Indian censor board blocks Shahana Goswami’s Oscar-shortlisted film ‘Santosh’ from release in India due to controversial subject matter
The acclaimed film, tackling caste violence and police brutality, faces a theatrical ban in India despite international recognition.
The highly anticipated film Santosh, which gained international recognition and was the UK’s official entry for the Oscars, has been denied a theatrical release in India. The decision by the Central Board of Film Certification (CBFC) has sparked debate over censorship and the challenges faced by filmmakers tackling social issues.
Directed by British-Indian filmmaker Sandhya Suri, Santosh tells the story of a young widow who joins the police force and is assigned to investigate the murder of a Dalit girl. The film sheds light on caste discrimination, police brutality, gender violence, and Islamophobia, all topics that remain contentious in India.
The CBFC reportedly demanded numerous cuts that would significantly alter the film’s message, leading the filmmakers to reject the changes. Actor Shahana Goswami, who plays the lead, expressed disappointment over the situation, revealing that while the film had been approved at the script stage, it was later blocked due to its sensitive content.
Despite its rejection in India, Santosh has been well received internationally. The film premiered in the Un Certain Regard section at the Cannes Film Festival and was shortlisted for an Oscar nomination. It also received a BAFTA nomination for Best Debut Feature, with Goswami winning Best Actress at the Asian Film Awards.
Despite global recognition, ‘Santosh’ struggles for a release in India amid debates over artistic freedom and censorshipInstagram/ShahanaGoswami
Interestingly, Santosh was filmed entirely in India, featuring an Indian cast and addressing issues deeply rooted in the country’s socio-political fabric. However, its critical portrayal of law enforcement and systemic discrimination led to its censorship ultimately raising concerns about artistic freedom.
Shahana Goswami attends the Santosh photocall at the 77th Cannes Film Festival at Palais des FestivalsGetty Images
The rejection of Santosh is not an isolated case though. Indian filmmakers have long struggled with censorship when dealing with politically sensitive topics. While films tackling similar themes have been released in the past, Santosh seems to have struck a nerve due to its unfiltered storytelling and morally complex characters.
Indian actress Shahana Goswami wins Best Actress at the 18th Asian Film Awards on March 16, 2025, in Hong KongGetty Images
Director Sandhya Suri expressed her frustration, questioning why a film that had already cleared script approval faced roadblocks at the final stage. “It was important for me that the people impacted by these issues get to see the film,” she said.
While Santosh remains unavailable in Indian cinemas, it has found a home on the streaming platform MUBI, allowing audiences to watch it outside the theatrical framework. Whether the film will ever see a domestic release remains uncertain, but its journey actually brings to light the ongoing struggle between artistic expression and censorship in Indian cinema.
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.
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BBC Three documentary uncovers new details in Kim Kardashian Paris robbery case
Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.
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The Pyramid Stage awaits Sir Rod Stewart’s return after more than two decades
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.