Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Imagine your dream designer bag now costs more than a month’s rent. Welcome to 2025, now luxury isn’t just a splurge but a high-stakes financial tango, right? Inflation, tariffs, and a dash of geopolitical drama have collided, sending price tags into orbit. This time, brands aren’t just nudging numbers, but they’re launching full-blown price tsunamis. Can you still play the luxury game without drowning in debt? Let’s break down who’s hiking, why, and whether that iconic piece is worth the squeeze.
Chanel
In 2025, Chanel has been on a price-raising spree, almost as relentless as their signature tweed. The iconic Classic Flap Bag Large, for instance, now retails at 9,400 GBP (9,52,000 INR), a steep jump from 7,870 GBP (7,97,000 INR) back in January. That’s not just a rise; it’s a whole statement. With demand booming and the brand’s push for exclusivity, Chanel clearly shows no signs of slowing down.
Louis Vuitton’s strategy? Keep things steady but consistently pricier. In 2025, the Alma PM handbag crept up to 1,590 GBP (1,61,000 INR), marking a 6.4% increase. Meanwhile, the Clooney BB inched to 1,925 GBP (1,95,000 INR), a 4.9% hike, while the Capucines MM surged by 7.2%, now priced at 6,310 GBP (6,39,000 INR). Inflation’s impact? Definitely. The only thing rising faster than these prices? Their legendary prestige.
The iconic Hermès is giving luxury lovers something to chew on, especially if their taste leans toward legendary bags like the Birkin or Kelly. In the U.S., prices for the Birkin 25 in Togo leather rose from 8,400 GBP (8,52,000 INR) to 8,900 GBP (9,03,000 INR): a 6.1% increase. The Kelly 25 in Togo Retourne jumped from 8,350 GBP (8,47,000 INR) to 8,900 GBP (9,03,000 INR), marking a 6.2% hike. Some exotic models, like the Kelly 25 in Matte Alligator, saw a staggering 23.8% increase, now priced at 38,800 GBP (39,37,000 INR). Because nothing says 'forever status' like a price tag that stings.
Rolex has increased prices on its gold models by up to 14%, reflecting a 27% rise in the cost of gold itself. For instance, the white gold Daytona with the OysterFlex bracelet now retails at 24,300 GBP (24,70,000 INR), up from 22,350 GBP (22,70,000 INR) last year. Stainless steel models have seen more modest increases of about 1-3%. Gold just got a little more golden right?
Known for its cashmere and quiet luxury, Loro Piana isn’t shying away from price hikes either. Some items, like the Loom handbag, rose by 8%, while select pieces saw a staggering 23% increase. Soft just got pricier.
Tag Heuer quietly nudged up the price of select U.S. models by around 10% this summer, a direct response to looming U.S. tariffs on Swiss imports. It’s a cautious buffer rather than a drastic shock, as the brand hedges against potential margin hits. Rather than surprising buyers later, Tag Heuer is choosing to gently pad prices now, just in case.
Even beauty brands aren’t safe from the pricing squeeze. Sisley bumped up the price of its Korean products by 5%, while L’Oréal increased prices of Yves Saint Laurent and Lancôme items at duty-free outlets by about 10%. It’s partly due to higher ingredient costs and partly because “flex splurging” in Korea shows buyers aren’t put off by a little extra cost.
In a more gradual move, Coach has been incrementally hiking prices over 19 of the last 20 quarters, while Ralph Lauren pushed its average retail price up by about 12%. Instead of shocking customers, they’re taking a slow and steady approach, which has surprisingly fuelled demand rather than dampened it.
Cartier’s parent company, Richemont, is taking a softer approach, avoiding major price hikes despite the pressure of U.S. tariffs. Instead of gambling on big increases, Richemont is holding prices steady, particularly for its luxury jewellery, which continues to perform well without any drastic changes.
With higher-end items becoming even more unreachable, brands are shifting focus to “affordable luxury.” Think sub-400 GBP (40,000 INR) accessories like designer scarves and wallets, small indulgences that keep aspirational customers engaged. It’s a strategic play to maintain interest without alienating the middle-class luxury lover.
Luxury prices in 2025 are skyrocketing as iconic brands make big movesiStock
The luxury gamble?
The overall picture is clear. Some players have quietly bet on patient, incremental hikes and are already reaping rewards, while others have pushed hard and risk alienating shoppers. Observers note that Coach and Ralph Lauren’s measured markups drove a surprising sales boom (+42% Coach growth in Europe in Q4), whereas ultra-luxe giants saw only minimal gains. In short, moving slowly seems to have paid off, at least so far while exorbitant jumps have mostly just made headlines.
