The England and Wales Cricket Board (ECB), the governing body for cricket in England and Wales, is planning to run a series of regional consultation workshops, including one at London’s Kia Oval Cricket Ground on 13th July from 6pm-8.30pm, to help improve its understanding and levels of engagement with South Asian cricket fans across the country.
The ECB wants to ensure that cricket is a game for everyone; full of great experiences whether people play, watch, follow, or work in the game.
To help with this, the ECB wants to hear feedback, ideas and thoughts on how cricket can do this for London’s South Asian communities. They want to hear from people from Afghani, Bangladeshi, Indian, Nepalese, Pakistani, or Sri Lankan communities.
Whether you are involved in cricket or not; you could be a community leader, regular player, volunteer, coach, school teacher, an armchair fan or a parent of a cricket mad child – everyone is welcome to attend.
As well as London, the workshops will take place in seven other regional venues in Birmingham, Bradford, Dewsbury, East London, Leicester, Manchester and Sheffield. They are designed to encourage local communities to share their thoughts, ideas and experiences on playing, attending or following the game.
People interested in attending can register by visiting ecb.co.uk/southasiancricket or emailing rsvp@ecb.co.uk.
Lord Patel of Bradford OBE, independent director at the ECB, said: “We know that there is an incredible passion for the game within South Asian communities nationwide. Cricket is in their DNA and we want them to help shape our future plans for the game.
Today we are only scratching the surface of the potential engagement with cricket from the UK’s South Asian communities. This is a huge opportunity to grow the game and we want to hear from people in South Asian communities who play or follow cricket, but also from those who don’t. Get involved, tell us what you think and contribute to deliver a change and help make cricket a better experience for all.”
Kicking off at London’s Kia Oval on Thursday 13th July, the workshops will take place throughout July and August, and will not only offer guests an opportunity to have their voices heard, but also give them the chance to get a taste for the sport both at a local level through tickets to local NatWest T20 Blast matches as well as being entered into a draw to win four VIP tickets to England vs India or England vs Pakistan in 2018.
Thursday 13th July 6-8.30pm The Kia Oval Cricket Ground, London
Sunday 16th July 12-2.30pm Edgbaston Stadium, Birmingham
Monday 17th July 7-9.30pm Dewsbury Town Hall, Dewsbury
Tuesday 18th July 7-9.30pm Carlisle Business Centre, Bradford
Wednesday 19th July 6-8.30pm Fischer County Ground, Leicester
Thursday 20th July 6-8.30pm Old Trafford Cricket Ground, Manchester
Tuesday 25th July 7-9.30pm Jack Carter Pavilion, Ilford
Wednesday 23rd August TBC Sheffield – location TBC
This is your chance to make your voice heard, and ECB are looking for your support.
A 19th-century painting in Wiesbaden sees a massive visitor surge.
Fans spotted a direct link to the opening shot of The Fate of Ophelia.
Museum staff were completely caught off guard by the 'Swiftie' invasion.
They are now planning special tours to capitalise on the unexpected fame.
The question on everyone's mind: did Taylor Swift visit this place herself?
It is not every day a quiet German museum gets caught in a pop culture hurricane. But that is exactly what has happened at Museum Wiesbaden, where a painting of Shakespeare’s Ophelia has become a pilgrimage site. The reason? Taylor Swift’s latest music video for The Fate of Ophelia kicks off with a scene that looks ripped straight from their gallery wall. Suddenly, they have queues of fans where usually there is just quiet contemplation.
The Ophelia painting that Swifties say inspired The Fate of Ophelia becomes an overnight sensation Instagram/taylorswift
How did this Ophelia painting become so popular?
To be honest, it was simply hanging there. Friedrich Heyser’s work from about 1900. It is lovely, sure, but it was not a headline act. Then the video drops. And you see it immediately in the pose, the white dress, and the water lilies. It is practically a direct copy or, let us say, an homage. Fans on social media connected the dots in hours. Now the museum cannot believe its luck. Visitor numbers went from a few dozen admirers to hundreds, just over one weekend, like a whole new crowd for a century-old painting.
What has the museum said about the surprise attention?
They are thrilled, but a bit stunned. A spokesperson said it was a "shock" and they are having an "absolute Ophelia run." Can you blame them? One minute you are managing a classical collection, the next you are at the centre of a global fan phenomenon. They tried to reach Swift’s team, but they had no luck there. But they have leaned into it completely. Now they are organising a special "Ophelia reception" with guided tours. Smart move, right? It is a perfect storm of high art and pop star power, and they are riding the wave.
The big question: did Taylor Swift actually visit?
This is the real mystery, is not it? How did this specific painting, in this specific German museum, end up as the template for a mega-budget video? The staff are wondering the same thing. She was in Germany for the Eras tour last July. Did she slip in, incognito? Did a location scout send a photo? The museum thinks they would have noticed if Taylor Swift was wandering their halls. Who knows? It is the sort of stuff that feeds fan speculation for years. Whatever the facts, the painting's life has been irreversibly altered.
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