Ashwini Kalsekar: nurturing tradition through Kathak and teaching
As the artistic director of the Kathak institute Kirti Kala Mandir UK, she promotes classical Indian dance through classes for all ages across London
Ashwini Kalsekar
By Asjad NazirNov 29, 2024
TEACHING plays a central role in the life of acclaimed dancer and choreographer Ashwini Kalsekar.
As the artistic director of the Kathak institute Kirti Kala Mandir UK, she draws on more than 25 years of experience to preserve and promote classical Indian dance through classes for all ages across London. She empowers and inspires dancers while celebrating cultural heritage and artistic expression. Her students’ annual showcase, Dharohar, will take place at the Bhavan in London next Sunday (8).
Eastern Eye spoke to the Kathak maestro about the forthcoming event, her journey, and the importance of teaching and live performance.
How do you reflect on your classical Indian dance journey?
For me, classical Indian dance is more than a journey – it’s an ongoing process. Since I was young, I’ve felt deeply connected to this art form. Its purity and calmness bring me peace and stimulate my soul and spirit. Dance has shaped and fulfilled me, providing a lifelong, soulful experience that makes me feel whole as an Indian classical dancer.
How important is the teaching aspect for you personally?
Teaching is essential to me as an Indian classical dancer. It’s not just about sharing technique but also the discipline, spirituality, and depth of the art. Teaching helps preserve tradition and inspire new dancers while deepening my own connection to Kathak. Each student brings unique energy, and guiding them makes the process even more meaningful and fulfilling.
Tell us about your forthcoming Dharohar event.
Dharohar, which means heritage, is our annual showcase at the Bhavan next Sunday (8). It celebrates the creativity, dedication, and artistry of our students while connecting tradition with the present through powerful performances.
How will you select the performances for the show?
We choose performances carefully, focusing on each student’s strengths, talents and growth. The pieces reflect technical mastery and artistic expression, balancing traditional and innovative elements. The goal is to create a diverse representation of classical forms, ensuring the performances honour Indian dance heritage while resonating with the show’s theme of cultural legacy and artistic depth.
What do you admire the most about your students?
I admire their dedication and commitment to learning, especially as they balance school, university, or work with their passion for dance. They adjust their routines and prioritise rehearsals with devotion. Seeing them integrate Indian classical dance into their lives fills me with pride as their Guru. It reassures me that this art form is rooted in their hearts and will continue through them for generations.
How important is it to support the next generation of dancers?
Supporting young dancers is vital to preserving and evolving Indian classical dance. By nurturing their talent, we ensure this cultural heritage remains vibrant and relevant. Guiding them instils discipline, creativity, and a deep appreciation for tradition, empowering them to become ambassadors of this timeless art for future generations.
What was your own experience of learning from dance teachers?
I learned Kathak under my mother, Guru Rekha Nadgauda, for 17 wonderful years, which gave me a strong foundation and deep love for the art. Later, studying under Vidushi Shama Bhate for my MA in Pune pushed me out of my comfort zone, challenging and broadening my understanding. These invaluable experiences deepened my technique, appreciation for Kathak’s nuances, and dedication to clarity and simplicity.
What advice would you give those who are learning classical Indian dance?
Don’t compare yourself to others. Success comes from dedication, hard work, patience, and regular riyaz (practice). Embrace mistakes as part of the journey – they are valuable for growth. Stay focused, keep learning with love, and trust in the process.
What, in your opinion, is the secret to a great performance?
The key is connection. Even in a solo performance, involve the audience as part of the experience. Dance is about savouring every movement, not rushing to the end. Let the audience feel the music through you – make it visible as you embody it.
Finally, why should we attend your annual showcase?
Join us for an inspiring evening celebrating the artistry and dedication of emerging dancers. These young talents have worked tirelessly to perfect their craft, and your support will mean the world to them. Experience the magic of Kathak as music and movement become one, and be part of a community that nurtures the future of this beautiful classical art form.
