Anil Ambani hit with fine and five-year market ban over ‘fund diversion’
Investigation reveals significant governance failures and illegal fund transfers within Reliance Home Finance
By Eastern EyeAug 23, 2024
THE Securities and Exchange Board of India (Sebi) has banned industrialist Anil Ambani and 24 others from the securities market for five years due to charges of fund diversion from Reliance Home Finance Ltd (RHFL).
In addition, Sebi has imposed a ₹25 crore (£2.2 million) penalty on Ambani and barred him from serving as a director or key managerial personnel (KMP) in any listed company or Sebi-registered entity for the next five years.
Moreover, fines ranging from ₹21 crore (£1.9m) to ₹25 crore (£2.2m) have been imposed on 24 entities involved in the case. Sebi has also prohibited Reliance Home Finance from accessing the securities market for six months and imposed a ₹6 lakh (£5449.69) fine on the company.
The penalties come after Sebi investigated multiple complaints of fund diversion and siphoning within RHFL during the financial year 2018-19.
The investigation revealed that Anil Ambani, along with key officials of RHFL – Amit Bapna, Ravindra Sudhalkar, and Pinkesh R Shah – allegedly orchestrated a fraudulent scheme to divert funds from RHFL, disguising them as loans to entities linked to Ambani.
An email sent to Anil Ambani-led Reliance Group company remained unanswered.
Despite directives from RHFL’s board to halt such lending practices, the company’s management allegedly continued these activities, highlighting a significant governance failure.
Sebi's findings also indicated that various other entities either received the misappropriated funds or acted as conduits in the illegal diversion of money from RHFL.
Sebi said that findings have established the "existence of a fraudulent scheme, orchestrated by Noticee No. 2 (Anil Ambani) and administered by the Key Managerial Personnel of RHFL, to siphon off funds from the public listed company (RHFL) by structuring them as ‘loans’ to credit unworthy conduit borrowers, and in turn, to onward borrowers, all of whom have been found to be ‘promoter linked entities' i.e. entities associated/ linked with Noticee 2 (Anil Ambani)".
Ambani has used his position as 'chairperson of the ADA group’ and his significant indirect shareholding in the holding company of RHFL to orchestrate the fraud.
Sebi, in its 222-page order on Thursday (22), noted the cavalier approach by the company's management and promoter in approving loans worth hundreds of crores to companies that had little to no assets, cash flow, net worth, or revenue.
This suggests a sinister objective behind the 'loans'. The situation becomes even more suspicious when considering that many of these borrowers were closely linked to the promoters of RHFL.
Eventually, most of these borrowers failed to repay their loans, causing RHFL to default on its own debt obligations. This led to the company's resolution under the RBI Framework, leaving its public shareholders in a difficult position.
For example, in March 2018, RHFL's share price was around ₹59.60 (£0.54). By March 2020, as the extent of the fraud became clear and the company was drained of its resources, the share price had plummeted to just ₹0.75 (£0.0068). Even now, over 9 lakh shareholders remain invested in RHFL, facing significant losses.
Accordingly, Sebi has barred these 25 entities including Ambani and former officials from "accessing the securities market and prohibited from buying, selling or otherwise dealing in securities, directly or indirectly, for a period of 5 years".
Ambani and three former officials of RHFL (Bapna, Sudhalkar and Shah) have been "restrained from being associated with the securities market including as a director or Key Managerial Personnel (KMP) in any listed company, or any intermediary registered with Sebi, for a period of five years".
Also, the regulator levied a fine of ₹27 crore (£2.4m) on Bapna, ₹26 crore (£2.3m) on Sudhalkar and ₹21 crore (£1.9m) on Shah.
Additionally, the remaining entities including Reliance Unicorn Enterprises, Reliance Exchange next Ltd, Reliance Commercial Finance Ltd, Reliance Cleangen Ltd, Reliance Business Broadcast News Holdings Ltd and Reliance Big Entertainment Private Ltd have been imposed a penalty of ₹25 crore (2.2m) each.
