A LIFELONG passion for writing led Iqbal Hussain to pen his acclaimed debut novel, Northern Boy, which was published in June 2024.
Described as a coming-of-age novel about being a “butterfly among the bricks,” the book has marked the beginning of an exciting new journey for him, including his forthcoming debut children’s book.
The London-based British writer is also a keen reader and shared his top 10 favourite books with Eastern Eye.
Harriet the Spy by Louise Fitzhugh: Harriet likes to spy on her friends and neighbours, jotting her observations down in a notebook. When she loses it and her friends read all the mean things she has written about them, trouble follows. I first read this as a child, and Harriet was unlike any character I had come across – snarky, rude, and unrepentant. It is no surprise that some libraries in the US banned it in the 1960s, deeming Harriet a bad role model .
Sheep’s Clothing by Celia Dale: From dialogue that jumps off the page to a 1980s-set storyline rich in period detail, I could not put this one down. It takes real skill to centre a novel around an unlikeable protagonist – here, Grace, a 60-year-old ex-con who drugs and robs vulnerable elderly people. She is assisted by a younger ex-con, Janice, whom she describes as “a jellyfish in a tepid sea.” Beautifully written and one to revisit just to admire the craft.
The Cloisters by Katy Hays: A dark academia novel set in an offshoot wing of the Met Museum in New York, with added tarot and Renaissance mysticism. I loved its languid descriptions of a world I knew nothing about. It also features a classic favourite – an unreliable narrator, Ann Stilwell, a recent graduate from a small town in Washington. As the hot, sticky summer unfolds, so does the tension behind the scenes at the museum.
The Other Side of Mrs Wood by Lucy Barker: What better way to spend a cold winter night than with a book about Victorian séances, tabletapping, and unearthly manifestations? A remarkably assured debut that kept me reading into the early hours. Again, we have a not-entirelylikeable narrator, the eponymous Mrs Wood, yet we find ourselves rooting for her as she faces competition from Emmie, her protégé turned monster. One of those rare books where the ending does not disappoint.
Boy, Everywhere by AM Dassu: This children’s book tackles a difficult and topical issue, pulling no punches as it follows Sami and his family’s journey from war-torn Syria to the UK. The writing is simple and clear, yet devastating and heartbreaking. Many times, I had to put the book down to absorb what I had just read and imagine what I would do in such a situation. This should be required reading for all of us.
Vera Wong’s Unsolicited Advice for Murderers by Jesse Sutanto: I laughed all the way through this joyous crime mystery. Sixty-year-old Vera Wong finds a dead man in her tea shop. Convinced the police don’t know what they’re doing, our bossy and forthright heroine sets out to solve the mystery herself – in the process, making new friends and asking us to question what it means to be old and how others view us.
The Unspeakable Acts of Zina Pavlou by Eleni Kyriacou: Based on a real-life story of murder in 1950s London, this is unputdownable. Grandmother Zina faces death by hanging, with time running out and her refusing to explain the circumstances in which she allegedly killed her daughter-in-law. It’s often a difficult read, as you realise how much the cards are stacked against someone like Zina, who is barely literate and doesn’t know how to give herself the best chance of being heard. It left me with many questions about how we deal with the truth and whose voice we believe.
Northern Boy by Iqbal Hussain: My own novel begins in 1981 in the suburbs of a Lancashire town. Rafi’s mother reminds him daily that the family moved there from Pakistan to give him the best opportunities. But he longs to follow his own path: he wants to be a Bollywood star. Twenty years later, Rafi is flying home from Australia for his best friend’s wedding. He has everything he ever wanted – leading roles in musical theatre, the perfect partner and freedom from expectation. But returning home is the ultimate test – can he show his true self to his community?
Strange Sally Diamond by Liz Nugent: I love stories about outsiders (such as Eleanor Oliphant is Completely Fine). This book is very much in that vein. Early on, Sally does something that generates unwanted attention from the press and others. It’s a dark, witty and often unsettling read, but one where you root for our heroine and her refreshingly black-and-white outlook on life.
