DIVERSE FEMALE VOICES SPEAK ABOUT THE IMPORTANCE OF GENDER EQUALITY AND HAVING A BALANCE IN SOCIETY
by ASJAD NAZIR
The theme for this year’s International Women’s Day is Balance For Better, which is a drive to build a gender-balanced world that helps to create an exciting future for everyone.
There will be activities, campaigns and debates happening throughout the world connected to equality.
To celebrate the occasion, Eastern Eye spoke to women from different backgrounds, from actresses to a young girl, about their views on gender equality and how to create a more balanced society.
Naseeba Sacranie (Creative director): It is 2019 and sadly inequality and gender discrimination are still rife globally. Education and awareness are vital if we want a positive change to happen. As a mother of an eight-year-old boy, I strongly believe change starts at home. Parents should teach their sons and daughters at a young age about equality, so it is naturally ingrained in their upbringing. A lot of work needs to be done particularly in south Asian and middle eastern cultures. Powerful mediums like Bollywood should use their platform to educate, create awareness and set an example, but sadly they don’t do enough.
Debina Bonnerjee (Actress): Gender equality is primarily about treating every individual as a human irrespective of one’s gender. More important than gender is that one’s emotions are equally valuable as the other’s. One’s right is as valuable as the other’s. No one should claim to be more powerful than the other. I believe we should start empathising with others. There are many oppressed women and transgender people. Women from a privileged background should help these people get their rights. Since the patriarchy placed men in a powerful position, they should understand that every individual has equal power and therefore, support and fight for the exploited ones.
Dia Mirza (Actress & producer): Gender equality is essential to achieve sustainable development goals. The world needs equal representation of women in all spheres of life. A balance is possible only when there is an equal representation. As producers, we ensure that there is a balance of gender at the workplace. Ensuring we have a strong representation of women as crew creates a healthier work environment.
Priya Mulji (Blogger, columnist & marketer): A woman can change the world with her thoughts, actions and kindness, but more needs to be done to respect women in 2019. One of the biggest things that needs to change is the abuse women encounter on a daily basis. This is in the form of sexual harassment at the workplace, rape, domestic violence or even threatening behaviour online. All these need to change. The only way we can change this is by educating young women at a grassroots level to not accept abuse of any form. Men need to be educated from a young age that negative behaviour towards women will never be okay.
Jasmin Bhasin (Actress): I believe men and women are equal. I am a woman and have worked very hard to reach where I am. I believe I can give competition to any man. If the mentality of men and women being not equal is changed then this world will become a better place for everyone, especially women. Parents should make their daughters believe that men and women are equal in all respects. Bringing equality of opportunity and equal respect to all, irrespective of gender, will bring about a positive change. I want to see women giving tough competition to men. It is time for people to change old school thoughts and let the air of evolution flow in through their windows. We can all change the world by first changing the mindset at home.
Asha Mistry-Magin (Student, aged 15): Gender equality is very important. For society to progress there has to be an equal representation of voices. How is societal progression possible if conversations are unbalanced and start on an unequal footing? I think equal opportunities are getting better; for example, my school offers the same opportunities for boys and girls. But, recently, I attended an A level physics taster session where I was the only female, so perhaps more could be done to encourage girls in science. At home, I feel equal to my brother, but I have noticed cultural expectations for women and men are not always equal, such as when men are eating before women.
BananaSharma (Spoken word poet & writer): Gender equality is only the beginning. It is a given, the baseline, the foundation. There is much work to be done to make humanity’s footprint more sustainable, useful and aligned with the natural order. For these changes to take place, equal access must be assumed. It is a step, which can’t be skipped; however, we must not mistake ‘equal’ as being synonymous with ‘identical’. There is duality in all things and space for the different offerings of the masculine and the feminine. Becoming aware of our shakti (power) is integral to the healing of humanity, and this will require us to think collectively with our hearts, get real good at our art and understand that solidarity is just the start.
Aditi Rao Hydari (Actress): Gender inequality is a reality and it’s so ingrained within us that we don’t even realise how we create differences based on gender every day. Opportunities, aspirations, rights and the needs of men and women are not favoured equally. That can only change with exposure to a better and wholesome education, not just literacy, but education. And most important, the education of the girl child. A girl must be educated and independent. So when she goes to work and raises a family, hopefully, she will make sure discrimination is not perpetrated. Change starts from education within the home, as you learn by example.
