The highly anticipated second season of "Made in Heaven" debuted on Prime Video on August 10. Developed by Zoya Akhtar and Reema Kagti, the series centres around Tara Khanna (Sobhita Dhulipala) and Karan Mehra (Arjun Mathur), close friends turned wedding planners who organise extravagant Indian weddings.
The lead actress Shobitha's wardrobe in the web series has once again become a subject of interest among fashion enthusiasts. Her collection, which features exquisite sarees and ultra-chic workwear, offers a wealth of inspiration.
Furthermore, the actress showcased her fashion prowess during the web series promotions.
Demonstrating a penchant for innovative silhouettes, Sobhita donned an array of outfits, spanning from distinct sarees to unconventional gowns. An example of her unique style is the Abhishek Sharma gown she wore to the Mumbai premiere of the show.
The actress wore this Amphitrite-esque gown for the screening of Made in heaven season 2 - Image Credit: sobhitad/Instagram
The outfit featured a printed blue base adorned with the designer's characteristic intricate beadwork. Her look was elevated with sleeked-back hair, a dewy makeup finish, and elaborate earrings.
During the opening scenes of the series Tara Khanna, played by Sobhita is shown standing apart from the revelry of a wedding, draped in a mulberry-hued brocade dupatta.
This shade symbolises the character's distinct sartorial identity, according to costume designer Bhawna Sharma who meticulously chose it to reflect her strength.
Bhawna, the costume designer for the second season told Vogue India she strategically employed silhouettes and colours to mirror Sobhita's character evolution from season one.
The character's attire transitions from power dressing—exemplified by cinched waists and corporate suits—to monotones during moments of vulnerability and softness during romantic episodes.
Recalling her detailed discussion with Sobhita, Bhawna emphasised that the character's fashion was not dictated by fleeting trends. Sobhita promotional outfits for the series showcased her affinity for experimental styles.
Throughout the season, Bhawna’s design process took her to various locations, from high-end design houses to local markets. In addition to crafting looks for eight primary characters, Bhawna was responsible for conceptualising the fashion for ten distinct weddings and devising a unique colour palette for family portraits.
She reflects on a few of her creations:
Radhika Apte, a bride in a silk handwoven Kanjeevaram saree by Gaurang Shah, embodied traditional beauty, accentuated by jewellery by Kalyan Jewellers.
Image Credit: zoieakhtar/Instagram
While Shibani Dandekar 's wedding featured a bold Gaurav Gupta gown, reflecting the modernity of her marriage to a woman.
On the other hand, Mrunal Thakur’s bridal wardrobe by Tarun Tahiliani celebrated her dual Jain-Punjabi heritage, highlighted by red and white tones.
The show also explored a celebrity wedding against the stunning French Riviera backdrop, featuring a groom in a velvet bandhgala and a bride in a psychedelic sequined vermillion cape saree by Manish Malhotra.
Image Credit: zoieakhtar/Instagram
Other weddings showcased distinctive ensembles by Sabyasachi, highlighting blush pink and ivory tones.
Image Credit: zoieakhtar/Instagram
Real-life couple Neelam Kothari and Sameer Soni's characters tied the knot in an unconventional black jacket Anarkali attire, created by Manish Malhotra.
Image Credit: zoieakhtar/Instagram
Mrunal portrayed a starlet bride-to-be, while Radhika embodied a Dalit thought leader and Buddhist bride, both adopting unique white and gold palettes.
Shibani led an episode as a 'warrior princess,' partaking in a commitment ceremony with her partner, donning sleek dusky gold hues with bold black accents.
Image Credit: zoieakhtar/Instagram
The traditional Tamilian wedding introduced an unconventional purple hue for the bride who wore a Raw Mango saree for her north meets south wedding.
Image Credit: zoieakhtar/Instagram
The season's lone nikaah featured a royal emerald green sharara set with opulent gold accents – a creation by Rimple and Harpreet which was paired with traditional jewellery.
Image Credit: zoieakhtar/Instagram
Dia Mirza who also featured in this episode was seen wearing a heavily embellished out, also by Rimple and Harpreet.
As "Made in Heaven" season two continues to captivate audiences, costume designer Bhawna’s meticulous attention to detail shines through in the diverse and dynamic world of fashion she has crafted.
BEN DUCKETT’s 149 helped England chase down a record target of 371 to beat India by five wickets in the first Test at Headingley on Tuesday.
England became the first team in over 60,000 first-class matches to concede five individual centuries and still win the game.
They ended the fifth day on 373-5, taking a 1-0 lead in the five-match series.
