Tom Cruise set to become first actor to shoot a film in outer space; Bourne Identity director Doug Liman to direct
UFEG Chairman Donna Langley revealed to BBC that a large part of the film is going to be shot on earth, culminating in ‘the character [going] up to space to save the day’.
According to reports, Tom Cruise is in the process of inking a deal with Universal Films Entertainment Group (UFEG) for a high-profile film mounted on a lavish scale. If the deal materialises, the star with shoot his next film on the International Space Station. Yes, you read that absolutely right!
A leading publication reports that Cruise has reportedly joined forces with Bourne Identity director Doug Liman on a film that involves filming in space, an idea that was first put forward in 2020. However, the coronavirus pandemic threw a wrench into the works.
UFEG Chairman Donna Langley revealed to BBC that a large part of the film would be shot on earth, culminating in “the character [going] up to space to save the day”.
“We have a great project in development with Tom that does contemplate him taking a rocket to the Space Station. And hopefully, he will become the first civilian to do a space walk outside of the International Space Station. He will play a down-on-his-luck guy who finds himself in the position of being the only person who could save Earth,” she told BBC.
Talking about the project, Liman said last year that he was more confident about making a film in space after shooting Locked Down in a deserted London amid the pandemic.
“It connects to Locked Down because the same producer who a year ago came to me and said how would you like to try to shoot a movie in outer space? That's PJ van Sandwijk, and he's the same person who said to Steve Knight and myself on July 1, what about you guys writing a movie for us to shoot in September? But here's the thing. When a producer proposes something crazy to you, like, let's try to shoot a movie in outer space, and NASA and SpaceX sign on, and Tom Cruise signs on…you're just a little bit more receptive when that same producer says I got another crazy idea, and that became Locked Down,” he said.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Karan Johar has never shied away from speaking up for people he cares about. And when it comes to Alia Bhatt, his response to the constant “nepo kid” jibes is simple: enough already!
In a recent interview, the filmmaker did not mince words when addressing the criticism Alia continues to face because of her family background. "Watch Highway, Udta Punjab, Raazi, Gangubai,” he said. “If you still think she hasn’t earned her place, then that’s just ignorant."
Karan Johar says he is proud of Alia Bhatt and questions nepotism double standardsGetty Images
Alia made her debut in Johar’s Student of the Year back in 2012. Since then, she’s starred in a wide range of roles, often earning praise from critics and audiences alike. But for some, the tag of ‘nepotism’ has stuck, and that is something Karan finds deeply frustrating.
He’s aware of the reputation his production house, Dharma, has when it comes to launching star kids. His latest project Nadaaniyan, which featured Saif Ali Khan’s son Ibrahim and Sridevi’s daughter Khushi Kapoor, was met with harsh reviews. Karan thinks the backlash was less about the film and more about who was in it. “It’s become trendy to hate films that have star kids in them. People know they’ll get attention for it,” he said.
Karan Johar breaks silence on Alia Bhatt nepotism debate and calls out criticsGetty Images
Karan also pointed out that his company has backed several projects with newcomers and talent from outside the industry, like filmmaker Neeraj Ghaywan. But these efforts are often ignored. “People don’t see the full picture,” he said. “They just want to pile on.”
The criticism stings even more when it involves Alia. Karan has openly called her the first person he’s ever felt protective of, like a daughter. He’s not interested in pretending otherwise. “Why should I tone it down for the sake of appearances?” he asked. “I love her, and I’m proud of her work.”
Karan Johar calls Alia Bhatt the first person he’s ever felt protective ofGetty Images
He’s aware that his name often comes up in debates about nepotism, sometimes even on podcasts by people he’s never met. “It’s bizarre,” he said. “Random people talking about me like they know me. I’m fine being the villain if that’s what it takes, but let’s at least talk with some honesty.”
For Karan, the problem isn’t people raising questions. It’s the refusal to accept talent when it’s clearly visible.
Seventeen-year-old Nitanshi Goel, best known as Phool Kumari from Laapataa Ladies, made a powerful first impression on the global stage at the Cannes Film Festival 2025. On Day 3 of the event, she confidently walked the red carpet wearing a striking black-and-gold gown, custom-designed by Jade by Monica and Karishma.
The gown, built on sheer black tulle, was detailed with Kasab embroidery and fine macramé, reflecting traditional Indian techniques. The silhouette was daring, with a sculpted hip design that echoed 18th-century European art but was reimagined with a modern edge. The structured bodice and long train gave the look both drama and grace. Nitanshi kept her styling simple with her hair pulled into a sleek ponytail, subtle makeup, and minimalist jewellery from CaratLane, letting the outfit speak for itself.