Ameera Ameerullah (CEO of Canada Mortgage & Financial Group): Women face an uphill battle when it comes to the workforce, political representation, education, and experiences of violence, to name a few. Much of the objection to change in gender roles is really about sexes and power, not just about gender. The so-called ‘glass ceiling’ must be erased from social consciousness. As women, we must stand up for ourselves, stand up for each other and stand up together. Gender equality is not only a fundamental human right, but it is also a necessary foundation for a peaceful and sustainable world. We must globally understand parity through one consciousness, one language to sustain change and become agents of change.
Suki Dusanj-Lenz (Country Head, Fashion Revolution India & Executive Director, Swiss-Indian Chamber of Commerce): Gender equality is not just a feminist issue. It’s a humanist issue. Let’s dissect the conversation deeper and discuss human equality. Race, gender, sex, beliefs and upbringing should not be the contributing factors as to how you are treated in the world. A progressive world is when equality starts at home and continues in the wider community, then into the workplace. Globally, women make 77 cents for every dollar men earn. According to UN Women, it will take 70 years to close that gap. We can fast track that by steering the ship harder and faster for a more gender equal world. As industry leaders, we have to use our power and influence to be a catalyst for true lasting change.
Nimrat Kaur (Actress): The basic rights any girl should have on this planet are that she deserves to be treated equally, given equal opportunities and have a fair and safe environment. We struggle with these basic elements we should have in our society every single day. It is very heartbreaking to see how much of a treacherous environment it can be to live in for a girl. We are doing ourselves a disservice if we can’t provide basic social safety to all women and girls. It is up to each one of us to make a positive change, including the way women bring up their sons; the way women empower other women; men empowering other women. All of us need to take equal responsibility.
Ashi Singh (Actress): This is a vast topic that can’t be expressed in a few lines. Yes, women and men should be treated equally. But today, women are proving themselves in so many fields and showing they are no less than men. I am proud of all the women and girls rising up around the world, including in my country, India. I believe gender equality can happen and am hopeful that it will. I also support those men who face challenges. As someone said, ‘our generation is so busy trying to prove women can do what men can and by doing that women are losing their uniqueness. Women weren’t created to do everything a man can. They were created to do everything a man can’t do.’
Ambarina Hassan (Beauty expert & brand consultant): Gender equality has always been an issue. Decades ago, gender equality was a male versus female affair, but today, it’s more complicated. Male, female, lesbian, gay, transgender, transexual, transvestite and so many others; the terms and the options may have changed, but the point remains, as it ever was. Why should someone’s gender, either by birth or by choice, matter so much to us? Surely, we should judge a person by their merits and kindness. It should not be tied up with their ‘privates’, which by their very nature and the word itself is private. Let’s treat all people as equal, irrespective of their sex or sexual persuasion, and make the world a better place for our children and future generations.
Armeena Rana Khan (Actress & humanitarian): Imagine an army or a football team where half the members just stand still. It doesn’t make sense. Why are our mothers, daughters and sisters beaten, underpaid, sexually assaulted and denied opportunities? We should say, enough. It’s 2019, let’s get serious and make some choices. On a personal level, teach your boys they are not the protectors of women. Then eliminate the differences in raising your sons and daughters. On a societal level, establish a parallel and equal female prime minister. Next, make sexual and domestic violence against women a statutory crime against the state. Then sit back and watch our human, economic and creative potential go into overdrive.
Suman Bajaj (Fashion designer & business entrepreneur): When one considers that 60 million people around the world are garment workers, and 80 per cent of that number is made up of young women, one might not expect gender issues. Think again. In the process of producing the very same garment that empowered women adorn, these female workers worry about getting equal pay, penalised for having a family that also needs them or are sexually and physically harassed. It may be considered that we’ve made progress, but we still have a long way to go. I urge women to hold each other and guide one another. As part of the matriarchy, let’s expect less from others and more from each other. We’ve begun to raise daughters more like sons, but now let’s have the courage to raise our sons more like our daughters.
Bhavini Purohit (Actress & YouTuber): A world of equality can only be achieved with the active participation of all genders. In a patriarchal setup, men are not encouraged enough to think about women’s rights. But an evolving society and progressive mindset means an increasing number of men are working towards advancing gender equality. But there’s still a long way to go. It will be achieved when both genders enjoy the same rights and opportunities across all sectors of society, and when their different behaviour, aspirations and needs are equally valued. Initiatives are taking place to make this happen, including a more inclusive work culture and women standing up to issues like harassment and gender bias at the workplace. Slowly but steadily, we can hope for a world free of any disparity if we all work together.
