Recently, there has been a growing trend toward adopting an Ayurvedic lifestyle. This approach is valued for being free of chemicals and for its ability to effectively address various health concerns without any adverse effects.
One of the popular techniques and remedies in Ayurveda is ‘Padabhyanga,’ a practice of massaging the feet at night, Dr Dixa Bhavsar, an Ayurvedic practitioner, told The Indian Express.
He reportedly said, “Regular Padabhyanga can make your skin supple, hair shinier, and memory sharper.”
The site Padabhyanga informs that in Ayurveda, Padabhyanga or foot massage is considered the mother of all therapies. The feet are believed to connect the body and soul to the earth, making them an important motor organ in Ayurveda (Karmendriya). They are also seen as the embodiment of both the body and soul.
Padabhyanga involves the use of herbal oils to massage the feet and is considered a holistic and religious aspect of traditional Ayurvedic treatment.
The Sanskrit word "Pada" means foot and "Abhyanga" means the use of oils, reflecting the importance of the feet in Indian customs, tradition, and medicine.
Taking to his Instagram account, Dr Bhavsar wrote, “Our feet are our foundation and our connection to the ground beneath us. We often forget how hard our feet work and don’t give them the love they need and deserve. The feet also contain many pressure points that have connections to the immune and nervous systems. Ayurveda postulates that stimulating these points can aid in relaxation, and thereby calm the nervous system before you go to bed.”
Understanding Padabhyanga
Padabhyanga is a delicate foot massage that uses herbal oils or ghee. The massage technique involves mainly soft circular motions and gentle stroking, taking into account the Marma points on the feet.
This technique is reportedly designed to access the entire body, including internal organs, through the nerve endings present on the feet, Ayur Wellness Inc. explains.
In Sanskrit, the term "Marma" originates from Sanskrit, meaning "secret" or "hidden." It refers to specific points on the body where different tissues such as muscles, veins, ligaments, bones, and joints intersect and connect.
Ayurvedic expert Dr Ashutosh Nanal emphasises the benefits of Padabhyanga as a daily routine practice.
According to him, the massage is said to activate the nerves and improve blood circulation while also addressing issues related to dryness.
He reportedly said, “The oil can be used according to the patient’s condition. But if it is being done for preventive purposes and daily well-being, a seasonal oil should be used.”
The expert states that while any oil can be used for the foot massage, “sesame oil is traditionally used for calming, coconut oil and mustard oil can also be used.”
• Reducing stress and promoting a sense of overall well-being
• Providing a calming and revitalising effect
• Improving blood circulation
• Relieving insomnia, mental stress, and depression
• Decreasing swelling and discomfort in the lower legs
• Easing leg and foot tension
• Stimulating vital foot Marma points that relate to all organ systems
• Increasing the flow of Prana (life force) in the lower limbs
• Improving sleep quality
• Cooling the mind and calming those with high-Pitta (Type A) personalities
• Improving circulation in cold or tingling feet.
How to get the foot massage right
In an Instagram post, Ayurvedic practitioner Niti Sheth provides a step-by-step guide for an effective foot massage.
• First, get a dark-coloured towel and warm oil or ghee of your choice (sesame in winter or ghee/coconut oil in summer) along with a choice of essential oil (such as lavender or rosemary).
• Apply oil all over your foot.
• Massage both ankles in circular motions.
• Massage up and down the Achilles.
• Gently pull and massage each toe upwards from the base to the toenail.
• Vigorously massage the front of the foot with both hands.
• Using your thumb, massage both arches of the foot using firm pressure to relieve foot pain from plantar fasciitis.
• Gently pull and massage each toe from the back of the foot.
• Knead up and down the foot with a closed fist.
• Massage the whole foot with firm pressure, focusing on the ball of the foot underneath your big toe.
• Massage your heel.
• Put a sock on the foot to keep it warm and prevent the floor from getting oily.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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