The gamble now is on for every brand. Every new price tag is a wager: will wealthy buyers shrug and splurge, or push back and hunt for deals?
Two Zara adverts banned for featuring models deemed “unhealthily thin”
ASA cited use of shadows and styling that made models appear gaunt
One image highlighted “protruding collarbones”; another made legs appear unusually thin
Zara removed the flagged images and said both models had medical certification
ASA also banned adverts from Marks & Spencer and Next earlier this year
Fashion retailer Zara has had two adverts banned by the UK’s advertising watchdog for portraying models who appeared “unhealthily thin”.
The Advertising Standards Authority (ASA) ruled the adverts were “irresponsible” and said they must not appear again in their current form. Both images had appeared on Zara’s app and website as part of a carousel showcasing clothing both on and off models.
Zara has removed the images in question and said the models involved had received medical clearance confirming they were in good health at the time of the shoot.
What did the ASA find?
In one advert, which promoted a short dress, the ASA said shadows were used in a way that made the model’s legs appear “noticeably thin.” The watchdog also noted the positioning of the model’s upper arms and elbow joints gave an impression of being “out of proportion.”
The second banned advert was for a white shirt, where the model's pose and the shirt’s low neckline made her “protruding collarbones” a central visual element.
The ASA said the slicked-back hairstyle and lighting in both ads contributed to the models appearing “gaunt.”
Two other adverts investigated as part of the same inquiry were not banned. Zara confirmed it had voluntarily removed all the flagged images.
The ASA’s decision follows similar rulings earlier this yearZara
Zara's response
Zara said it did not receive any direct complaints and maintained that the images had not been heavily altered—only minor edits to lighting and colour were made.
The retailer added that it follows guidance from Fashioning a Healthy Future, a report issued by the UK Model Health Inquiry in 2007. Zara specifically cited compliance with recommendation three, which requires models to provide a medical certificate from a doctor experienced in recognising eating disorders.
A wider issue in fashion advertising
The ASA’s decision follows similar rulings earlier this year. In July, a Marks & Spencer advert was banned for portraying a model who appeared “unhealthily thin.” The regulator said the model’s pose, clothing choice, and the use of “large pointed shoes” exaggerated the slimness of her legs.
Next also had an advert banned earlier this year, involving a model wearing blue skinny jeans. The ASA criticised the use of camera angles that emphasised the thinness of the model’s legs and declared the advert “irresponsible.”
Next disagreed with the decision and said the model had a “healthy and toned physique,” despite being slim.
The debate around body image in advertising continues, with some consumers questioning why adverts featuring models who appear unhealthily overweight are not subject to the same scrutiny.
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The players were seen in House of Cavani’s Bond Navy blue blazer
House of Cavani styled the India Champions team during the World Championship of Legends 2025
Cricketers including Yuvraj Singh, Harbhajan Singh, and Suresh Raina wore Cavani’s formalwear
Outfits included the Bond Navy blue blazer, Dakota beige chinos, and Ashley bi-stretch shirts
The team wore the brand to a pre-match press conference and dinner event
House of Cavani has 17 UK stores and is known for Italian-inspired menswear
29 July 2025, Birmingham – Leading menswear brand House of Cavani has partnered with the India Champions team for the World Championship of Legends 2025, styling the cricket legends for key events during the tournament.
Ahead of their opening match in the second season of WCL, the India Champions attended a press conference and team dinner dressed in Cavani’s signature pieces. The lineup included former international cricketers Yuvraj Singh, Harbhajan Singh, Suresh Raina, and brothers Irfan and Yusuf Pathan.
Outfitted by Cavani: Style meets sport
The players were seen in House of Cavani’s Bond Navy blue blazer, a piece suited to both formal occasions and professional appearances. This was paired with Dakota beige chinos, a versatile wardrobe staple, and the Ashley bi-stretch shirt, made with soft mercerised cotton for a slim, modern fit.
Brand and team speak on collaboration
Sukhi Mondair, CEO of House of Cavani, said:
“Styling the India Champions team has been a privilege, providing the perfect blend of performance excellence with sartorial craftsmanship. Their charisma deserves formalwear that matches the impact they’ve had on cricket.”
Jaspal Bahra, Co-Owner of the India Champions, added:
“It is flattering that the India Champions team is seen as a natural fit with such an iconic brand like House of Cavani, which is the epitome of timeless sophistication.”
About House of Cavani
House of Cavani is a UK-based menswear label known for its Italian-inspired tailoring, offering both formal and casualwear. With 17 stores across the UK, the brand continues to blend craftsmanship with contemporary style for the modern gentleman.