Eisha Acton (TV presenter): Striving for equality starts within. Knowing your true worth is the first step towards breaking down stigmas that suggest you are inadequate. The history of women’s rights (or lack of) should be a compulsory subject in schools, universally. An Australian university introduced such a module, following the brutal murder of a female student. The university bravely created a module whereby every student had to address how to respect women and keep them safe in modern day life. I think forward-thinking movements such as this are essential for our society - in order to properly learn how difficult it is to live as a woman and how simple changes in daily notions of respect can shift the current power struggle and identify women as equal.
Rameet Sandhu (Singer & songwriter): I find gender equality very important and being a female in the music industry I feel like it’s still unbalanced. Despite several discussions and topics regarding female empowerment, I don’t see much change. In the UK, I feel there’s only a handful of female singers compared to the wide range of British male artists. I feel the people who preach female empowerment and how they should support the females, including in the industry, should actually do it rather than saying it and then we will see the change.
Baroness Manzila Pola Uddin (Life peer & activist): Inequalities are embedded in all aspects of our lives. Britain prides itself in its global advocacy for equality, yet it is 100 years since women achieved suffrage. Inequality in our political, academic and business organisations remains endemic and progress is painfully slow. At the current rate, it is likely to take another 200 years before there is equality of men and women in our governing institutions. It is my belief that mandating political parties to select equal numbers of men and women within all constituencies for both local government and parliamentary constituencies would significantly impact social, economic and political inequalities. Women’s equal participation and leadership would inevitably influence and cause social changes. This will improve the conditions, which create barriers preventing their full participation in all aspects of economic, civic and political life.
Harshdeep Kaur (Singer): As a child, we were often asked who do we love more - mother or father. And it was the most difficult question to answer. I wish our society can think like that child while making a choice between daughters and sons. Gender equality is a term created by society and now it’s time to change the term to gender unity. This positive change can occur only if there’s a change in the mindset.
Surbhi Chandna (Actress): Instead of debating gender equality, let us all collectively take steps to make it a reality so that it is no longer an issue. Real change will happen with education, which includes giving young girls the same educational opportunities as boys and getting society to realise that making everyone stronger empowers us all. It all starts with parents educating and empowering their children. My parents brought up two daughters and made us believe we can achieve anything. I admire all the young girls and women who have to fight a little bit harder every day, and proud of all the women who have made a mark in every male-dominated field.
The National Theatre’s annual Connections Festival will return this June, celebrating its 30th anniversary with a week-long programme of youth theatre performances from across the UK.
Running from 24 to 28 June, the festival will also mark the reopening of the Dorfman Theatre, which has been closed since November 2024 for government-funded refurbishment works.
Over the past three months, more than 5,000 young people from over 270 schools and youth theatre groups have performed in venues across 33 professional stages nationwide. From this wide participation, ten theatre groups have been selected to perform at the National Theatre in London.
Each group will stage one of ten newly commissioned plays, offering young performers the opportunity to explore contemporary themes including identity, climate change, and community.
The selected groups and their plays are:
Fresh Air by Vickie Donoghue – Central Foundation Boys’ School, London
Ravers by Rikki Beadle-Blair – HOME Young Company, Manchester
Mia and the Fish by Satinder Chohan – Abbey Grange Academy, Leeds
The Company of Trees by Jane Bodie – Hamilton District Youth Theatre, Lanarkshire
Their Name is Joy by May Sumbwanyambe – Nottingham Girls Academy Theatre Company
Saba’s Swim by Danusia Samal – Central Youth Theatre, Wolverhampton
Normalised by Amanda Verlaque – Brassneck Youth, Belfast
No Regrets by Gary McNair – Glasgow Acting Academy
Brain Play by Chloë Lawrence-Taylor and Paul Sirett – Chatham and Clarendon Grammar School, Ramsgate
YOU 2.0 by Alys Metcalf – Everyman Youth Theatre, Cardiff
Young participants have also been involved in backstage roles, including lighting, costume design, directing and composing, helping to realise their productions from start to finish.
Indhu Rubasingham, Director and Co-Chief Executive of the National Theatre, said: “I am really pleased to welcome ten youth groups from all corners of the UK to the NT for this landmark anniversary festival of Connections. Everyone should have the opportunity to experience the power of theatre-making.”