Nitanshi Goel stuns on Cannes 2025 red carpet in black and gold gown blending classic and modern style Instagram/nitanshigoelofficial
What stood out beyond the glamour was her intention. Her stylist duo, Shrey Vaishnav and Urja Amin, helped create a look that represented strength without overpowering her youth. Designer Monica Shah described the concept as "spring florals under moonlight," capturing both softness and sparkle. The result was a mix of tradition, youth, and quiet power.
Nitanshi Goel makes a stylish Cannes 2025 debut wearing a black and gold gown with modern flairInstagram/nitanshigoelofficial
Nitanshi’s presence at Cannes wasn’t limited to the red carpet. For the India Pavilion inauguration, she paid tribute to legendary Bollywood actresses with a thoughtful nod to history. Wearing a pre-draped ivory sari, she styled her hair with pearl strands featuring miniature portraits of icons like Madhubala, Rekha, and Sridevi as a touching homage to the women who paved the way.
Speaking about her Cannes debut, Nitanshi said, “I came into this industry with dreams. From Laapataa Ladies to Cannes, this is my way of showing that young Indian girls with big dreams can make it. I hope to be the voice for every girl who wants to take charge of her life and career.”
Nitanshi Goel makes confident Cannes 2025 debut in black and gold gown that blends old and new stylesInstagram/nitanshigoelofficial
While veterans like Anupam Kher and honourees such as Jacqueline Fernandez also made headlines on Day 3, Nitanshi stood out by being fresh, fearless, and focused. Her appearance wasn’t just about a gown or a photoshoot, but about showing the world a new face of Indian cinema: young, ambitious, and ready for the world!
Keep ReadingShow less
Tarantino reveals the Kubrick classic that inspired his first film
Before Quentin Tarantino became a household name with Reservoir Dogs, he was just another movie buff absorbing everything he could from his favourite directors. One name that stood out to him early on was Stanley Kubrick, especially for his lesser-known 1956 film The Killing, a movie that left a deeper mark on Tarantino’s debut than most fans realise.
Kubrick’s The Killing wasn’t a major blockbuster in its time, but it marked a shift in how crime stories were told. Adapted from Lionel White’s novel Clean Break, the film follows a racetrack heist through a fractured timeline, showing the same event from multiple angles. It wasn’t just about what happened, but how it was told. That structure, jumping back and forth in time, switching viewpoints, was rare in Hollywood then and made the story feel more intense and unpredictable.
When Reservoir Dogs came out in 1992, it felt like something fresh: strong dialogue, tension-filled scenes, and a plot that never actually shows the heist it’s centred around. But behind the style was a familiar structure. Like The Killing, Reservoir Dogs plays with time, shows events from different perspectives, and leans on the characters' personal motives to drive tension.
Tarantino has openly admitted the influence. “I didn’t try to copy The Killing, but I saw Reservoir Dogs as my version of that kind of film,” he told The Seattle Times. At the Cannes premiere of Reservoir Dogs, he even called The Killing his favourite heist film.
Both films avoid slick action in favour of character-driven suspense. Kubrick’s crew in The Killing are flawed and desperate, and their downfall feels inevitable. Tarantino’s gang is no different; paranoia, betrayal, and ego tear them apart.
Kubrick’s use of non-linear storytelling didn’t just shape one movie; it laid a foundation. Tarantino used that structure not only in Reservoir Dogs but continued it in Pulp Fiction and beyond. And in doing so, he helped bring that old-school Kubrick trick into modern indie cinema.
Tarantino may have built his own path, but The Killing was the map he started with. It certainly inspired him, but more than that, it helped him find his rhythm as a filmmaker.
Keep ReadingShow less
Paresh Rawal made a murky admission that left fans speechless
Some celebrity confessions make you love them more. Others make you reconsider watching their films during dinner. The latter was the case recently when veteran actor Paresh Rawal made a murky admission that left fans speechless.
Known for his impeccable comic timing and thunderous screen presence, the much-respected star undid decades of admiration by revealing that he willingly drank his own urine for a prolonged period – and is proud of it.
Yes, you read that right. This was not a survival hack or an unfortunate accident. Rawal said he followed the practice for weeks. The revelation came while recounting a serious knee injury he sustained during the filming of Ghatak. According to the actor, late action director Veeru Devgan recommended he drink the first urine of the day upon waking – something he claimed all fighters did for quicker healing. Taking the advice of Ajay Devgn’s father, Rawal followed through for 15 days, sipping it like “an enjoyable alcoholic beverage”. Rather than question whether the injury was truly serious, he insisted it miraculously helped – and said it “worked like magic”. That prompted some to speculate he might have continued the habit ever since.