These fines have been levied on them for either receiving the illegally obtained loans or acting as intermediaries to facilitate the illegal diversion of funds from RHFL. (PTI)
King Charles, wearing a black armband to pay respects to the victims of Air India plane crash, attends the Trooping the Colour parade on his official birthday in London. (Photo: Reuters)
A MINUTE's silence for the victims of the Air India plane crash was observed on Saturday during the Trooping the Colour parade in London marking King Charles's official birthday. Some members of the royal family wore black armbands during the ceremony.
A Buckingham Palace spokesperson said King Charles, 76, had requested changes to the parade “as a mark of respect for the lives lost, the families in mourning and all the communities affected by this awful tragedy”.
The crash on Thursday involved a Boeing 787-8 Dreamliner that was taking off from Ahmedabad in eastern India and heading to London's Gatwick Airport. A total of 279 people, including passengers, crew and individuals on the ground, were killed.
Among the victims were 52 Britons. The only survivor identified so far is British national Vishwash Kumar Ramesh from Leicester.
Following the disaster, King Charles said in a written statement that he was “desperately shocked by the terrible events” and extended his “deepest possible sympathy”.
Royal family attends parade
Trooping the Colour is a military tradition that dates back over 200 years and marks the monarch's official birthday. The event begins at Buckingham Palace, proceeds down The Mall, and concludes at Horse Guards Parade, where the King receives a royal salute and inspects the troops.
Hundreds of people gathered along The Mall and outside the palace to view the event. A small group of anti-monarchy protesters were present, carrying yellow signs that read “not my king” and “down with the crown”.
King Charles, who continues weekly treatment for an unspecified cancer, was accompanied by Queen Camilla. Also present were Prince William, 42, his wife Catherine, and their children George, 11, Charlotte, 10, and Louis, seven.
No appearance by Harry and Meghan
Catherine, 43, the Princess of Wales, had earlier announced in March 2024 that she had been diagnosed with an unspecified cancer. In January 2025, she said she was “in remission” and has since gradually resumed public engagements.
Prince Harry and his wife Meghan did not attend the event. The couple stepped down from royal duties in 2020 and now live in the United States. Reports in the UK media suggest that relations between Harry and other members of the royal family remain strained, with minimal communication between him and his brother William.
Although Trooping the Colour is held in June, King Charles was born in November. The tradition of a second birthday celebration was introduced in 1748 by King George II to ensure the monarch’s birthday could be marked in better weather.
Saturday's parade coincided with a major military parade in Washington led by US President Donald Trump on his 79th birthday.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Parle Patel has been a magnetic force in entertainment for nearly 15 years, combining laughter, language and layered identity into sketches, stage shows, radio and social media reels.
The “all-round entertainer”, best known as a fierce champion of Gujarati culture, has gained a loyal global following that spans from London to the heartlands of India.
This year, the popular British talent added another significant milestone to his creative journey by making a winning debut in Gujarati cinema with the film Umbarro. With a unique blend of humour, heart and heritage, Patel has added another huge chapter to an inspiring story of proudly representing his community.
Eastern Eye caught up with the great British hero to discuss his creative journey, film debut, inspirations and future plans..
In Gujarati film Umbarro
How do you reflect on your creative journey? I take stops throughout the year to reflect on what I have done creatively and see if it aligns with my values and aspirations. This includes time away from the UK to reflect. I also think about inspiring figures I look up to and see if I can build on what I have taken on board from them.
You have always championed Gujarati culture. How important is that to you? My main aim was always to speak up for those not properly seen within our Gujarati community. I started making comedy because not enough was being said, explored or celebrated about us. After nearly 15 years, it is not just about ethnicity or religion, but about representing anything you feel is not seen or heard. Now, it is also important for me to celebrate other Gujarati artists and talent too, by highlighting them through my platforms.