Let’s be honest. Most of us have paused mid-scroll on a red carpet photo and whispered, “How does their face look so… expensive?” Not plastic. Not filtered. Just expensive.
When Timothée Chalamet’s jawline cuts through a paparazzi swarm, or Zendaya glows like she’s powered by nuclear energy under stadium lights? That’s not genetics. Celebrities survive because they treat their faces like tactical gear in a war against 4K lenses and exhaustion. We stole the clinic playbooks. Here’s what’s actually happening.
It’s not about going under the knife anymore. It’s subtle tweaks, skin that bounces light a certain way, a jawline that suddenly exists, lips that aren’t overfilled but somehow perfect. And it’s not magic. It’s injectables.
These aren’t the old-school, frozen-face fixes. This is the new wave, celebrity-loved treatments that work quietly in the background to make you look like you’ve just come back from a month-long retreat in Provence. Here’s what’s hot, who's doing it, and why it's all anyone’s talking about in 2025.
Hollywood’s go-to face treatments before every red carpetiStock
1. Exosome glow-ups
Celebs call this "911 in a needle." Stem cell–derived exosomes are everywhere right now, especially ahead of major events. Why? They speed up skin repair, boost collagen, and give that “lit from within” shine with zero downtime. Think of them as microscopic couriers delivering glow directly into your skin cells. A few drops + a microneedling session and you wake up in 48 hours looking like you’ve slept for 14 days. Real talk? 68% of L.A. clinics now pack it into "Red Carpet Rescue" kits with IV drips. It’s not wellness. It’s damage control.
2. Micro-botox (SkinTox)
This isn’t your aunt’s Botox. SkinTox uses micro-doses to smooth out skin texture without freezing your face. It’s what gives celebs that blurred, “airbrushed IRL” look. Makeup glides better, pores shrink, and the skin just behaves better under camera flashes. It’s less about erasing expression lines and more about having a face that always looks like it’s in soft lighting.
3. Jawline contouring with biostimulator fillers
You’ve seen it! Some celeb jawlines could cut glass. But here’s the thing: subtle contouring via fillers (Radiesse and Sculptra) can mimic that bone structure even if you weren’t born with it. It’s sculptural but natural. Not puffy. Not obvious. This is one of the top treatments male celebs are doing quietly behind-the-scenes, and it’s why they suddenly start looking like editorial models overnight. Searches for "structural filler" exploded 290% after pap shots dropped. It’s for people who want definition, not dough.
4. . Skin boosters for hydrated, mobile lips
Forget duck lips. The 2025 trend is juicy but mobile. Skin boosters like Profhilo and Belotero Revive hydrate from the inside out, plumping lips and smoothing fine lines without stiffness. That soft-focus pout isn’t about volume, it’s about hydration. This technique works especially well under lipstick and makes your lips look healthier, not fake. 61% of under-35 clients at celeb clinics now demand this over traditional filler.
5. Under-eye revision via skin boosters & PDRN (Salmon DNA)
Tired eyes are a career hazard when you’re doing press tours across time zones. But instead of heavy tear-trough fillers, celebs now use diluted skin boosters and polynucleotides under the eyes. It doesn’t fill; instead, it is said to heal. Puffiness goes down, fine lines fade, and you look awake without looking… altered. Celebs swear by these for their “no-makeup makeup” days.
Inside the injectable glow-ups stars are secretly gettingiStock
The ugly truth
Hollywood isn’t obsessed with perfection. It’s obsessed with survival. When the camera sees everything and criticism comes faster than compliments, looking like the best version of yourself becomes self-preservation.
Injectables aren’t cheating. They’re choices. Some use them to soften time, others to boost what nature didn’t. And that’s okay. Not everyone needs it. Not everyone wants it. But for those who do, it’s not vanity. It’s control in a world that tries to take it from you.
The real problem isn’t Botox or fillers.
It’s thinking there’s only one right way to look.
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ASA previously banned similar ads by Next and others
M&S advert banned for promoting an "unhealthily thin" body image
ASA criticised model's pose, outfit, and styling
Retailer claimed campaign aimed to showcase confidence, not slimness
ASA previously banned similar ads by Next and others
A Marks & Spencer (M&S) advert has been banned after the UK’s advertising regulator said it irresponsibly depicted a model as “unhealthily thin”.
The Advertising Standards Authority (ASA) raised concerns over the model’s pose and outfit, including pointed shoes that exaggerated the slimness of her legs. The advert appeared on the M&S app and is no longer in use.
The ASA ruled that the M&S advert must not appear again in its current form, urging the brand to avoid promoting unhealthy body standards in future campaigns.