Dharohar is at the Bhavan, 4A Castletown Road, London W14 9HE next Sunday (8). www. bhavan.net and Instagram: @ Kathak ashwini
Caste continues to be a significant factor in Indian society, separating those of higher castes, who have historically held cultural and social advantages, from people of lower castes, who face systemic discrimination. (Photo: Getty Images)
INDIA will carry out its next census in 2027, the government announced on Wednesday. This will be the country’s first census since 2011 and will include the enumeration of caste, which has not been officially recorded since independence.
“It has been decided to conduct Population Census-2027 in two phases along with enumeration of castes,” the India's Ministry of Home Affairs said in a statement.
The main phase of the census will take place on March 1, 2027, across most of the country. However, in high-altitude regions, the exercise will be conducted earlier, on October 1, 2026, to avoid snowfall.
These areas include the states of Himachal Pradesh and Uttarakhand, as well as Ladakh and the region of Jammu and Kashmir.
Caste continues to be a significant factor in Indian society, separating those of higher castes, who have historically held cultural and social advantages, from people of lower castes, who face systemic discrimination.
More than two-thirds of India’s 1.4 billion population are estimated to be from lower caste groups, which form part of an ancient social structure that categorises Hindus by function and status.
The inclusion of caste data in the upcoming census was approved during a government meeting led by Prime Minister Narendra Modi in May. The census had originally been scheduled for 2021.
The last time caste data was collected as part of the official census was in 1931, under British colonial rule. India gained independence 16 years later.
Since then, governments have avoided updating caste information, citing the complexity of the task and concerns about possible social tensions.
A caste survey was carried out in 2011, but its findings were never released publicly due to concerns over accuracy.
That 2011 caste survey was conducted separately from the general census held the same year, which remains the most recent demographic data collected in India.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
England's Ben Stokes with teammates. Reuters/Peter Cziborra
ENGLAND have named a 14-player squad for the first match of the Rothesay Test Series against India, which is set to begin on June 20 at Headingley in Leeds.
Ben Stokes will lead the squad as captain and Surrey bowling all-rounder Jamie Overton returns to the Test line-up for the first time since earning his sole cap against New Zealand at Headingley in June 2022.
The 31-year-old is still under close medical review after breaking his right little finger during the first One-Day International against the West Indies at Edgbaston last week.
Overton, who scored 97 against New Zealand, could strengthen the lower order batting with Atkinson missing and Chris Woakes still proving his fitness.
Woakes, 36, has been delayed by a bone stress reaction in his ankle and needs to demonstrate his readiness in Friday's (6) England Lions match against India A at Northampton. Having played just one county match for Warwickshire, his participation remains uncertain. He could edge out Sam Cook, who retains his place in the squad after a quiet debut against Zimbabwe.
England's Jamie Overton celebrates after taking the wicket of West Indies' Gudakesh Motie. Reuters/Andrew Boyers
Brydon Carse returns after recovering from a toe injury, adding to England's seam bowling options alongside retained duo Sam Cook and Josh Tongue. Matthew Potts has been overlooked entirely, meaning five seamers will compete for three spots in the final XI.
Jacob Bethell returns to the squad after missing the Zimbabwe Test due to Indian Premier League commitments. The 21-year-old left-hander impressed during England's winter tour of New Zealand, scoring three fifties after his surprise promotion to the crucial position.
However, Ollie Pope's sparkling 171 against Zimbabwe at Trent Bridge has complicated matters. Captain Ben Stokes had previously backed his vice-captain, dismissing criticism as a "media agenda" following Pope's century. Selector Luke Wright offered no guarantees about Pope keeping the spot, admitting Bethell was "very close" to selection.
Another development concerns Jofra Archer's potential return to Test cricket. The Sussex seamer, who hasn't played first-class cricket since 2021 due to various injuries, is being lined up for the second Test at Edgbaston next month.
