Alom Shaha sparks the imagination of young minds with new book
The British author speaks about his beautifully illustrated book and the significance of featuring south Asian characters in children's literature
By Asjad NazirFeb 16, 2024
BALANCING creativity with his roles as a secondary school science teacher and parent, Alom Shaha was inspired to write his new children’s picture book, How to Find a Rainbow.
The Bangladesh-born British Asian writer, who was raised in London, has crafted a captivating tale set in the Himalayan mountains, blending engaging characters with educational elements.
Eastern Eye had the opportunity to speak to him about his beautifully illustrated book and the significance of featuring south Asian characters in children’s literature.
What initially connected you to creative writing?
I have loved reading since I was a child and books were central to my happiness while growing up. I never thought I could be a writer until quite late in life because I thought creative writing was something only very talented people could do.
I have since realised that, while ‘natural talent’ can provide a substantial advantage, the ability to write creatively is a skill that can be learned and honed [by everybody].
What inspired you to write a children’s book?
I have always loved children’s literature and rediscovered the joy of reading picture books with my own children, now aged five and six. How to Find a Rainbow was inspired by the many books I have read with them.
Tell us about the book.
The story is about two very different sisters who go on a quest to find a rainbow. Along the way, their relationship is tested, but they are ultimately rewarded with the satisfaction of working out the mystery of how a rainbow is formed.
What made you decide to set the book in the Himalayan mountains?
I wanted to write a book with animal characters that were distinctly south Asian, so I chose a location where such animals would live.
Is there a key message you want to convey with this book?
There’s a subtle message that science and art are both creative endeavours stemming from our innate human instinct to make sense of the world and share what we know with others.
Tell us about the illustrations.
I was delighted when Sarthak Sinha, a highly accomplished artist and educator from India, agreed to lend his exceptional talent to the illustrations. His extensive exploration of nature, from tropical rainforests to the high Himalayas, made him the ideal artist for this book.
What, according to you, makes for a great children’s book?
A really compelling storyline with relatable characters.
How important is it to have representation of south Asian characters in children’s books?
There’s lots of research which suggests it’s important for children to see characters like themselves in books and that this may affect their engagement with a story.
One of the reasons why I chose red pandas as my characters, apart from the massive cuteness factor, is that I think books with animals allow children from different backgrounds to identify with them. However, I was also keen for the characters to be distinctly south Asian because I don’t think there are many other picture books out there which have animal characters from this part of the world.
What can we expect next from you?
I’d love to write more stories about Reena and Rekha, the characters in this book. I think they have a whole lot more exploring and learning to do.
What inspires you as a writer?
A lot of my work has been inspired and informed by my work as a science teacher and as a parent.
Why should parents pick up your new book for their children?
How to Find a Rainbow encapsulates positive themes about friendship and creativity that I hope parents will want to share with their children.
I feel the book is also distinct in that, as well as having a captivating storyline and endearing characters, it also features an educational aspect.
Parents can choose to take this further using the free resources available on my website, alomshaha.com.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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