The renowned reader of BBC News at Six, George Alagiah has declared that he will be taking time off from presenting after scans discovered that his bowel cancer has spread further.
The 66-year-old newsreader was first diagnosed with stage 4 bowel cancer back in 2014.
He later revealed that the cancer had spread to his liver and lymph nodes as well.
To treat his bowel cancer, George had undergone 17 rounds of chemotherapy.
But unfortunately, in December 2017, his cancer returned and he had to get treated further before returning to work, The Sun informs.
Though the presenter continued to work as much as possible since his diagnosis, in October last year, George announced that he would be stepping back from work.
However, in April this year, he took up his presenting duties again at the News at Six.
But after scans discovered the further spread of his bowel cancer, he again needed to take a break from work.
Speaking about his current condition, he is reported to have said, "A recent scan showed that my cancer has spread further so it’s back to some tough stuff.
"I’m missing my colleagues. Working in the newsroom has been such an important part of keeping energized and motivated."
Experts warn that you could be at greater risk of bowel cancer if you're over 50, have a strong family history of this disease or have a history of polys (non-cancerous growths) in your bowel.
Some of the other high-risk factors include long-term inflammatory bowel disease, for example, Crohn's disease or ulcerative colitis, type 2 diabetes, and an unhealthy lifestyle – smoking, being overweight or obese not getting enough exercise.
Knowing about the symptoms and being aware of the signs of bowel cancer is important.
Also, the NHS advises people not to be embarrassed to go to the doctor for an examination if any changes are noticed.
Additionally, like in the case of all cancers, an early diagnosis of bowel cancer is extremely important for the best chance of survival.
The NHS states, "See a GP if you have any of the symptoms of bowel cancer for three weeks or more."
Here are five red-flag symptoms of bowel cancer:
• Blood in your poo, or bleeding from the back passage
• Change in your normal toilet routine – for example, going more frequently
• Pain or a lump in your abdomen
• Extreme tiredness
• Weight loss
Tumors present in the bowel usually bleed, and this could cause a deficiency of red blood cells, known as anemia which in turn causes tiredness and sometimes breathing difficulties.
Some people could also experience bowel obstruction when the bowel is blocked by bowel cancer.
Some other important signs of bowel cancer:
• Gripes in the tummy
• Bloated feeling
• Constipation and not being able to pass wind
• Being sick
• A need to strain - like doing a number two but after being to the loo
A number of tests are used to diagnose bowel cancer, starting with a simple digital rectal examination.
The NHS informs that though some people may find these tests uncomfortable and embarrassing, this should not come in the way of seeking help immediately, in case any symptoms of bowel cancer are noticed.
Bowel cancer can be treated and can also be cured, particularly if it is diagnosed early. Also, the good news is that each year, the number of people dying from bowel cancer has been falling since the 1970s.
Besides, more than nine out of 10 people with stage 1 bowel cancer survive five years or longer after their diagnosis. However, according to experts, the longer a person has the disease before diagnosis, the lower the rate of survival.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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