Archer will play a County Championship match for Sussex against Durham on June 23, which begins during the first Test. If he proves his fitness, the 30-year-old could make his Test comeback at Birmingham, providing a significant boost to England's bowling attack.
"Like anything with all these bowlers, he's got to keep ticking things off every day with no setbacks," said Wright. "But if all goes well and he gets through that Durham game, then he's available potentially for selection for that second Test."
England are managing several injury concerns, with Mark Wood and Olly Stone expected to miss the entire series. Captain Stokes has abandoned plans to play for the Lions after successfully returning to bowling following hamstring surgery earlier this year.
Surrey's Gus Atkinson was ruled out of selection due to a hamstring injury sustained during the one-off Test against Zimbabwe at Trent Bridge last month.
England will play five Test matches against India over the next couple of months, finishing on August 4 at the Kia Oval in London.
SQUAD: Ben Stokes (capt), Shoaib Bashir, Jacob Bethell, Harry Brook, Brydon Carse, Sam Cook, Zak Crawley, Ben Duckett, Jamie Overton, Ollie Pope, Joe Root, Jamie Smith (wkt), Josh Tongue, Chris Woakes.
Thug Life brings together two giants of Indian cinema, director Mani Ratnam and actor Kamal Haasan, for the first time since their 1987 classic Nayakan. Hopes were understandably sky-high, especially following Ratnam’s recent success with the Ponniyin Selvan films. Unfortunately, the film struggles to match the weight of its own ambition.
A promising start with technical brilliance
The film opens with style. A gritty voiceover by Haasan sets the tone, followed by a black-and-white flashback in Old Delhi that is visually stunning and thematically rich. Ravi K Chandran’s cinematography and A. Sreekar Prasad’s editing stand out, creating a slick first act filled with betrayal, tension, and dramatic flair.
Kamal Haasan and silambarasan steal the show
Haasan delivers a strong performance as Rangaraya Sakthivel, a gangster who faces repeated brushes with death. His layered portrayal is matched by Silambarasan TR’s intense screen presence. Their performances are the film’s biggest strength, bringing emotional weight to an otherwise uneven narrative.
Supporting cast is underserved by thin writing
While the supporting cast includes notable names like Trisha Krishnan, Joju George, and Nasser, most characters are underdeveloped. Rajshri Deshpande’s brief but memorable appearance proves what could have been achieved with better character depth.
Second half slips into confusion
After the interval, the film loses direction. Key plot twists involving mistaken identities and romantic missteps feel unnecessary and slow the narrative. What begins as a gangster epic shifts into melodrama, undermining the gritty tone set earlier.
Stylised action, but lacking real stakes
The action sequences are well-shot and dramatic, but Sakthivel’s repeated survival through avalanches, explosions, and gunfire makes him feel more like a superhero than a vulnerable gangster. This hurts the film’s credibility and emotional impact.
A film that looks good but lacks heart
Despite its visual richness, Thug Life doesn’t pack the emotional punch expected from a Ratnam film. It touches on loyalty, revenge and power, but without the depth or payoff to leave a lasting impression.
Final verdict
- YouTubeYouTube/ Saregama Tamil
Thug Life is a beautifully crafted but uneven gangster tale. Kamal Haasan and Silambarasan shine, but weak storytelling and a faltering second half stop it from becoming a classic. It’s stylish but lacks the substance fans hoped for.
Keep ReadingShow less
The jacket tribute, blending personal sentiment with fashion
Actor Janhvi Kapoor recently paid tribute to her late mother, the legendary Sridevi, by wearing a custom denim jacket inspired by the 1990 Telugu cult classic Jagadeka Veerudu Athiloka Sundari. Janhvi took to Instagram to share the look and express her admiration for the film and her mother’s performance, calling the experience deeply emotional and nostalgic.
