Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Despite its title’s finality, Mission: Impossible – The Final Reckoning doesn’t quite feel like the end. From cast comments to intense fan theories, there’s plenty of evidence suggesting Ethan Hunt’s story might still have more chapters to come. Let’s break down five clues that show Paramount may not be done with this franchise just yet.
1.Cast members are planting seeds for what’s next
When seasoned actors start dropping subtle hints, they usually know more than they’re letting on.
Angela Bassett, who returns as President Erika Sloane, teased: “With Mr Cruise, you can never count him down or out. He’s always up for an amazing adventure and to give the audience exactly what they’re craving.” Far from a goodbye, her words sound more like a promise.
Simon Pegg, who plays fan-favourite Benji Dunn, added with a grin: “Never say never... I don’t think Tom likes the idea of finality. Even if there isn’t anything after this, you leave the theatre feeling like, ‘Oh, maybe there’s more.’”
That “maybe” isn’t just casual. It reflects the essence of Mission: Impossible: it keeps moving, keeps reinventing, and its core cast knows it.
Hayley Atwell, the newest face in the spy squad as Grace, pointed out that while the movie brings a sense of closure, Cruise himself “won’t ever stop.” Let’s be honest: when actors speak this openly, it’s hard not to read between the lines.
Tom Cruise performing one of his stunts for Mission Impossible The Final ReckoningInstagram/missionimpossible
2.Box office numbers that practically demand a sequel
Let’s talk numbers. The Final Reckoning blasted into cinemas with the biggest opening in the franchise: £49.6 million (₹526 crore) in the US and a jaw-dropping £178.7 million (₹1,897 crore) globally. Not bad for the eighth film in a 30-year-old series, right?
It tied with Lilo & Stitch for the highest Memorial Day weekend box office in 2025. And with a budget rumoured to be between £236 million–£315 million (₹2,500–₹3,340 crore), Paramount will want to keep that cash flow going.
Audiences are still flocking to theatres for the wild stunts and international intrigue. And when a film this deep into a franchise still turns heads and fills seats, it’s not the end, it’s momentum.
Reddit theories suggest the Mission Impossible story is far from overInstagram/missionimpossible
3.Unresolved threads that beg for a follow-up
Sure, some arcs are wrapped up: Gabriel is gone, the Entity seems neutralised, and Ethan Hunt gets a rare moment of peace. But don’t let the surface fool you.
The final shot shows Hunt holding the drive that stores the Entity, a tech relic that could cause chaos down the road. That alone feels like a ticking time bomb waiting to be used again.
And then there’s Theo Degas and Paris, who were introduced late in the film but already feel like key team players. These aren’t mere throwaway roles; they could be possible leads for the next generation.
Even the recurring line, “Nothing is written,” feels like the movie winking at us reminding us that this world isn’t finished just yet.
Clues from the cast spark rumours of a possible sequel or spin-offInstagram/missionimpossible
4.Cruise and McQuarrie: a team that’s not done yet
Tom Cruise and director Christopher McQuarrie have built a creative partnership that’s nearly as iconic as the stunts in the films.
When asked if they’re done, McQuarrie joked about needing “a very long vacation” and not retirement. Cruise, ever cryptic, said at Cannes: “This is thirty years of culmination… but I’d rather people just see it and enjoy.” Again, no clear goodbye, just celebration.
The movie even plays with the idea of algorithm-driven storytelling, hinting that Cruise and McQuarrie are aware of how predictable franchises can become. But these two thrive on risk and reinvention and if anyone can dodge stagnation, it’s them.
Director Christopher McQuarrie and Tom Cruise during a behind the scenes moment from the filmInstagram/missionimpossible
5.Fandom energy that refuses to fade
Fan response to The Final Reckoning has been unbelievable. Test screenings reportedly caused one viewer to nearly “suffocate” from tension. Yes, really.
Reddit is flooded with theories, debates, and character deep-dives, from who might take over the IMF to whether Paris or Degas gets a bigger arc. The conversation isn’t stopping any time soon.
TikTok and Instagram Reels are flooded with fan edits, stunt breakdowns, and speculation videos. In its first week, the finale sparked over a million TikTok posts. That kind of viral traction doesn’t go unnoticed especially by a studio like Paramount.
The Final Reckoning is Verified Hot at 93% on the PopcornmeterInstagram/missionimpossible
Bonus clue: Spin-off buzz is already in the air
Beyond Ethan’s story, there’s chatter about side projects. A Benji-led mission? A Degas backstory? Maybe even an IMF series diving into the crew behind the curtain.
No, these aren’t just fan dreams. In fact, they’re being tossed around at Paramount meetings. And if done right, they could keep the franchise alive in exciting new ways.
When your stars hint at more, your box office breaks records, and your fans won’t stop talking, it’s clear: this franchise isn’t done.
Paramount has every reason to keep Ethan Hunt in action. And knowing Tom Cruise, he won’t bow out until every possible stunt has been attempted.
So, while The Final Reckoning might close one chapter, don’t be surprised if the next mission is already being planned. After all, in this world, nothing is truly final.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.