Starting the final day on 21-0, England needed 350 more runs with overcast skies in Leeds, but Duckett and Zak Crawley (65) put on an opening stand of 188 to shift the momentum.
Smith, Root see England home
Jamie Smith finished unbeaten on 44, hitting the winning runs with a six off Ravindra Jadeja. Joe Root, playing on his home ground, was 53 not out and helped steady the innings after a minor collapse.
India’s lead bowler Jasprit Bumrah, who had taken 5-83 in the first innings, went wicketless in the second.
The win was England’s third-highest successful fourth-innings chase in Tests, all achieved in the last six years.
Headingley win adds to England’s recent record
Tuesday’s chase followed their 378-3 against India at Edgbaston in 2022 and the 362-9 against Australia at Headingley in 2019, when Ben Stokes scored 135 not out.
“We have got some good memories at Headingley over the last few years and this is another to add to it,” Stokes said at the presentation.
“It was an awesome Test to be part of... That partnership between Duckett and Crawley set us up brilliantly. Ducky got the big score but Zak stayed composed and in the moment and his 65 was important.”
India fall short despite centuries
India captain Shubman Gill, who scored a century in the first innings, faced defeat in his first match as Test captain. Rishabh Pant made 134 and 118, becoming only the second wicketkeeper to score hundreds in both innings of a Test.
However, India suffered collapses of 7-41 and 6-31 at the end of each innings.
“We had our moments on top, but England are so good and we needed to kill the game when we had the chance,” Gill told the BBC.
“We still have a young team and a few catches didn’t go our way so that’s where the game slipped away,” the 25-year-old added.
Late wickets not enough for India
The game remained open late into the final session. England were 253-4, still needing 118, when Shardul Thakur dismissed Duckett and Harry Brook in consecutive balls.
Stokes and Root put on a half-century stand before Stokes was out for a reverse-sweep off Jadeja, caught by Gill. Root and Smith then guided England to the target.
Earlier, Prasidh Krishna dismissed Crawley and Ollie Pope (8) in quick succession, leaving England on 206-2.
Crawley edged to KL Rahul at first slip, and Pope was bowled by Krishna.
Duckett’s innings featured aggressive shots including a reverse sweep for six off Jadeja. He was dropped on 97 by Yashasvi Jaiswal off Mohammed Siraj but reached his sixth century in 34 Tests.
His innings ended on 149 when he drove Thakur to short extra cover.
Next ball, Brook was out for a duck, having missed a century in the first innings by one run. However, by then, England were already in control.
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These films don’t just tell queer stories, they shaped queer cinema. And now you can stream them all.
There’s something sacred about watching a queer story unfold on screen. Whether it’s the ache of a forbidden romance, the electric joy of self-discovery, or the quiet triumph of simply existing. These films? They hit you in the gut. They crack you open. They make you feel seen, or furious, or both. They’re not just "important." They’re alive.
This Pride Month, some of the most iconic queer films: new, old, radical, and tender, have made their way to streaming platforms. Whether you’ve loved them for years or are discovering them for the first time, each of these ten titles deserves your attention, your emotions, and your popcorn.
Here’s your Pride Month watchlist: 10 iconic queer films that are now just a click away.
But I’m a Cheerleader (1999)
We’re starting with camp. Literal camp. Natasha Lyonne plays a cheerleader sent to conversion therapy, where she discovers she’s, in fact, a lesbian and also fabulous. This movie is pink, plastic, and punches homophobia right in the teeth. For a whole generation, this was the first time cinema told them: it’s okay to be queer, weird, loud, and proud. And now it’s back on streaming in time for Pride.
You know the line: “I wish I knew how to quit you.” This wasn't just a 'gay cowboy movie'. It’s about love that exists in the margins, buried under silence and shame. Heath Ledger and Jake Gyllenhaal made the world weep with a love story that dared to exist, even when it couldn’t survive. Ang Lee turned a whisper into a cultural roar. And though we’ve come a long way since 2005, this film still guts you, in the best way.
London gays and lesbians decide to help Welsh miners during the strikes? Sounds nuts. This is about what happens when two very different communities discover they’re fighting the same fight. It’s funny, heartfelt, political, and will leave you misty-eyed. Based on a true story, and a perfect film to watch with chosen family.
Carol is all hush and yearning. Therese spots Carol across a department store. 1950s New York, all smoky glances and forbidden desire. Cate Blanchett and Rooney Mara turn restraint into rapture in this 1950s-set lesbian romance. Called the greatest LGBTQ+ film ever for a damn good reason. Pure, bottled longing.
