THIS week marks the birth anniversary of legendary Indian movie director Mrinal Sen.
The pioneering filmmaker, born on May 14, 1923, received global acclaim for his work during an incredible creative journey that left a lasting impact. The Bengali maestro won government honours, an incredible 18 National Awards, international accolades, and Indian cinema’s highest prize, the Dadasaheb Phalke award before he passed away in 2018, aged 95. He left behind a remarkable body of work that entertained and inspired different generations.
Eastern Eye decided to mark his birth anniversary by creating a list of his top 10 award-winning films.
Punascha (1961): After making a name for himself with artistic low budget features, Mrinal Sen came to prominence with Punascha when he won a National Award for Best Feature Film in Bengali. Like his previous film Baishey Shravana (1960), the powerful drama looks at the impact of outside factors, patriarchy, and societal pressures on a marriage. Unfortunately, no official prints of this film remain.
Akash Kusum (1965): The ace filmmaker won a second National Award for Best Feature Film in Bengali for this interesting social drama. The beautifully shot story revolves around an ambitious young man, who gets caught up in a web of deceit, as he tries to climb the social ladder and impress a girl from an affluent family.
Bhuvan Shome (1969): After making a name for himself with award-winning regional language films like Matira Manisha (1966), which won a National Award for Best Odia Film, the legendary filmmaker came to global prominence with this iconic classic. The Hindi language film based on a Bengali story revolves around a lonely widower, who attempts to find a way out of his disenchanted state. It would receive National Awards for Best Film, Best Director, and Best Actor. Interestingly, it marked the cinema debut of Amitabh Bachchan, whose voice can be heard as the narrator.
Chorus (1974): The Bengali language drama is an exploration of wider society, within the framework of a small business, and cleverly blends neo-realism with a fairy tale like framing. There are many creative touches within the film, which sends out a powerful social message. It would win multiple honours that included a National Award for Best Film and a Silver Medal at the Moscow Film Festival.
Mrigayaa(1976): The 1930s set Bengali/Hindi drama based on an Odia short story marked a National Award-winning film debut of legendary Bollywood actor Mithun Charkaborty. The story of a strained relationship between tribal villagers, British colonial rulers and exploitative landlords, revolves around a young hunter who is put in an impossible position when his wife is abducted. The powerful film won multiple honours, including a National Award for Best Film and Filmfare Critics Award for Best Movie.
Mrinal Sen receiving the Dadasaheb Phalke Award from then Indian president Dr APJ Abdul Kalam (Photo: Raveendran/AFP via Getty Images)
Oka Oori Katha (1977): The versatile director won prestigious awards for films in multiple languages, including this National Award-winning Telugu drama. The almost Shakespeare-like tragedy revolves around an impoverished father, who is against his son marrying despite the new bride trying to positively impact their seemingly meaningless lives. The acclaimed drama was selected at international festivals and won a Special Jury Award at the Karlovy Vary Film Festival.
Ek Din Pratidin (1979): The globally acclaimed Bengali drama revolves around what happens when the bread-winning daughter of a family fails to return home one day and the subsequent crisis that ensues. The film would be officially entered into the 1980 Cannes Film Festival. Its multiple honours included National Film Awards for Best Film and Best Direction.
Akaler Shandhaney (1982): The influential Bengali language drama revolves around a crew descending on a village to make a film about the horrific man-made famine of 1943 that killed millions. It isn’t long before lines start getting blurred and the past starts impacting the present. The movie featuring a brilliant performance from actress Smita Patil, would win a whole host of honours, including the Silver Bear Grand Jury Prize at the 31st Berlin International Film Festival. It would also win National Awards, including for Best Director, Screenplay and Film.
Kharij (1982): The Bengali language drama was nominated for the highest prize at the Cannes Film Festival in 1983. The story revolves around a child servant who is found dead in a kitchen, which sees his employers being torn between feelings of guilt, a possible police case, being caught in a scandal and trying to please the deceased boy’s father. It would win multiple honours, including a National Award for Best Screenplay and the Golden Spike at the Valladolid International Film Festival in Spain.
Khandhar (1984): The Hindi language film based on a Bengali short story revolves around friends who visit a forgotten mansion and unexpectedly find a young woman living among the ruins with her mother, waiting for a suitor who will never arrive. This leads to a charade and an unexpected bond forming. The film includes a marvellous performance from Shabana Azmi, which would win her a National Award for Best Actress. Honours Mrinal Sen would win included a Filmfare Best Screenplay, a National Award for Best Director, and the Grand Jury prize at the Chicago International Film Festival.
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
Keep ReadingShow less
Each character in the set has been carefully designed to reflect cultural narratives
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”
Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
The piece was originally one of nine works that appeared across London in August 2024.
It will form part of the museum’s new Smithfield site, opening in 2026.
The City of London Corporation donated the artwork as part of its £222m museum relocation project.
Banksy’s police box artwork in storage
A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.
From Ludgate Hill to Guildhall Yard
The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.
Museum’s first contemporary street art
London Museum’s Head of Curatorial, Glyn Davies, said:
“With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art. This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
Formerly known as the Museum of London, the institution closed its London Wall site in December 2022 as part of its relocation. It rebranded as the London Museum in July 2024, with £222m allocated by the City of London Corporation to support the move. The project is expected to attract two million visitors annually and create more than 1,500 jobs.
Part of Banksy’s animal-themed series
Piranhas was one of nine animal-themed works Banksy created across London in August 2024. The series also featured a rhino on a car, two elephants with interlocked trunks, monkeys swinging from a bridge, a howling wolf on a satellite dish, and a goat painted on a wall. Some of the artworks were later vandalised, removed, or covered up.
Preserving street art for the public
Chris Hayward, policy chairman of the City of London Corporation, said:
“Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions. By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”
Keep ReadingShow less
Aditya Chopra (right) with his father, Yash Chopra
BOLLYWOOD filmmaker Aditya Chopra was last Thursday (21) named among the nominees of the UK Stage Debut Awards for his Come Fall in Love – The DDLJ Musical, performed at Manchester’s Opera House earlier this year.
Chopra delivered a blockbuster in 1995 with Dilwale Dulhania Le Jayenge, popular as DDLJ, with Kajol and Shah Rukh Khan in the lead roles. It was adapted to a theatrical production and had its UK premiere in May.
Chopra reprised his role as director of the English stage production, which revolves around the love story of Simran and Roger.
Shah Rukh Khan visits the cast of Come Fall in Love The DDLJ Musical during rehearsals in London Danny Kaan
“This year’s nominees embody the future of British theatre, and I can’t wait to celebrate their achievements,” said Alistair Smith, editor of The Stage theatrical publication.
“This year there are several individuals with south Asian heritage being recognised for their excellence in directing: among the nominees is Amit Sharma for Ryan Calais Cameron’s Retrograde (in the Best Creative West End Debut category),” said the awards panel in a statement.
Also nominated are Adam Karim for Guards at the Taj at the Orange Tree Theatre, London, and visionary Indian filmmaker Aditya Chopra for Come Fall In Love at Manchester’s Opera House, who are both in the running for the best director category, the statement added.