In her post, Janhvi described the jacket and film as something she is “obsessed” with. She revealed she had watched the re-released version of the film a few days prior and was reminded of the cinematic magic that brought it to life. “Mumma is like an angel fairy princess and so funny and so cute,” Janhvi wrote, remembering Sridevi’s ethereal screen presence.
She also praised co-star Chiranjeevi Konidela, director K. Raghavendra Rao, and the late Amrish Puri, among others, highlighting the film’s humour, visuals, and overall impact. “The revival of this new print couldn’t have been executed by more able hands and is a gift to cinema lovers today,” she added, noting that it “felt like a visual spectacle that would give our contemporary films a run for their money.”
Jagadeka Veerudu Athiloka Sundari was recently re-released in cinemas, giving fans and the next generation of film lovers an opportunity to experience the classic once again on the big screen. The film, known for its fantastical elements and musical score, holds a special place in Indian cinema history and in Janhvi’s personal memories.
Sridevi, who passed away in 2018, was regarded as one of Indian cinema’s most celebrated actresses. The film remains one of her most iconic roles, and Janhvi’s tribute reflects the emotional bond the actor continues to share with her mother’s legacy.
On the professional front, Janhvi Kapoor is currently enjoying a successful run. She was recently seen in Devara: Part 1 alongside Jr NTR. Her upcoming projects include Param Sundari with Sidharth Malhotra, Homebound featuring Ishaan Khatter and Vishal Jethwa, Sunny Sanskari Ki Tulsi Kumari opposite Varun Dhawan, and Peddi alongside Ram Charan.
The jacket tribute, blending personal sentiment with fashion, has resonated with fans online, reinforcing Janhvi’s connection to her roots and her mother’s iconic cinematic journey.
Keep ReadingShow less
Beyoncé rose to fame in the 1990s with Destiny’s Child
Beyoncé is set to return to London as part of her Cowboy Carter tour, performing six dates at the Tottenham Hotspur Stadium. The 43-year-old superstar will kick off her London shows on Thursday, with further performances scheduled for 7, 10, 12, 14, and 16 June.
The tour, supporting her eighth studio album Cowboy Carter, began in April in Inglewood, California, and follows her 2023 Renaissance World Tour, which also included five nights at the same London venue. Most recently, she performed five shows in East Rutherford, New Jersey, before heading to the UK.
Beyoncé’s current tour setlist features a mix of her classic hits such as Love On Top, If I Were A Boy, and Single Ladies (Put A Ring On It), alongside new tracks from Cowboy Carter. These include Texas Hold ’Em, 16 Carriages, and II Most Wanted, marking a move into country music. She has also included covers of Blackbird by The Beatles and Dolly Parton’s Jolene.
There has been no support act on the tour so far, and doors for the London shows are expected to open at 5pm.
Following her UK performances, Beyoncé will continue the European leg of her tour with three shows in Paris at the Stade De France, before returning to the US for the final dates.
The Cowboy Carter tour follows a significant Grammy win for the artist earlier this year. At the 67th Grammy Awards in February, Beyoncé secured her first Album of the Year award for Cowboy Carter. She also took home Best Country Album and Best Country Duo/Group Performance for II Most Wanted, a collaboration with Miley Cyrus.
Her win marked a breakthrough, having previously missed out on the top album honour with I Am... Sasha Fierce (2008), Beyoncé (2013), Lemonade (2016), and Renaissance (2022). During her acceptance speech, she dedicated the award to Linda Martell, the first Black woman to perform at the Grand Ole Opry, who features on the album.
With a total of 35 Grammy Awards, Beyoncé remains the most decorated artist in the history of the ceremony. In March, King Charles III described her as “exceptional” during an episode of his radio programme The King’s Music Room.
Beyoncé rose to fame in the 1990s with Destiny’s Child and has since achieved six UK number one singles and five UK number one albums. She married rapper Jay-Z in 2008, and the couple have three children: Blue Ivy, Rumi, and Sir.