Jones played Alan Bates in the ITV show Mr Bates vs the Post Office, which tells the story of hundreds of sub-postmasters who were wrongly accused of theft, fraud, and false accounting caused by faulty software.
Actor Toby Jones, who played the lead role in the TV series about the Post Office scandal, has labelled campaigner Alan Bates as a “hero”.
Jones played Alan Bates in the ITV show Mr Bates vs the Post Office, which tells the story of hundreds of sub-postmasters who were wrongly accused of theft, fraud, and false accounting caused by faulty software.
The actor told the Hay Festival, “I get to play someone I think of as a hero, someone who doesn’t seem to be subject to the same forces we all are.”
Jones then revealed Alan had been approached to open Glastonbury Festival, but turned it down to continue his campaigning.
He continued, “He can't be bought. He's asked to open Glastonbury: ‘No, thank you’. He's asked to do these things, he doesn't want to do any of that. He says, ‘I've got work to do’, which is to get that stuff done.
“He's a hero and he doesn't want any honours until he has finished the job. And these are values that, I'm not going to say I grew up with, but I sort of remember being lectured about. About duty and about following things through.”
The actor, 57, added, “These are very, very unfashionable things that maybe stand in stark contrast with what we’ve been living with in government for some time.”
He said he believed part of the show's success was down to a national "feeling of disempowerment".
"I think that there's something in the country at the moment. There's a feeling of disempowerment. There's a feeling of outrage, justly, and the story is told very clearly, and it's by no means obvious. Computer software malfunction is not an obvious thing to make a drama about,” Jones said.
Praising the sub-postmasters caught up in the real-life scandal, he paid tribute to their "incredible humble modest humility" - adding they had lived through "20 years of living in a Hitchcockian nightmare".
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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