Skip to content
Search

Latest Stories

‘King the Land’ faces backlash over Anupam Tripathi’s ‘offensive’ portrayal of Arab Prince

Directed by Im Hyun-wook, King the Land is currently streaming on Netflix.

‘King the Land’ faces backlash over Anupam Tripathi’s ‘offensive’ portrayal of Arab Prince

Korean dramas have been garnering a huge viewership in many parts of the world. The new JTBC K-Drama King the Land, which features Junho and YoonA in leading roles, has also received love from various quarters, but a certain section of the audience has now reacted negatively to the seventh episode of the hit series.

The seventh episode of King the Land introduces a new character, Prince Samir, played by Anupam Tripathi. For those not in the know, Tripathi rose to fame with his well-received performance in Netflix’s Squid Game, which is currently in production for its second season. Many people are angry with the way the Arab Prince was shown in the said episode.


While fans are upset with the fact that an Indian actor has been cast to represent a person from the Arab community, their disdain is further fuelled by the misrepresentation and problematic portrayal of the character. It came across as “insulting” to Arab people that Prince Samir appeared obsessed with alcohol and women. Here’s how they are reacting to the same:

King the Land was that cheesy summer K-drama we all needed until they portrayed Arabs in their latest episode in the most ridiculous, offensive way ever like it’s 2023; it’s not hard to SEARCH about other cultures before using them in a show," a user wrote.

Viewers requested an apology from JTBC. The production team released a statement via SPOTV News in response, saying, “All characters, areas, and nominations that appear in the drama are works of fiction. We never specified the prince’s country of origin.”

Directed by Im Hyun-wook, King the Land is currently streaming on Netflix.

More For You

National Theatre play where the end is the beginning

Clive Owen (Alfie) and Saskia Reeves (Julie) in End at the National Theatre

Marc Brenner

National Theatre play where the end is the beginning

For many people in the National Theatre audience, a new play called End will come across as a bit too close to home. How do you prepare for a “good death” after a loved family member is diagnosed with terminal cancer?

This is the reality facing Alfie, a retired radio producer, who simultaneously wants to live but also depart as painlessly and quickly as possible with “dignity”. He is 58, as his long-time partner, Julie, who has taken to writing crime novels late in life. As so often happens, one life goes while another comes. They are waiting for their daughter, Annabelle, who is expecting a baby “out of wedlock”. She never actually appears on stage as the play is a two-hander. As they wait for Annabelle one morning, Alfie and Julie talk about the life they have had together.

Keep ReadingShow less