Since launching, the festival has engaged over 125,000 young people, with former participants including actors Keira Knightley, David Oyelowo, Rose Ayling-Ellis, and Callum Scott Howells.
Each year, ten new plays are commissioned for Connections, contributing to a growing archive of over 235 scripts written specifically for young performers.
Tickets are available for £5 per show, or £8 for two performances in one evening. All shows will feature captioning for accessibility.
Whether it is her cool songs like Checka, Piya Piya Calling and Siste Dans, cutting-edgeEP Running Deep, or acclaimed 2024 debut album Shahrazad, Delara has consistently crossed creative horizons and collaborated with global talent.
The award-winning Norwegian singer has lit up the live scene, clocked millions of streams, and connected with diverse cultures through her eclectic music. The fabulously forward-thinking talent has added to her impressive achievements with the newly released Kalash Reimagined, a bold collaboration with Indian singer Charan, Pakistani producer Talal Qureshi and Jamaican-American rapper BEAM.
Eastern Eye caught up with Delara to discuss her music, inspirations, future hopes and unique new single.
Her new track, Kalash ReimaginedInstagram/ amandadelara
What first connected you to music?
I think music was always part of my life before I even knew what it meant to me. I grew up in a household where my parents would talk about life and politics around the dinner table. That energy of emotion, reflection and curiosity somehow found its way into the songs I started writing. Music became my space for understanding myself and the world around me.
How do you reflect on your music journey so far?
I’m proud of how much I’ve dared to evolve. From the start, I didn’t take the easiest route. I sang about politics and personal struggles when people told me not to. But I’ve always trusted that staying true to myself would lead me to where I’m meant to go. That has shaped me into the artist I am today – a mix of experimentation, boldness and vulnerability.
Which of your songs is closest to your heart?
That’s a hard one, but Unbound will always be very close to me. I wrote it during a time when I was thinking a lot about the impermanence of life, and how nothing and no one lasts forever. The relationship I have with my mother, who means everything to me, inspired much of that song. Having her in the music video made it even more emotional and personal.
How much did the acclaim your debut album received mean to you?
Of course, I’m grateful for the recognition, but I try not to get too caught up in critical acclaim. What means the most to me is the feedback I get from listeners – people who send me messages or come up to me after shows saying a song helped them through something. That’s what gives me confidence and keeps me creating.
Tell us about Kalash Reimagined.
Kalash Reimagined takes the original track to new heights by merging powerful voices and sounds from different parts of the world. After working on Piya Piya with Coke Studio last year, it felt natural to expand on this fusion of cultures. The remix blends south Asian sounds, Jamaican energy and Norwegian–Iranian influences to create something bold and deeply emotional. It is a celebration of what can grow when different worlds collide.
What was it like collaborating with Charan, Talal Qureshi and BEAM?
Collaborating with Charan, Talal and BEAM was an amazing experience. Charan brought his unique perspective and fresh energy to the track. Talal’s creativity and musical vision really helped elevate the sound, while BEAM’s raw intensity added something special. It felt like a real meeting of different worlds, with voices that had something real to say. The collaboration was a true exchange of energy and ideas, and it came together beautifully.
How would you describe this track?
It’s a powerful fusion of sounds and emotions. Kalash Reimagined is bold, raw and unapologetic – yet playful and full of energy. The track exists in the spaces between cultures, not trying to represent everything but highlighting what can grow when worlds collide. It celebrates shared experiences and the beautiful complexity that emerges from blending different backgrounds.
Who are you hoping this song connects with?
I hope this track resonates with anyone who feels caught between cultures or identities. It is for those who do not fit neatly into one box. Whether you are from south Asia, the diaspora, the Caribbean or anywhere in between, I want the song to speak to those who feel empowered by blending different worlds – and who are open to the beauty that comes from that fusion.
What can we expect next from you?
There is a lot on the horizon. I’m about to announce my biggest headliner show yet, which I’m incredibly excited about. I’m also working on new music and visual projects that will push boundaries, along with more cross-cultural collaborations like Kalash Reimagined. The goal is always to connect sounds and stories in unexpected ways. I’m exploring fresh creative paths, keeping things organic and letting ideas flow freely.
Who would you love to collaborate with? There are so many, but right now I would love to work with artists who challenge genres and tell strong stories – people like Bad Bunny, Rosalía, Frank Ocean or even Raveena. Artists who are not afraid to blend cultures and sounds.