You have done diverse work from the online space to theatre, but which has been closest to your heart? All of them have bits of my heart. Each has helped me in different ways. YouTubing and being online showed me you can just start with yourself and build an audience – especially now, when people need that community. It built a worldwide audience. I never thought people in India would like my content, or that I would be doing shows in the US. And getting recognised on a tiny island in Thailand? The power of the internet is mind-blowing.
What about radio and theatre? Theatre is just as good, but different. Hearing everyone laugh together, or the silence during a serious bit, is so raw and real. You know what has made them laugh. Online, you get ‘lol’, or emojis, which is not the same. Radio is another world, with just the voice. It is massively challenging making comedy or saying what I think without the face or acting. Each one is different, but they all fit together – like bits of me, Parle.
How does all your amazing previous work compare to working in a Gujarati film produced by a company from India? With digital content, it is a one-man team, but in film, there is an entire cast and crew helping you stay energised. There are also random people or guests who have come to watch the shoot. So, it is a very different environment, where you really learn to focus with so much going on around you. The team was like a family – so warm and helpful. My fantastic director was so supportive. He never made me feel like this was my first feature film.
How did you feel when you got that film offer? It was really exciting. To work for a director, Abhishek Shah, whose work I am immensely inspired by – like Hellaro, which was a superhit globally. Also, for this role, I had to specifically represent British Gujaratis, and that was going to be fun.
Thumbnail from his social media reel
Tell us about Umbarro and your character. The film follows the lives of seven Gujarati women from different walks of life, travelling to London on a tour. Each lady has a different backstory that needs healing. It beautifully shows that there is no one type of Gujarati woman and has a beautiful element of sisterhood. They help one another through issues like grief, loss and relationships, but also empower each other. I was playing Simran, a half-Punjabi and half-Gujarati. That was where the humour stemmed from. All our characters were on a journey, and had gender-neutral names, which is important when there is not that much representation.
What was your most memorable moment from this Gujarati film journey? A few special things happened. What really struck me was how much the team persevered without ever complaining. Freezing night shoots, a 12th take – everyone just rallied with pure dedication to Gujarati storytelling. Then connecting with senior actors and legends, who knew my UK comedy stuff? It was heart-warming and humbling when they asked my opinion. The Northern Lights also appeared during a shoot, which felt like a sign and blessing. That was unforgettable.
How much do you love that Gujarati cinema has been on the rise? I am so happy and grateful that directors in the industry have not given up or stopped. They are so passionate about the Gujarati language. For ages, I felt like the only one who cared. But then this ‘renaissance’ happened after that lull since the golden oldies. There is often a bias against our regional films. People say, ‘I cannot speak Gujarati, so I will not watch’, but they happily watch a series like Squid Game with subtitles. Surely, it’s about the story?
You have worked on so many different mediums and platforms. What is the plan going forward? With so many things happening globally, I feel my audience is really hungry for more online content. People want to connect, feel a sense of community, and escape as well. In the beginning, I was almost told off for making escapist content. But I think it is important to help people escape the stresses of day-to-day life and laugh at relatable funny things. So, everyone is definitely going to see more online content. It is how people from remote locations get to connect with Gujarati language, comedy and culture.
What about other platforms? I will go back to the stage in some capacity. I really hope to connect with people who want to collaborate and are also passionate about telling authentic stories – especially ones about British Gujaratis, Asians, Hindus and Indians here in the UK. There is so much more that is waiting to be told. I just want to keep representing.
Are you hoping to work in more films? I would love to work in more films. I will always push myself and audition for roles that I feel I can play. I will always try my best to take training and learn more about each medium.
What inspires you creatively? It can be a spark from anywhere. But proper inspiration comes from stories – my own life and family. During tough times, you remember the bad stuff, right? But later, you can choose how to look back – grief, drama or comedy. I pick comedy. It is a human superpower. Turning sad memories into funny ones, adding my ‘masala’. It may not be funny at first, but give it a day or two. That is being a comic – spinning the mundane. Loads of my videos are just everyday stuff, heightened a bit.
