Former English cricket captain says 'there are traces of racism in all of us’
Mike Brearley, who now practises as a psychoanalyst in London, uses cricket to explore the mind in his memoir Turning Over the Pebbles: A Life in Cricket and in the Mind
By Amit RoyAug 18, 2023
MIKE BREARLEY, a very successful England cricket captain from 1977 to 1980, has been a practising psychoanalyst in London for the past 40 years.
Brearley very sportingly placed himself on the couch for the benefit of Eastern Eye – and answered questions on the many Indian connections that are mentioned in his new book.
He describes Turning Over the Pebbles: A Life in Cricket and in the Mind as a “‘memoir of the mind’, of my mind, and its passions and moves, not a chronological, blowby-blow autobiography”.
In 1976, for example, when he was about to go to India to play cricket, he was given an introduction to the psychoanalyst Kamalini Sarabhai. She had trained in London and returned to India to set up a mental health institute for children, families and adults.
“Through her, on that day, I met her beautiful daughter, Mana, who became my second wife,” he recalls.
Brearley’s father-in-law was Gautam Sarabhai, an industrialist from one of the leading families in Gujarat. Gautam’s younger brother, Vikram Sarabhai, was an eminent Indian physicist and astronomer who initiated space research and helped develop nuclear power in India. Vikram’s late wife, Mrinalini Sarabhai and daughter, Mallika Sarabhai, have both been famous classical dancers.
Brearley writes of an occasion when his daughter, Lara, came out of the shower “sobbing uncontrollably…just then, Gautam’s sister phoned. He had collapsed and died a few minutes before, presumably while Lara (who was very close to her grandfather) was in her shower.”
He tells Eastern Eye that Gautam had fallen over from his chair while searching for Mana’s number in London: “So what is one to say about that?”
It has been Brearley’s routine to go to India once a year for a couple of months. He remembers playing against a number of Indian cricketers, among them, the batsmen Sunil Gavaskar and Gundappa Vishwanath; and the bowlers, Bhagwat Subramanya Chandrasekhar and Erapalli Anantharao Srinivas Prasanna.
He has kept in touch with Bishen Singh Bedi, who sticks “out as the most beautiful slow bowler I think I’ve ever seen. I thought his bowling was a thing of beauty.”
Brearley was born in 1942, read classics (Latin and ancient Greek) and moral sciences (philosophy) as an undergraduate at Christ’s College, Cambridge. He captained Cambridge, Middlesex and England at cricket and was praised for bringing out the best in his players, possibly because he understood their psychology. “Cricket is a mind game,” he observes.
Which leads Eastern Eye to ask him why the Indian cricket team, which appears so strong on papers, keeps fluffing finals. In 2021, they lost to New Zealand in the inaugural ICC World Test Championship (WTC) at the Ageas Bowl in Southampton. In June this year, they went down against Australia in the WTC at the Oval.
And last Sunday (13), in the deciding fifth T20I in Florida, India were beaten by a relatively weak West Indian side to give the hosts the five-match series 3-2.
“I suppose all games are (mind games),” he responds. “But cricket has certain extra features, partly because the traditional game goes on at a high level for such a long time. There’s plenty of time to gain confidence and to lose it. And there’s also this peculiarity of the game, that it’s a set of individual battles within a team context.
“So I think there’s always a balance to be stuck between selfishness and properly looking after oneself on the one side, and looking after the team on the other.”
Brearley, who has addressed groups of people on motivation and leadership, explains: “A side may tighten up on a big occasion, if the expectation is too great. And then if one tightens up, one stops playing as well as one might.”
There has to be a balance, he says, “between relaxation and concentration” in order to achieve the best result.
He laughs as he reveals he once got into “Pseuds Corner” in the satirical magazine Private Eye for perceived pretentiousness.
Facing the West Indian Michael Holding, the fastest bowler in the world who had been nicknamed “Whispering Death” by the umpire Dickie Bird, Brearley had sought to make himself less tense by humming “the opening of Beethoven’s Razumovsky Quartet, Op 59, No 1”. It sort of worked.
At a time when cricket has been agonising over Azeem Rafiq’s treatment at Yorkshire, one issue he has analysed in some depth is the question of racism.
“My own view is that you can’t grow up in a racist culture without having a bit of it (yourself),” he has concluded. “Now, there’s a huge range between having a little bit of it and being a racist.
“I’m not saying we’re all racists. But I would say that racial thinking enters into our thoughts, even in our opposition to it.”
He goes on: “I remember a story about (the philosopher) Bertrand Russell meeting (Jawaharlal) Nehru, when Nehru was the prime minister of India. They talked and got on very well. They talked into the night and found various areas of agreement.