What kind of music dominates your personal playlist?
It’s a mix of many things. But with summer approaching, there is a lot of Afro, reggaeton, salsa, r’n’b and hip hop. I’ve actually created a personal playlist that I share with my listeners.
What inspires you as an artist?
Life itself – my family, friends, conversations with strangers, travelling, latenight thoughts, missing home, or wondering what home even means. I get inspired by contradictions, and those quiet moments of reflection when I’m not even trying to create.
Why do you love music?
When I’m creating music, I feel the most free. It is a space where only your mind, creativity and ideas matter – not how you look or how others see you. Music was the first place where I felt truly seen and heard. It’s a powerful force of connection, the closest thing we have to real magic – a universal language that everyone understands. In just seconds, music can make us feel a little less alone. How can you not love that?
Instagram: @amandadelara
Keep ReadingShow less
The book explores the power of community, teamwork, and belonging
With the release of Pia’s Pet Club: Puppy Problem on 8 May, award-winning author Serena Patel brings young readers a heartwarming new series that combines humour, friendship, and cultural representation. Known for her Anisha, Accidental Detective books, Patel spoke to us about her inspiration, the writing process, and why visibility in children's literature matters.
From PowerPoint slides to pet chaos
The origins of Pia’s Pet Club are rooted in a familiar family negotiation. Patel recalls, “My son was trying to persuade us to get a bigger pet. He made PowerPoint slides, showed us TV programmes, did all his research. Eventually we gave in—and now we have two ragdoll cats.”
That experience inspired Pia, a young girl desperate for a pet of her own. When her parents say no, Pia sets out to prove she’s responsible by helping her friend Hari train his unruly puppy, Luna. Predictably, chaos follows—and so does the idea of forming a pet club.
One of Patel’s favourite scenes to write involved a spectacularly failed attempt to train Luna. “It was really fun to write. The kids think it’ll be easy, but the dog has other ideas,” she laughs.
A heroine with heart and flaws
Pia is Patel’s latest strong-willed lead character. “She doesn’t always get it right, but she’s trying her best,” she says. “She’s flawed and real, just like any child.”
Patel, who grew up in a South Asian household, shares that she never saw herself in books as a child. “I never came across South Asian characters in funny stories. Seeing yourself in a book gives you a sense of belonging—it’s validating,” she explains. Pia’s cultural background is woven naturally into the narrative, from home-cooked meals to family dynamics and familiar words.
A visual world, brought to life
The illustrations in Pia’s Pet Club are by Emma McCann, who has worked with Patel for several years. “Emma’s brilliant. It’s like she has a camera inside my brain,” Patel says. “She adds humour and detail that isn’t even in the text. It’s a real collaboration.”
Set in the communal garden of an apartment block, the book explores the power of community, teamwork, and belonging. Patel describes it as a departure from the mystery genre that defined her previous work. “This one feels more like a warm sitcom—funny, but full of heart.”
The first book took nearly three years to develop, from idea to finished manuscript. “There were moments I doubted myself, but I wanted to make it the best it could be,” she admits.
What's next for Pia?
The series is already expanding. The second book, The Secret Kitten, is due in January 2026, and the third, Guinea Pig Showtime, will follow in July 2026. Readers can expect more mishaps and humour as Pia and her friends take on new pet-related challenges, including a pet talent show.
From page to screen?
With Anisha, Accidental Detective in development for television by BBC Studios Kids & Family—featuring Emmy-winning actress Archie Panjabi as executive producer—it’s no surprise that Patel has considered a screen future for Pia as well.
“It’s the dream,” she says. “The setting, the characters, the themes—they’d all work brilliantly on screen.”
Ahead of the launch, Patel is preparing for a number of school visits and events. “It’s a new series. You never know how it’ll be received,” she says. “But the early feedback has been great.”
For readers young and old, Pia’s Pet Club offers a story of determination, friendship, and cultural pride. “Books are powerful. They stay with us,” Patel says. “And if Pia makes just one child feel seen or brings a smile to their face, then I’ve done my job.”
Keep ReadingShow less
Badyal brings a wide breadth of experience across the creative industries
Saxton Bampfylde has announced the appointment of Jonathan Badyal as senior advisor to its arts, culture and creative industries practice. The firm, which has supported this sector for nearly four decades, works with some of the world’s most respected cultural organisations on senior leadership appointments.