While honesty is usually admirable, this is perhaps one revelation that should have remained buried, like a naughty person’s internet browser history. Social media users wasted no time unleashing a storm of memes, jokes and mockery. One user even suggested that the forthcoming Phir Hera Pheri sequel should be retitled Pee Hera Pheri.
Medical experts were quick to refute any health benefits. Doctors urged people not to follow Rawal’s example, warning that urine contains waste products and could cause infections rather than healing. They advised sticking to prescribed medication instead of unconventional – and unsanitary – practices.
Unbelievably, Rawal is not alone in this. Akshay Kumar once claimed to be drinking cow urine daily. During the Covid pandemic, certain right-wing politicians promoted similar ideas, suggesting cow urine could cure coronavirus. (Other stars may have disturbing remedies of their own – thankfully, they have kept them hidden.)
Perhaps Rawal thought he was sharing a quirky tale from his early days that would boost fan admiration. But now, many might never look at him the same way. The next time he delivers a line, including fellow cast members, some might wonder, “did he gargle before this take?” (If you are finding this out for the first time, apologies. Spare a thought for those who have had to kiss him.)
The entire episode is a reminder: celebrities should think twice before making dark confessions like this.
Also, while Ajay Devgn is known for his mischievous pranks dating back to the early ’90s, one has to ask – did his strict father Veeru pull off the ultimate one with this bizarre suggestion? (And just in case it needs repeating – the NHS absolutely does not, under any circumstances, recommend drinking your own wee.)
Inspired by a love of Bollywood films and vibrant Punjabi music, Cherelena creates tracks that fuse diverse influences. With multiple singles and an album already to her name, the multilingual singer-songwriter from Holland recently added to her musical journey with the release of Cocaine.
Eastern Eye asked the exciting talent to share 10 songs she loves – and why they mean so much to her.
Ek Baar Dekh Liye by Kalpana Gandharva: Composed by Sanjay Leela Bhansali for the Netflix series Heeramandi, this song is beautifully sung. The heartfelt lyrics portray a woman surrendering completely to the unknown, embracing what life brings. She follows her heart with unwavering trust – a sentiment that is so profound and relatable.
Pardesi by Cherelena ft Apache Indian: One of the most cherished moments of my life was creating my own song with Apache Indian. It felt like a dream come true to collaborate with such a legendary artist. The track is about a wife longing for her husband’s return, expressing how incomplete and unmotivated she feels without him.
Bewafa by Imran Khan: This powerful song touches on the complexities of relationships – the arguments, the fear of betrayal. Sometimes, even without infidelity, the fear of the truth surfacing can lead you to say things you do not mean. It reflects the emotions and vulnerabilities that come with navigating trust, love and heartache.
Jhoomo Re by Kailash Kher: This deeply moving song carries a profound and uplifting message. It beautifully conveys that, at the core, everything is one energy – and that the divine you worship ultimately resides within yourself. It serves as a gentle reminder to treat the world with kindness and compassion, and to never break anyone’s heart.
Untouchable by Tegi Pannu: This track’s vibe and flow are incredible. It is not about the lyrics – it is about the energy, rhythm and the way it makes you feel. A perfect example of how music transcends language. You do not need to understand the words to connect with it – you either feel it, or you do not. And I definitely feel it.
Gallan Goodiyan from Dil Dhadakne Do: I have loved dancing since I was two years old. Although I stay active through sports, dancing is what truly excites me – it is my happy place. Songs like this make me feel as though I am stepping into a vibrant Bollywood scene, filling my life with energy and joy.
Cocaine by Cherelena ft Raja: This hauntingly beautiful song about love and loss captures the heartbreaking journey of a couple deeply in love but torn apart by addiction. He is consumed by his dependence on cocaine, while she is trapped in an endless struggle to save him. Based on a true story, the song delivers a powerful message: do not let drugs take control – they destroy far more than you realise.
Yeh Dil Tum Bin Kahin Lagta Nahin from Izzat: This timeless Bollywood song, sung by legends Lata Mangeshkar and Mohammed Rafi, continues to inspire me. I still take singing lessons and dedicate time to improving my craft. When it comes to mastering vocal technique, Lata didi’s songs are an unmatched treasure trove. Her signature sweetness, flawless delivery and artistry set a benchmark that is almost impossible to reach.
Bewajah Mein Dil Tera Toda by Cherelena: I wrote this song from a deeply personal place, during a time when my heart had been broken more than once. I felt a part of me was fading, and turned to songwriting as a way to process those emotions. This track reflects the journey of understanding who I became during those painful moments – and why.
Flow With Me by Cherelena: I wrote this song during a time when I was perfectly in sync with someone, and everything just clicked. I wanted to hold on to that feeling – to stay in the flow without overthinking or complicating it, knowing that sometimes taking things further can bring its own set of challenges.