“BE IT debates, cultural collaborations or impressive work, Indian English poets have played a momentous role in recent years.
“With a slender, yet distinct space, these poets have been at the forefront of literary activities in India and abroad. Here are 10 admirable Indian English poets who never fail to surprise us with their poetic pursuits,” said Dr Farah Siddiqui Matin.
Tishani Doshi: Welsh-Indian writer Tishani Doshi won the 2006 Forward Prize for Best First Collection. A poet and dancer, Tishani’s carefully-crafted poems analyse human emotions through love and loss. Meticulous deliberations over death and disaster provoke readers to delve deep into her work. She has travelled widely, presenting her thought-provoking works to the world. Her latest collection Girls Are Coming Out of the Woods was released in 2017, and 2018 surely looks decked out for her innovative ventures.
K Satchidanandan: Primarily known as a Malayalam poet, K Satchidanandan has often surprised us with his English poems. With a writing career of about 50 years, he has penned over 20 collections of poetry and bagged multiple National Awards, honours from the government of Poland, a Knighthood of the Order of Merit and Dante Medal from Italy. Satchidanandan upholds the right to dissent through poetry and literature.
Keki Daruwalla: A recipient of the Sahitya Akademi Award in 1984 and the Commonwealth Poetry Prize in 1987, the poet refuses to stop even after a writing career of over four decades. Deep in sensitivity and profound in tone, Keki Daruwalla’s poems have often encompassed the changing contours of Indian English poetry. No matter in what direction the style of poetry-writing moves, Keki is always a name to look out for.
Manohar Shetty: The Goa-based poet has the capability to rip you apart through his verses. A tour through the poet’s works is like knowing a person’s personal life, and at the same time the life of many others’ across the globe. The widely anthologised poet and fellow of the Sahitya Akademi poet is at once local and international. Moving out of the radical modernism, Manohar Shetty’s Full Disclosure, released in 2017, shows us the contours of contemporary Indian English poetry.
Sonnet Mondal: Kolkata-based, poet and curator Sonnet Mondal’s lyricism can take you deep inside human emotions. Author of Ink and Line, Sonnet can nurture the rapture in dead leaves and abandoned houses. Widely anthologised across every continent, he has presented his fine works at some of the most coveted international festivals. A poet who creates an aperture to show ‘everything is not everything’, Sonnet has been responsible for many literary collaborations across the globe.
Arundhathi Subramaniam: Mystic and profound, the innovative poet’s fresh turns of phrase is a feast for language lovers. She is an explorer, relating uncertainties of life to human attachments. Her book When God Is A Traveller was the Season Choice of the Poetry Book Society in the UK and shortlisted for the TS Eliot Prize. Arundhathi won the first Khushwant Singh Memorial Prize in 2015 and has presented her poems in several high-profile events, including the Jaipur literature Festival.
Sridala Swami: An alumnus of writing programs at The University of Stirling, Scotland and University of Iowa, Sridala Swami’s first collection of poems, A Reluctant Survivor, was published by The Sahitya Akademi in 2007. Her poems come as confessions and chisels out human pretensions. Rich in imagery, the poet has an aesthetic of her own that seems close to crude realities of life. She was a part of the Poets Translating Poets project in Germany and her collection of poems Escape Artist was published in 2014. Sridala is definitely a poet on a mission.
K Srilata: Well known as a curator, she co-edited The Rapids of a Great River: The Penguin Book of Tamil Poetry. Known for her poignant verses, Srilata’s poems invoke various topics from personal to harsh incidents. Srilata’s work has been widely anthologised - The Bloodaxe Anthology of Indian Poets, Fulcrum and Penguin India’s First Proofs to name a few. Tender yet poised, this poet surely has something in store for the coming years.
Anand Thakore: Widely anthologised in books like Sixty Indian Poets and Reasons For Belonging, Anand Thakore depicts his life and surroundings in realistic poems often with transparent imagery and lucid tones. The poet has three collections to his credit, the latest Seven Deaths and Four Scrolls. Bringing fresh tones and themes in each of his books, this poet may unfurl surprises in coming times.
Sharanya Manivannan: Sensuous and spiritual, Sharanya was the recipient of the Lavanya Sankaran Fellowship for 2008-2009. The poet plays with words and phrases dipping them with surprise and unworldliness. Her latest collection of poems The Altar of the Only World brilliantly portrays the poet’s prowess with lyricism. Widely published all over the world, this young poetess never fails her readers as far as wonders in expression and thoughts are concerned.
Dr Farah Siddiqui Matin (Phd) lives two lives between Ireland and India, and is the author of three collections of poetry.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.