Badyal brings a wide breadth of experience across the creative industries, including roles in both the public and private sectors. He is currently a partner at Trafalgar Strategy, a global advisory firm, where he provides strategic and communications counsel to CEOs and leading creatives. With a particular interest in India, Badyal is also working to develop the UK’s cultural ties with the country, exploring opportunities for collaboration in the arts and creative sectors.
During his career, Badyal spent eight years at Universal Music UK, most recently serving as director of communications. In this role, he managed key relationships across the creative industries and government. Prior to this, he spent five years advising the UK government’s culture and digital minister, gaining deep insight into arts and creative industries policy.
His board roles include deputy chair at the Black Country Living Museum and interim chair of the National Academy for Social Prescribing. He has previously served on the Tate Modern advisory group and was recently listed in the PRWeek UK Power Book 2025.
Saxton Bampfylde’s arts, culture and creative industries practice has partnered with a wide range of organisations across the sector, including the National Theatre, British Museum, V&A, BBC, SXSW, and the GRAMMYs. The firm has also worked with a number of prominent theatre institutions, including the Almeida Theatre, Trafalgar Entertainment, Punchdrunk, Young Vic, Sheffield Theatres, Birmingham Rep and Pitlochry Festival Theatre.
Ed Bampfylde, head of the arts, culture and creative industries practice, said: "We are thrilled to welcome Jonathan to our team. His breadth of experience across the creative industries gives him a unique perspective that will be invaluable to our clients. Jonathan's commitment to the sector, coupled with his vision and depth of understanding of the evolving creative landscape, perfectly complements our mission to identify and support transformative leaders."
Commenting on his appointment, Badyal said: "I’ve always had a real passion for putting people together, particularly when it comes to boards and CEOs looking for exceptional individuals who can bring something different to their organisations. I’m delighted to now be doing this in a formal capacity, advising the team at Saxton Bampfylde as they continue to work with some of the world’s most important organisations in sectors I care so deeply about."
BITING POINT is “a desire to find goodness in a difficult and uncertain world,” its British Indian playwright has said, adding that he hopes it will resonate with audiences in Hull and beyond.
Written by Sid Sagar, the play is a sitespecific production performed in car parks and examines how anger can turn good people ugly.
“The play is deeply rooted in examining how anger can transform ordinary people – individuals simply going about their lives, dealing with everyday stresses that audiences will relate to, whether that’s work pressure, family stress or relationships not functioning as well as desired.
“It also explores how being caught in city centre traffic and congestion in Hull can affect people’s temperament,” Sagar told Eastern Eye in an interview.
He added, “In recent years, particularly during and since the pandemic, there has been a general rise in rage among the public. This anger partly stems from the less formalised, less polite conduct we now see in mainstream politics, which trickles down to ordinary people who feel so disempowered and disenfranchised that venting – often in problematic ways – seems their only recourse to be heard.”
Directed by Paul Smith, Biting Point centres around a road accident and its knock-on effects. John (played by Marc Graham), a white British delivery driver, and Anita (Katie Singh), a British south Asian property manager, have grown up in the same city with both similar and differing experiences and frustrations of keeping pace with modern life. When they collide at a roundabout in relentless rush-hour traffic, their frustrations and anger boil over, leading them to react in ways they never thought possible.
Biting Point’s running time will be 75 minutes without an interval.
“The unique aspect of this production is that it’s touring to car parks of various shapes and sizes rather than conventional theatres. The actors will perform live, while audience members entering the car park will be given headsets through which they’ll hear poems and thoughts from local artists before the show begins. Suddenly, viewers will be thrust into the characters’ world, who sometimes communicate with each other, but more often replay memories, telling us about various interactions with important people in their lives,” said Sagar, who took four years to write the play.
“Through the headphones technology, audiences will experience numerous characters and an entire world of voices, adding to the sense of people being weighed down by information overload. This overwhelming nature of societal demands fuels the rise in rage, or at least creates a sense that people don’t quite know how to manage stress, which, if left unaddressed, can quickly develop into something more worrying.”
In his opinion, without the conventional “fourth wall” of darkened theatres, actors will directly engage with viewers, creating an immediate connection that makes the audience feel part of the storytelling process.
According to Sagar, the novel approach of performing the play in car parks emerged through collaboration with himself, the director and the production team. The play also received support from Without Walls, a UK charitable foundation that funds site-specific art projects in unexpected locations.