Tell us about the family aspect. My parents are a massive inspiration. Dad put me in front of the camera first and taught me how to frame a shot. Mum has always been sharp, witty and has a love for Gujarati dance. I grew up around that. They are proper powerhouses, making me see the funny everywhere. My partner shows me the funny in stuff I would miss. Being with someone who loves comedy and theatre unlocks so much. We get through the mad times by just laughing.
Instagram: @planetparle
Keep ReadingShow less
Father’s Day reflects a wide range of traditions shaped by history, culture and emotion
Father’s Day is often seen as a time for cards, tools or a family lunch, but across the globe, it carries a much deeper significance. Beyond the commercial promotions, Father’s Day reflects a wide range of traditions shaped by history, culture and emotion. While some mark the occasion with grand gestures, others focus on quiet reflection, respect and the bonds that define fatherhood.
Thailand’s day of respect
In Thailand, Father’s Day is celebrated on 5 December, the birthday of the late King Bhumibol Adulyadej. The day is as much about honouring the nation’s former monarch as it is about celebrating fatherhood. Citizens wear yellow, the king’s birth colour, and present canna lilies to their fathers as a symbol of gratitude and respect. It’s a cultural blend of familial and national reverence.
Germany’s tradition of brotherhood
Germany takes a different approach. Known as Vatertag, or Father’s Day, it coincides with Ascension Day and is often marked by groups of men going on hiking trips, pulling wagons of food and drink. While it may appear more social than family-oriented, the tradition is rooted in camaraderie and shared responsibility among men and father figures.
Remembering fathers in Mexico
In Mexico and across parts of Latin America, Father’s Day is a time to honour both the living and the departed. Families often visit cemeteries to pay tribute to late fathers and gather to share stories and memories. It’s a day that highlights legacy over materialism, where the emotional role of a father is celebrated beyond life itself.
The expanding meaning in India
In India, Father’s Day doesn’t have deep historical roots, but its popularity is growing among urban families. Influenced by Western customs, it is increasingly used to recognise not only biological fathers, but also mentors, guardians and elders who provide support and guidance. The day is evolving into a broader celebration of male role models across generations.
A shared message worldwide
Though celebrated in different ways, Father’s Day across cultures shares a central idea: appreciation. Whether through a gift, a walk, a meal or a memory, the day is about acknowledging the role fathers and father figures play in shaping lives. In a time when traditional family structures are changing, this occasion also highlights that fatherhood is defined not just by biology, but by love, responsibility and care.
A thoughtful reminder
Rather than focus on finding the perfect present, Father’s Day offers an opportunity to be present. A simple message, a phone call or a shared moment can mean more than any physical gift. In a fast-moving world, slowing down to recognise those who’ve quietly supported us is perhaps the most meaningful tribute we can give.
Keep ReadingShow less
Jungkook under fire for wearing Make Tokyo Great Again cap at BTS concert rehearsal
BTS star Jungkook has issued a public apology after sparking backlash for wearing a cap with the phrase “Make Tokyo Great Again” during a rehearsal for J-Hope’s concert. The phrase, seen as politically loaded, upset many fans in South Korea, with some calling it offensive and thoughtless.
The singer, who recently completed his mandatory military service, said he was unaware of the slogan’s sensitive background and admitted that he should have been more cautious.
Jungkook of K-pop supergroup BTS at an outdoor sporting facility in Yeoncheon Getty Images
Slogan draws backlash over political and cultural sensitivity
Jungkook was seen in an all-black outfit and the now-controversial cap during rehearsals for the Hope on the Stage concert on Friday in Goyang. The slogan on the cap, “Make Tokyo Great Again,” echoed political phrases linked to Japanese nationalism and was previously used by Tokyo Governor Koike Yuriko. Some South Korean fans were quick to point out that the phrase has been associated with anti-Korean sentiments and accused the singer of being “careless.”