The Centre by Ayesha Manazir Siddiqi: T The Centre is a mysterious organisation where you pay a vast sum of money to come out, a week or two later, fully fluent in another language. A strange, but riveting, read – lots of “what if” scenarios, and a storyline reminiscent of an episode of Black Mirror. You’re quickly immersed in the claustrophobic but alluring world of The Centre – with its promises of a quick fix. But you soon realise that nothing comes without a price.
Jacqueline Fernandez has quietly built one of the most consistent records in the Indian entertainment industry when it comes to delivering chart-topping music videos. From high-voltage Bollywood dance numbers to independent cross-cultural hits, her music collaborations have repeatedly gone viral, not just for their sound but also for their styling, choreography, and screen presence.
Her latest track, Dum Dum, is currently trending across platforms, with fans and creators picking up on its hook steps and fashion cues. The song adds to a growing list of viral hits led by Fernandez, each one helping cement her image as one of the most recognisable music video stars in Indian pop culture today.
With viral choreography, bold styling, and mass appeal, Jacqueline’s music video appearances have become internet staples
Here’s a look at 12 of Jacqueline Fernandez’s most talked-about music videos, songs that continue to feature in playlists, dance reels, and party sets:
Yimmy Yimmy
One of 2024’s biggest global hits, this trilingual track featuring Shreya Ghoshal and Tayc made waves on both Indian and international charts. Jacqueline stood out for her statement styling, seamless transitions, and effortlessly catchy dance moves.
Jumme ki raat
A standout number from Kick, this collaboration with Salman Khan became a dance floor staple. Fernandez’s energetic performance and signature step made it one of the most replayed tracks of that year.
Ek do teen
Reinterpreting a classic is no small feat, but Jacqueline’s edgy rework of Madhuri Dixit’s iconic number drew both attention and debate. Her modern visual treatment and stylised choreography gave the song a new identity.
Genda phool
Pairing folk melodies with rap elements, this Badshah collaboration saw Jacqueline in a bold, traditional look. The visual contrast contributed to its mainstream appeal and high replay value.
Beat pe booty
In A Flying Jatt, her duet with Tiger Shroff introduced unconventional choreography that went on to spark a viral dance challenge. The light-hearted tone and quirky synchronisation became a hit among younger audiences.
Jadoo ki jhappi
One of her earlier tracks from Ramaiya Vastavaiya, this song featured Jacqueline in a more playful, bubbly avatar. Her expressive performance and dance energy were among the highlights.
Money money
From Raid 2, this high-energy track with Yo Yo Honey Singh featured Jacqueline in a glamorous, high-octane avatar. The visuals combined luxury aesthetics with fast-paced dance routines.
Chittiyaan kalaiyaan
A commercial success, this peppy number cemented Jacqueline’s place in Bollywood’s dance music scene. Her playful charm matched perfectly with the catchy hook, making it a long-running favourite.
Paani paani
Another successful team-up with Badshah, this song was visually driven, combining Rajasthani aesthetics with urban cool. Jacqueline’s look and screen presence added to the song’s viral momentum.
Mud mud ke
Paired opposite Italian actor Michele Morrone, this song expanded Jacqueline’s appeal beyond Indian borders. The music video leaned into sleek production and international styling, giving it strong crossover appeal.
Tik tik
A recent track with Dystinct and Vishal Mishra, Tik Tik brought together global sounds with Indian flair. Jacqueline’s performance showed her versatility in adapting to different musical and visual styles.
Dum dum
Currently dominating reels and dance challenges, Dum Dum taps into Fernandez’s strengths like vibrant choreography, bold styling, and magnetic on-screen energy. The track further reinforces her ability to tap into internet trends and mass appeal simultaneously.
These 12 songs reflect how Jacqueline Fernandez has turned dance numbers into viral cultural moments
With each of these tracks, Jacqueline Fernandez has managed to stay relevant in a fast-evolving music landscape. Her song choices often blur the lines between Bollywood glamour and global pop aesthetics, a combination that continues to resonate widely. From stage-ready choreography to viral fashion moments, she has become a reliable fixture in India’s music video culture.
And with Dum Dum now taking over timelines, that streak shows no signs of slowing down.
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