He said, “The car park setting aims to make theatre more inclusive and accessible, bringing stories to communities who might not typically attend traditional venues. It transforms an ordinary, functional space into something that can tell meaningful stories about the place people find themselves in.
“Upon arrival, audience members will receive headphones, a cup of tea, and a magazine featuring works by local artists. The immersive experience includes memories, sound design, and unique perspectives from the top floors of car parks, offering spectacular city views rarely appreciated.”
Though acknowledging it’s a challenge and perhaps a risk, Sagar said the most rewarding outcomes often come from embracing such challenges.
The actor-writer is from Delhi and grew up in Hertfordshire.
Asked how his Indian background influenced his writing, he said, “I was born to parents from Delhi and grew up in Nairobi, Barcelona and Moscow until I was eight, when my family moved to England in 2001. I settled in Hertfordshire, just outside London, where I spent my formative years before later relocating to north London.
“This experience of movement and feeling ‘slightly different’ heightened my selfawareness from a young age, making me more attuned to how people respond to differences. My own background fostered my interest in storytelling about ‘big themes from small places’ and examining ordinary people’s experiences.
“As with many artists from ethnic minority backgrounds in the west, my work is underpinned by a desire to understand my place in a society that presents itself as inclusive, whilst acknowledging persistent troubling views about integration and immigration.”
Biting Point was commissioned in 2023, prior to the 2024 summer riots that swept through Southport, Hull and other towns and cities across the UK.
Sagar added, “For the play, I created Anita, a character with south Asian heritage born and raised in Grimsby (northeast England), who sounds local, but looks Indian.
“The play’s 2025 performance comes less than a year after the UK riots of 2024 – events reflecting both legitimate expressions of despair and more nefarious forces, resulting in attacks on minorities. While I resist reductive classifications of ‘British Asian’ identity, I believe engaging audiences with these complex stories of belonging and community might help them leave the theatre feeling differently than when they arrived.”
The innate human tendency towards goodness and acceptance is often forgotten as we navigate adulthood, Sagar said.
“When this fundamental nature intersects with today’s globalised, increasingly unequal world, the consequences for ordinary people can be devastating. Our political systems frequently leave those without a voice feeling more disenfranchised, while those at the upper end of the scale control media and politics. This power imbalance can lead fundamentally decent people to develop resentment. When communities change and opportunities diminish, people naturally search for explanations. However, the true causes are often more complex than we wish to believe. The 2024 riots, for example, cannot be attributed solely to asylum seekers in hotels; these communities’ grievances stem from decades of governmental neglect – closed libraries, underfunded schools, and relocated hospitals. These systemic failures can transform good people’s outlook, with potentially devastating results. Ultimately, this play aims to offer communities hope that goodness remains possible, even when circumstances seem stacked against us.”
Sagar trained with the Soho Theatre Writers’ Lab, the INSPIRE scheme at Hampstead Theatre, the London Library Emerging Writers Programme, and the Channel 4 Screenwriting Course in 2023.
The writer, who also plays Mr Praed in Mrs Warren’s Profession at the Garrick Theatre, London, later this month, said his acting journey also helped him with his writing. “I think acting is always useful. It gives you insight not only into how other creatives work – what directors and writers need – but ultimately, because you’re the one who must stand up and deliver the lines, it gives you a sense of how dialogue works and what makes for good dialogue. It also helps you understand what makes for good characters.
“Actors are naturally drawn to playing complex characters. We want to play people who have a journey in a play. You don’t want to just stand there and say one line over several hours - you want to have something to hold on to. That informs the way I write. I want to create interesting people doing interesting things, even if, at first glance, they don’t come from particularly interesting places.
Sagar added, “For example, in Biting Point, you have John, who is a delivery driver - someone doing a job most people might not pay much attention to. Then there’s Anita, a property manager, which might sound dull or ordinary. But their inner worlds, the things affecting them every day, are complicated, messy, knotty, and sometimes funny too.
“So, I think my acting background - my experience on stage performing, making people laugh, moving people - means I want to give actors the opportunity to shine and tell exciting stories. My performance background informs the way I write, and vice versa. The way I write also draws me, as an actor, to work that is challenging, provocative, and says something about the world, rather than shying away from it or accepting things as they are.”
Biting Point opens in Hull next Saturday (10) and will tour north England until June 22.