The similarity to Donald Trump’s “Make America Great Again” also added fuel to the fire, as netizens debated the political undertones and the potential implications of a global star wearing such a phrase publicly. Social media lit up with disappointment, with many questioning how Jungkook could overlook such a sensitive issue, especially given the historical tensions between South Korea and Japan.
— (@)
Jungkook responds: “No excuse for my carelessness”
The 27-year-old singer responded quickly to the criticism through a heartfelt message on Weverse. “I sincerely apologise for the disappointment and inconvenience caused by the hat I wore during rehearsals. I didn’t realise the historical and political context behind the phrase,” he wrote. “There’s no excuse. I was careless. I’ll make sure to be more thoughtful from now on.”
He also confirmed that the cap was discarded immediately and acknowledged that he had hurt many of his fans unintentionally. The apology was met with mixed reactions. While some appreciated his honesty, others felt the damage had already been done.
— (@)
This incident comes just days after Jungkook completed his 18-month military service alongside Jimin. The Hope on the Stage concert marked his return to the spotlight, with all seven BTS members reuniting on stage, drawing cheers from fans. Jungkook had recently released Never Let Go, a song dedicated to fans during BTS’s 11th anniversary.
Keep ReadingShow less
They were all remanded in custody, except Bashir, who absconded before the trial began. (Photo: Greater Manchester Police)
SEVEN men were convicted on Friday in the UK’s latest grooming trial, after a jury heard that two girl victims were forced to have sex “with multiple men on the same day, in filthy flats and on rancid mattresses”.
Jurors at the court in Manchester, northwest England, deliberated for three weeks before finding the seven men, all of whom are of South Asian descent, guilty of rape.
Mohammed Zahid, 64, Mushtaq Ahmed, 67, Kasir Bashir, 50, Mohammed Shahzad, 44, Naheem Akram, 48, Roheez Khan, 39, and Nisar Hussain, 41, will be sentenced at a later date, but judge Jonathan Seely warned that they face “lengthy prison sentences”.
They were all remanded in custody, except Bashir, who absconded before the trial began.
Operation Lytton and police investigation
The men were prosecuted as part of Operation Lytton, an investigation launched by Greater Manchester Police in 2015 into historical child sexual exploitation in Rochdale, a town near Manchester.
The issue has long been seized upon by far-right British figures, including notorious influencer Tommy Robinson, but has also been adopted as a rallying cry by the Conservatives and Nigel Farage’s hard-right Reform UK party.
The issue of grooming gangs received international attention earlier in the year when US tech billionaire Elon Musk launched incendiary attacks on his X platform against the UK government after it resisted calls for a national inquiry.
Over the course of several decades, men of mostly South Asian origin in various English towns are suspected of having sexually abused thousands of mostly white girls from working class families, often from troubled homes.
Court testimony on abuse
Prosecutor Rossano Scamardella said during the trial that the men had abused the two girls for several years from the age of 13 — between 2001 and 2006.
“They were often forced to have oral sex and vaginal sex with multiple men on the same day, in filthy flats and on rancid mattresses,” he said.
“On other occasions they would be required to have sex in cars, car parks, alleyways or disused warehouses. Wherever and whenever these men wanted it.
“They were children passed around for sex; abused, degraded and then discarded,” he added.
One of the alleged victims was also “being exploited and abused by many other Asian men” not in the dock, said Scamardella.
Police response and apology
Following the verdicts, detective superintendent Alan Clitherow, of Greater Manchester Police, apologised for not acting earlier.
“There was information at the time that police and other agencies could, and should, have done something with, and we didn’t,” he said.
“The way those victims were dealt with at the time is indefensible and inexcusable. We have made comprehensive apologies for that.”