LORD Jeffrey Archer’s 25 published titles have sold 250 million copies in nearly 100 countries and been translated into 37 languages.
In India, which Archer estimates he has visited “20 to 25 times over the years”, he has an especially devoted following.
The author was taken aback to discover one young woman journalist in Kolkata knew his tales almost better than he did.
Put simply, Indians appear to adore Archer and he adores India. “They are very kind to me,” he says.
On his phone is a picture of the 7,500-strong crowd he attracted at the Jaipur Literary Festival earlier this year.
We are chatting high up in his London penthouse apartment with its panoramic view of the Thames and in the distance, the Palace of Westminster, where he is a Tory peer. His wife, Dame Mary Archer, a distinguished scientist in her own right and to whom he has been married for 53 years, is moving around quietly in the background.
A couple of months ago a group of senior Indian businessmen hosted a lavish dinner for the Archers in London.
“Mary was shocked,” recounts Archer. “It was truly remarkable – every course was named after one of my books.”
On the menu, headed A Tribute to Jeffrey Archer, were such items as Mightier than the Sword (lavash bread and hummus), First Among Equals (dragon fruit Waldorf salad), Nothing Ventured (podi hoppers, corn and kuttu roti), Only Time Will Tell (slow-cooked kali dal) and Kane and Abel (celebration cake).
Since most Indian businessmen probably don’t read anything other than their bank statements, clearly a researcher had been hard at work to make the menu a collectors’ item (Archer generously donated one of his three copies to Eastern Eye).
He adds: “I am always teased that the other author Indians love is PG Wodehouse. And you would think that we couldn’t be more different.”
Archer’s debut novel, Not a Penny More, Not a Penny Less, was published in 1975 when he was 35. He learned that several schools in India look at it to study “the immaturity of the author” at the start of their career.
“A headmistress told me recently that her school is studying the art of short storytelling because you have RK Narayan, one of the greatest story writers who has ever lived. I am a huge admirer and fan – I wish I had met him before he died.”
In fact, if Archer were to be cast on a desert island and allowed to take a handful of books, Narayan’s short story collection, Malgudi Days, would be in the mix, along with Great Expectations by Charles Dickens and The Count of Monte Cristo by Alexandre Dumas.
He accepts that since his first novel came out over four decades ago, British society has changed beyond recognition and, with it, the standing of Indians.
“One has to be very careful what one says in this situation because we live in an age where prejudice is misunderstood, but all I will say is the Indians work very hard, number one. And they are very bright, number two. And that is a good start.
“So I am not surprised that Indians are doing well in this country. Everywhere I go – I was in Qatar recently – they seem to be running the place. I was in Dubai – they seem to be running the place.
“I think you [Indians] are the most aspirational race on earth, possibly other than the Chinese who are also very aspirational. And I write aspirational books”.
He would like to take his new protagonist, Detective Constable William Warwick, a bright, young recruit to Scotland Yard’s art and antiquities squad in his latest novel, Nothing Ventured (Macmillan; £20), through to Metropolitan police commissioner over the course of seven novels. Whether Warwick gets to the top will depend on whether he, as an author, is around to complete the task, says Archer, who will turn 80 next year.
As for Archer’s fan base in India and the enthusiastic welcome he receives whenever he is there, he says: “It’s a mystery.”
Perhaps “my love of India, (and) my love of cricket come through to the people both in the books and whenever I am on radio and TV in India”.
He reckons India should have won the ICC Cricket World Cup earlier this year – “you were the best team”.
His eyes light up at the mention of batting great Rahul Dravid. “Oh, yes. Beautiful stroke player.”
He goes on: “I always say that VVS Laxman and Rahul Dravid staying in all day against the Australians (at Eden Gardens in Kolkata in 2001 when India won after following on) was one of the great Test matches in history.”
Archer has met the current Indian skipper Virat Kohli three times.
“I heard him make a speech recently at the Indian High Commission. He is a very measured, sensible, intelligent man,” is Archer’s assessment. “I am a great admirer, not just of his batting, but of his competitive attitude and, indeed, the way he conducts himself. But this has been true of the Indians for many years.”
Into this group, Archer puts Anil Kumble, Kapil Dev and Ravi Shashtri.
He retains warm memories of “the Nawab”, a reference to Mansur Ali Khan Pataudi. “I was at Oxford with the Nawab, who remained a dear friend through to his death. He was a great man – and a great captain of India.”
He saw Pataudi in action before his friend lost much of the vision in his right eye in a car accident. “That was very, very sad. I am amazed that he went on to captain his country and remained a world-class cricketer.”
Always in demand as an auctioneer at Indian charity events, Archer officiated at a dinner at the May Fair Hotel in London in 2013 to raise funds for the Pataudi 2020 organisation which helps people with sight problems. The event was attended by Pataudi’s wife Sharmila Tagore, daughter Soha, son Saif, and daughter-in-law Kareena Kapoor Khan.
“The auctions I love – they are fun. And that was a particularly fun one because I was doing it in memory of someone I cared about,” Archer says.
After many ups and downs in his life, Archer is glad he did not stay in politics, but has made his mark as a “storyteller”.
As with Nothing Ventured, his style is deceptively simple. But he has the gift of being able to make readers turn the page to find out what happens next.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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