Shot entirely on iPhones, Tangerine tore up the rulebook. Starring actual trans women. Set on the gritty, sun-baked streets of LA on Christmas Eve. A whirlwind journey of betrayal, sisterhood, and survival. Kitana Kiki Rodriguez and Mya Taylor made history just by being exactly who they are: real, brilliant, and unfiltered. Queer cinema didn’t know it needed Tangerine, until it did.
Park Chan-wook doing a lesbian erotic thriller? Yes! Based on Sarah Waters’ novel Fingersmith, it moves the story to Japanese-occupied Korea, where two women unravel each other, and a deliciously layered con. No male gaze here. Just gaze. If you think you’ve seen everything lesbian cinema has to offer, this film is here to prove you wrong. Won the Queer Palm for a reason!
Barry Jenkins created a masterpiece that changed everything. Yeah, it won Best Picture. Big deal. Forget the trophy. Remember Chiron? That quiet kid, then that scared teen, then that man built like a fortress? Told in three acts, Moonlight follows Chiron growing into a man as he searches for love, identity, and home. A Black, queer story told with tenderness that’ll wreck you. Essential viewing? Absolutely. Human viewing? Even more so.
A sun-drenched Italian summer. Peaches. Heartbreak. Timothée Chalamet’s Elio falling headfirst into first love with Armie Hammer’s Oliver, is messy, gorgeous, and all-consuming. And that final shot? Elio staring into the fire with tears in his eyes? It’s one of the most devastating, honest portrayals of young heartbreak ever filmed. Luca Guadagnino made something unforgettable.
This isn’t a film you watch. It’s a film you feel. Every glance. Every breath. Every brushstroke. Céline Sciamma’s story of two women: an artist and her subject, on a remote French island in the 18th century, feels like it exists outside time. There’s no male gaze here. It’s about art, memory, and how women loved when the world wasn’t watching. Won Best Screenplay at Cannes because every frame says something. Haunting. Beautiful. Necessary.
You wouldn’t think a wild, absurdist sci-fi action movie about multiverse chaos would be one of the most heartfelt queer films in recent years. But here we are. Stephanie Hsu’s character, Joy, and her storyline with her mother capture the push-pull of queer identity, generational trauma, and longing to be understood. It won seven Oscars, including Best Picture, but its biggest win was making queer Asian identity feel epic, emotional, and cosmic.
Not because it’s definitive. But because it’s a start.
Pride isn’t just about rainbow flags and parades. It’s about stories. It’s about seeing yourself, your heartbreaks, your joy, your struggle, your resilience on screen. These ten films are wildly different, but they all share one thing: they dared to tell the truth about queer lives.
So watch them. Feel them. Cry, laugh, scream, pause and stare. Because this month, and every month, we deserve to see ourselves in every genre, every century, every universe.
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Priyanka Chopra poses outside the venue before the Heads Of State screening in New York
Priyanka Chopra hosted a private NYC screening of her film Heads of State.
She wore a white Jacquemus dress with side cut-outs and a high slit.
The look was completed with The Row’s £940 (₹99,000) Vika sandals and minimal jewellery.
Heads of State, co-starring John Cena and Idris Elba, is set for release on Prime Video.
Priyanka Chopra turned heads at a private screening of Heads of State in New York, stepping out in a sleek white cut-out dress that balanced elegance with a bold edge. The event was an intimate affair ahead of the film’s global release on Prime Video, with close friends and family in attendance.
Looking confident and poised, Chopra arrived at the venue and greeted photographers with folded hands before heading inside. Videos circulating online also captured her warmly hugging her longtime manager Anjula Acharia, making it a personal, heartfelt moment for fans watching online.
Priyanka Chopra waves to paparazzi while arriving in a floor-length white gownInstagram/jerryxmimi
Priyanka Chopra's white Jacquemus dress draws attention
For the evening, the actor opted for the Jacquemus ‘Peplo Longue’ dress, a floor-length number with a boat neckline, structured side cut-out detailing that revealed her waist, and a thigh-high slit that added just the right amount of drama.
She styled the look with The Row’s Vika sandals, made from soft black lambskin and featuring delicate ankle straps. The luxury heels, which retail at £940 (₹99,000), added contrast and sophistication to the all-white ensemble. Chopra completed the outfit with understated gold hoop earrings, a tennis bracelet, and diamond rings. Her hair was worn loose in side-parted waves, and she kept her makeup bronzed and glowing with berry lips, feathered brows, and soft eyeliner.
Heads of State sees Chopra join John Cena and Idris Elba
Directed by Ilya Naishuller, Heads of State is an action-comedy that pairs Chopra with Hollywood heavyweights John Cena and Idris Elba. She plays Noel Bisset, an MI6 agent navigating a political and high-stakes mission involving the US President and UK Prime Minister.
