or nature that says great religions may be insulted with impunity.
“I wrote that there is no absolute standard of free speech in any society. I wrote that tolerance does not come at the same time, and in the same form, to all religions and cultures, and that Christian society too, until very recently, defined the limits of freedom by what was sacred.
“I wrote, and would write again today, that when it came to the further exploitation of Rushdie’s work in paperback form, I was more concerned about the girl at Penguin Books who might get her hands blown off in the mailroom than I was about Rushdie’s royalties. My purpose was not to justify the persecution of Rushdie, which, like any decent person, I deplore, but to sound a less arrogant, less colonialist, and less self-righteous note than we were hearing from the safety of his admirers’ camp.”
A day later, Rushdie wrote: “I’m grateful to John le Carré for refreshing our memories about exactly how pompous an ass he can be. He claims not to have joined in the attack against me but also states ‘there is no law in life or nature that says great religions may be insulted with impunity’.
“A cursory examination of this lofty formulation reveals that (1) it takes the philistine, reductionist, radical Islamist line that The Satanic Verses was no more than an ‘insult’, and (2) it suggests that anyone who displeases philistine, reductionist, radical Islamist folk loses his right to live in safety.
“So, if John le Carré upsets Jews, all he needs to do is fill a page of the Guardian with his muddled bombast, but if I am accused of thought crimes, John le Carré will demand that I suppress my paperback edition. He says he is more interested in safeguarding publishing staff than in my royalties. But it is precisely these people, my novel’s publishers in some 30 countries, together with the staff of bookshops, who have most passionately supported and defended my right to publish.
“John le Carré is right to say that free speech isn’t absolute. We have the freedoms we fight for, and we lose those we don’t defend.
Le Carré sent another letter on November 22, 1997: “Anyone reading yesterday’s letters from Salman Rushdie and Christopher Hitchens [who had written in support of Rushdie] might well ask himself into whose hands the great cause of free speech has fallen. Whether from Rushdie’s throne or Hitchens’s gutter, the message is the same: ‘Our cause is absolute, it brooks no dissent or qualification; whoever questions it is by definition an ignorant, pompous, semi-literate unperson.’
“Rushdie sneers at my language and trashes a thoughtful and well-received speech I made to the Anglo-Israel Association, and which the Guardian saw fit to reprint. Hitchens portrays me as a buffoon who pours his own urine on his head. Two rabid ayatollahs could not have done a better job. …Rushdie, so far as I can make out, does not deny the fact that he insulted a great religion. Instead, he accuses me – note his preposterous language for a change – of taking the philistine reductionist radical Islamist line. I didn’t know I was so clever.
“What I do know is, Rushdie took on a known enemy and screamed ‘foul’ when it acted in character. The pain he has had to endure is appalling, but it doesn’t make a martyr of him, nor – much as he would like it to – does it sweep away all argument about the ambiguities of his participation in his own downfall.”
In response, Rushdie wrote: “It’s true I did call him a pompous ass, which I thought pretty mild in the circumstances. ‘Ignorant’ and ‘semi-literate’ are dunces’ caps he has skillfully fitted on his own head…. Le Carré’s habit of giving himself good reviews (‘my thoughtful and well-received speech’) was no doubt developed because, well, somebody has to write them. He accuses me of not having done the same for myself. ‘Rushdie,’ says the dunce, ‘does not deny he insulted a great world religion.’ I have no intention of repeating yet again my many explications of The Satanic Verses, a novel of which I remain extremely proud. A novel, Mr le Carré, not a gibe. You know what a novel is, don’t you, John?”
In 2012, the two giants of literature sort of made up.
Rushdie told the Cheltenham literature festival that he “really” admired Le Carré as a writer. “I wish we hadn’t done it,” he said of their feud. “I think of Tinker Tailor Soldier Spy as one of the great novels of postwar Britain.”
Meanwhile, Le Carré told the Times: “I too regret the dispute”.
He went on: “I admire Salman for his work and his courage, and I respect his stand. Does that answer the larger debate which continues to this day?
“Should we be free to burn Korans, mock the passionately held religions of others? Maybe we should – but should we also be surprised when the believers we have offended respond in fury? I couldn’t answer that question at the time and, with all good will, I still can’t. But I am a little proud, in retrospect, that I spoke against the easy trend, reckoning with the wrath of outraged western intellectuals, and suffering it in all its righteous glory.
“And if I met Salman tomorrow? I would warmly shake the hand of a brilliant fellow writer.”
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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