A MACABRE but important piece of British Indian history comes up for auction on June 5
– the leather-bound personal notebook of Albert Pierrepoint, Britain’s most prolific executioner, who hanged Udham Singh at Pentonville Prison in London on July 31, 1940.
There have many mentions of Singh this year since April 13, 1919 marked the centenary of the Jallianwala Bagh massacre in which up to a thousand people were shot dead in Amritsar on the orders of Brig-Gen Reginald Dyer.
His actions were endorsed by the military governor of the Punjab, Sir Michael O’Dwyer, who was shot dead by Singh at a public meeting in Caxton Hall in Westminster on March 13, 1940.
On April 1, 1940, Singh was formally charged with murder and remanded in custody at Brixton prison where he was force fed after going on a 42-day hunger strike. He also insisted on giving his name as “Ram Mohammad Singh Azad” to emphasise India’s religious plurality.
He was tried at the Old Bailey where the judge, Mr Justice Atkinson, sentenced him to death and issued a ruling that the prisoner’s final speech, justifying the killing as retaliation for the massacre, should not be reported by the press.
“I am not afraid to die,” Singh shouted as he was dragged away.
“I am proud to die, to have to free my native land and I hope that when I am gone, I hope that in my place will come thousands of my countrymen to drive you dirty dogs out; to free my country.”
Pierrepoint is reckoned to have hanged 600 people during a 25-year-career but it was his participation in Singh’s execution that earned him promotion from assistant to senior hangman.
In his execution ledger, Pierrepoint, who learned the trade from his father, Henry, and his uncle, Thomas, kept notes on condemned prisoners.
He misspelt Udham’s name as “Udhan” but the other details are correct – the Indian’s age is given as 37, height as 5ft 8in and weight as 158lbs. The “drop” required to achieve the quickest death was worked out as 7ft Iin.
There are conflicting reports that Singh’s execution was botched because Stanley William Cross, the senior hangman, “went to pieces” before the hanging and made an error with his calculations.
Some reports say Pierrepoint corrected the mistake and that the execution proceeded “satisfactorily”. Either way, Cross was removed as a hangman, while Pierrepoint soon became Britain’s number one executioner and something of a celebrity.
Along with the execution ledger, several other items belonging to Pierrepoint are also being auctioned and estimated to fetch £20,000-£25,000.
The items, which belong to an anonymous collector in the northeast, include the plaster cast of Pierrepoint’s face and hands, photographs and documents, and his watch chain.
The sale is due to take place at Boldon Auction Galleries in Tyne and Wear, north-east England, where Giles Hodges, valuer and auctioneer, explained the historic significance of the Pierrepoint collection: “This is the most fascinatingset of items I have ever sold.
“It was a real eye-opener when it came in and I won’t see anything like it again. It provides a remarkable insight into the role of the executioner and I suppose that someone had to do the job.”
As for most of the names in the ledger, Hodges commented: “It’s a mid-century who’s who of murderers, traitors, war criminals and spies.”
There are a handful of other Indian names on the list – Jan Mahamed, 30, in Liverpool, on
June 8, 1938; Ajit Singh, 28, in Cardiff, on May 7, 1952; and Mahmood Hussein Mattan, 28, in Cardiff on September 3, 1952.
Pierrepoint also hanged Ruth Ellis, in Holloway prison on July 13, 1955. She was the last woman to be executed in Britain, with the death penalty finally being abolished in 1969.
Singh’s remains were repatriated from the grounds of Pentonville to India in 1974 and given a ceremonial funeral in Punjab, where he is worshipped as a hero.
A patriotic feature film is currently being made about him, directed by Shoojit Sircar and starring Vicky Kaushal in the lead role.
Pierrepoint, who died in 1992, aged 87, wrote in his autobiography in 1974 that hanging “is said to be a deterrent. I cannot agree. If death were a deterrent, I might be expected to know.
“All the men and women I have faced at that final moment convince me that in what I have done I have not prevented a single murder.”
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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