Days after his appointment as FTII chairman, Anupam Kher, the National Award winning actor and doyen of Bollywood spoke exclusively to WION on Saturday.
In a candid interview, Kher spoke about his vision for India's premiere film institute and the controversy surrounding his predecessor Gajendra Chahuhan.
The Saaransh actor said that not only he is the right candidate for the job, but he also has time for his new role.
“I don’t need to do a 9 to 5 job at the FTII. In fact, you can be in institute for 24 hours and do nothing. I will speak to the students and figure about the issues, which are important for the institute,” Kher said. “I’m a self-made man and I have the right to head FTII,” he added.
On his vision for FTII, he said that he doesn’t want to have any pre-conceived notions before taking up the job. “Any institute will; have its set of challenges and I’m ready for it. I want to take FTII to a glorious future and I want only to be a guide and source of inspiration to the students,” he said.
Talking about his predecessor Gajendra Chauhan, Kher said that he was the first person to speak about him.
“I spoke about it (that Gajendra Chauhan was not the right candidate) but today I don’t want to go into details as he has relinquished the office. The position of chairman requires a certain world view and I felt strongly about it.”
The Padma Bhushan awardee who also runs an acting institute by the name 'Actor Prepares' said, “I’m a teacher and want to focus on getting the things done. I’m an optimist and I only focus on positive. I will cross the bridge when it comes.”
Kher who has acted in more than 500 films has a strong opinion about Indian cinema. He feels Indian cinema must reflect the modern India as the country is not about snake charmer.
“We must move away from India’s cliche image. Our cinema is now limited to song and dance”.
Speaking about filmmakers from small towns and films on small towns, Kher said, “Big cities have been consumed. There is some plasticity around it. Small towns today look real, earthy and believable and have brought freshness to the cinema. The characters from small town looks believable.”
He also added that when he works abroad he makes sure that he doesn’t get cast himself in roles that stereotype India.
The 62-year-old, best remembered for his stellar performances in 'Daddy', 'Saraansh', has held the post of chairman of the Central Board of Film Certification and the National School of Drama.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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