The film also stars Paddy Considine, Carla Gugino, Jack Quaid, and Sarah Niles. While the full release date is yet to be confirmed, Chopra’s stylish promotional appearances are already building major buzz for the Prime Video project.
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The Family Man season 3 poster hints at a darker and more intense storyline
Amazon Prime Video officially confirms The Family Man season 3 with a new poster.
Manoj Bajpayee returns as Srikant Tiwari; creators Raj & DK also return.
Tamil actor Sundeep Kishan and others join the returning ensemble cast.
Jaideep Ahlawat rumoured to play a strong antagonist, though not listed in official post.
The wait is finally over for fans of The Family Man. Amazon Prime Video has officially announced the return of the popular spy thriller with a third season. The makers, Raj & DK, released a striking new poster featuring lead star Manoj Bajpayee, confirming that the show is “coming soon.” The news has sparked major excitement online, as audiences prepare for Srikant Tiwari’s next mission.
Manoj Bajpayee returns as Srikant Tiwari in the first look of The Family Man season 3Instagram/primevideoin
Manoj Bajpayee leads returning cast, new faces join ensemble
While the creators have yet to reveal a release date, the announcement post tagged key cast members including Priyamani, Sharib Hashmi, Shreya Dhanwanthary, and Darshan Kumar. Tamil actor Sundeep Kishan, who briefly appeared in season 2, has now been confirmed as part of the main cast. Gul Panag also returns after her season 1 appearance.
Interestingly, Jaideep Ahlawat, whom Bajpayee previously confirmed would feature in the new season, was not included in the official post. Ahlawat is expected to play a central antagonist opposite Bajpayee’s character, promising a tense face-off between two powerhouse performers.
Season 3 plot expected to explore new threats from the Northeast
The third season is rumoured to delve into rising tensions along India’s north-eastern borders, potentially involving a China-based cyber threat, a direction hinted at in season 2’s finale. Fans can expect a mix of action, geopolitical intrigue, and emotional family drama, in line with the franchise’s reputation.
Manoj Bajpayee has described this season as the show’s most ambitious yet. “Srikant is in deeper trouble this time. The scale is bigger, and the stakes are higher,” he said in an earlier interview.
No exact streaming date has been announced yet, but the “coming soon” tagline suggests a 2025 premiere. Until then, The Family Man fans are gearing up for another intense ride with India’s most relatable undercover agent.
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Jeremy Allen White returns as Carmy in the latest season of The Bear
The Bear season 4 drops all 10 episodes on Hulu on 25 June.
Jeremy Allen White, Ayo Edebiri, and Ebon Moss-Bachrach return as the fine-dining dream faces real-world pressure.
The new season picks up after the cliffhanger review in The Chicago Tribune.
Jamie Lee Curtis and other notable guests return in this emotionally high-stakes chapter.
FX’s critically acclaimed kitchen drama The Bear is back for its fourth season on Hulu starting 25 June. With all ten episodes releasing at once, fans can immediately dive into the next phase of Carmy’s mission to transform a modest sandwich shop into a top-tier restaurant. This time, the stakes are higher, and personal tensions are at a boiling point.
Sydney and Carmy clash as pressure mounts in the kitchen
After a rocky but promising opening in season 3, the new episodes find chef Carmy Berzatto and sous chef Sydney Adamu navigating the emotional and professional fallout of a high-profile restaurant review. The rating remains a mystery, but its impact is felt across the kitchen. Carmy must also reckon with the toll his perfectionism takes on the team, as Sydney contemplates a major career move: staying on as his partner or taking a more stable offer elsewhere.
Meanwhile, Richie is increasingly stepping up, hinting at more personal growth after his standout arc at the fine-dining restaurant Ever. Tensions with investor Uncle Jimmy resurface, and family dynamics, especially involving Carmy’s mother Donna, complicate things even further.
The Bear season 4 release, cast, and guest appearances
All ten episodes of The Bear season 4 go live on Hulu (and Disney+ for bundle users) on 25 June at 8 PM ET. The main cast returns in full: Jeremy Allen White, Ayo Edebiri, Ebon Moss-Bachrach, Liza Colón-Zayas, Abby Elliott, Lionel Boyce, and Matty Matheson. Guest star Jamie Lee Curtis is also confirmed to appear.
The series has become known for surprising cameos, and while FX is keeping most guest details under wraps, more big-name appearances are expected. Whether or not this is the final season remains unclear, but the show’s creator, Chris Storer, is reportedly mapping out the future carefully.