M&S responds to advert ban
M&S defended the campaign, stating it was intended to portray “confidence and ease”. The retailer said the model was selected with regard to her health and suitability, and the styling choices were purely fashion-driven.
The company added that its womenswear range is inclusive and adheres to industry health standards. M&S also noted it had withdrawn or updated other images investigated by the ASA.
Watchdog flags visual proportions in image
According to the ASA, the model’s head appeared out of proportion with her body, further drawing attention to her slim figure. This contributed to the impression that the image promoted an unhealthy body type.
While three other M&S ads were reviewed, none were banned, though the retailer chose to amend them voluntarily.
M&S joins list of brands with banned fashion ads
The M&S advert ban follows a similar decision involving high street chain Next earlier this year. An advert for skinny jeans was removed due to concerns that the model’s pose and camera angles emphasised thinness.
Next maintained the model had a “healthy and toned physique” and disagreed with the ASA’s ruling.
Separately, TV personality Gemma Collins was found to have breached advertising rules by promoting a prescription-only weight-loss drug on Instagram. Her post was among nine banned in a recent ASA crackdown.
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The Great British Sewing Bee is back for 2025, welcoming 12 new home sewers to the sewing room
Hosted by Sara Pascoe with judges Patrick Grant and Esme Young
12 contestants will compete across 10 themed sewing challenges
Each episode features a Pattern, Transformation, and Made to Measure challenge
Opening week focuses on shaping garments including pleats and circle skirts
Sewing Bee returns with a fresh cast of home sewing talent
The Great British Sewing Bee is back for 2025, welcoming 12 new home sewers to the sewing room. Host Sara Pascoe returns to guide the competition, alongside judges Patrick Grant and Esme Young, who will evaluate each contestant’s technical ability and creative flair.
Spanning 10 weeks, the series will feature themed challenges ranging from artistic and historical references to cultural inspirations like the 1920s and Korean fashion. Contestants will face the usual trio of tasks each week: a Pattern Challenge, a creative Transformation Challenge, and a Made to Measure Challenge where garments are tailored to real models.
This week’s theme centres on “creating shape”. Contestants must sew a tie-front blouse, transform a circle skirt into a new outfit, and design a pleated dress that fits perfectly. One sewer will be awarded Garment of the Week, while another will be eliminated.
The 2025 Sewing Bee line-up
Caz Age 59 | Staffordshire | Retired After retiring from the family printing business, Caz has devoted more time to sewing, which she began at age 11. She enjoys technical sewing, including French seams and topstitching.
Kit Age 24 | Manchester | Digital marketer Kit taught themselves to sew at school and returned to the hobby at university. They create one garment per week and are drawn to turning unusual fabrics into stylish pieces.
Gaynor Age 72 | Port Talbot, Wales | Retired office manager Gaynor has sewn since the 1950s and now teaches her granddaughter. Her style is described as smart and traditional.
Jess Age 33 | London | Head of communications Jess began sewing as a child to connect with her mother and grandmother. She resumed the hobby during lockdown and continues to create her own clothing.
Órla Age 19 | Inverness | Café worker and student The youngest contestant, Órla started sewing four years ago and enjoys experimenting with both androgynous and feminine looks. She dreams of building a self-made wardrobe.
Peter Age 45 | Devon | Senior pre-construction manager Peter took up sewing after watching the show with his daughters. He focuses on practical garments and enjoys upcycling, such as turning old jackets into bags.
Glendora Age 59 | Luton | Bus driver Glendora began sewing at eight and has since made over 30 quilts. She values durability and quality in her creations.
Yasmin Age 30 | Gateshead | Research and development scientist Yasmin learned to sew from her father, who inspired her to apply to the show. She honours his memory through her sewing, including a pink zebra dress they made together.
Novello Age 66 | London | Business owner and magistrate Inspired by Blue Peter, Novello began sewing at five and received her first machine at age seven. She enjoys creating unique and personalised garments.
Dan Age 37 | Durham | Performer Dan started hand-stitching garments at 10 and now uses his sewing skills to make costumes for stage performances.
Saffie Age 32 | London | Lecturer in Product and Industrial Design Taught to knit by her great-aunt at age eight, Saffie now creates a functional and stylish wardrobe using patterns from independent designers.
Stuart Age 53 | Herefordshire | Premises manager Stuart began sewing in 2020 intending to make hats but quickly expanded his repertoire. He combines practicality with creativity in his work.
How to watch
The Great British Sewing Bee 2025 airs weekly on BBC One, beginning Tuesday 15 July at 9pm.
Tune in to see which of these talented sewers will impress the judges and make it to the final.