“At one stage they started talking about religion. And Russell said with enthusiasm, ‘Another thing we have in common is we’re both atheists.’ And Nehru said, ‘Well, no. I’m a Hindu atheist, and you’re a Christian atheist.’
“In other words, what they were arguing for was coloured by what they were arguing against. So I think one can have racialised thoughts, even in arguing against racism. What I want to say is that there are traces of it in all of us.
“There are traces of racism, of course, among Indians too, in the caste system, which is just as much of a racial thing as HinduMuslim, ethnic identity, which is very intense at the moment and dangerous. There are extremists on each side, like the RSS (Rashtriya Swayamsevak Sangh) man who murdered (Mahatma) Gandhi, for example.
“So I think it’s important we acknowledge that there are traces of it in all of us, which can come out unconsciously, like in institutional racism, and become part of a cultural set of attitudes.
“Some (attitudes) are largely and mainly friendly to people of different orientations, different backgrounds, different ethnic identities, and some are not. One thing that one has to do in thinking about racism is to think about one’s own bits of it.
“But, of course, there’s also inverted racism, in my view, so there can be racism of blacks against whites, let’s say. There can be racism of low caste against high caste.
“But one has to give acknowledgement to the suffering that’s been the other way – the suffering under colonialism, the suffering under racism, under racial superiority for several hundred years largely to the detriment of black people or people of colour.”
The title of his book – Turning Over the Pebbles – refers to “looking for the other side of something, something shiny on top and something muddy underneath, or something obscure on top and beautiful underneath.
“And that’s what psychoanalysis is like. Psychoanalysis is something that happens perhaps between the analyst and the patient. The analyst invites the patient to see a thing from a different point of view by turning it over.
“The Jungians (followers of Carl Jung) have a word for it – the shadow side, the darker side we all have. We can describe our good qualities pretty well. But what about the other side, where we’re narcissistic or easily frustrated or bad-tempered or envious or jealous? One can also discover the strength one has, that one doesn’t give oneself credit for, especially if you start to lose confidence. You have to hold on to also the good qualities you have.”
Turning Over the Pebbles: A Life in Cricket and in the Mind by Mike Brearley has been published by Constable; £22.
Miley Cyrus is stepping into her new era with bold fashion choices. On 4 June, the pop icon made an appearance in New York City while promoting her latest album, Something Beautiful. Clad in a completely sheer black gown, Miley greeted fans outside Rockefeller Center, signed autographs, and proved once again that she’s fully in control of her narrative.
Sheer look makes a statement during album signing
Wearing a sheer Ludovic de Saint Sernin dress that revealed black thong underwear and no bra, Miley Cyrus confidently embraced her skin-baring aesthetic. The gown, with its plunging neckline and delicate spaghetti straps, hugged her frame as she posed for photos and chatted with fans. Miley completed the look with a gold necklace, dark aviator shades, and a high bun, leaning into the raw, rock-glam feel that’s been central to her fashion choices lately.
Something Beautiful, released on 30 May, is Miley’s ninth studio album and features a sonic shift toward psychedelic rock with personal lyrics. Inspired by Pink Floyd’s The Wall, the album explores themes of heartbreak, healing, and acceptance. Miley has described it as an attempt to find light within life’s darker moments.
At a preview event, she opened up about the emotional weight behind the album, recalling the loss of her Malibu home in a 2018 wildfire and how that loss also ended many personal relationships, including her marriage to Liam Hemsworth. “Those darker times are what lead us to the light,” she said.
A visual companion film for the album, co-directed by Miley herself, premiered at the Tribeca Film Festival, adding another layer to her musical transformation.
In both fashion and music, Miley Cyrus is not just making a comeback, she’s truly crafting a new chapter on her own terms.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.
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Habibur Masum pleaded guilty at Bradford Crown Court to manslaughter and possession of a bladed article. (Photo: West Yorkshire Police)
A MAN has admitted killing his wife as she pushed their baby in a pram through Bradford city centre, but has denied her murder.
Habibur Masum, 26, pleaded guilty at Bradford Crown Court to manslaughter and possession of a bladed article. He denied the charge of murder. The victim, 27-year-old Kulsuma Akter, was stabbed multiple times on 6 April last year. The baby was unharmed.
Masum, of Leamington Avenue, Burnley, was remanded in custody by Justice Cotter and is due to stand trial for murder on Monday.
He also denied two charges of assault, one count of making threats to kill and one charge of stalking. During a previous hearing, the court was told those charges relate to incidents over two days in November 2023.
The stalking charge alleges Masum tracked Akter between November and April, found her location at a safe house, sent threatening messages including photos and videos, loitered near her temporary residence, and caused her alarm or distress and fear of violence.
Akter was attacked at around 15:20 BST on Westgate near Drewton Road. She later died in hospital. Masum was arrested in Aylesbury after a three-day manhunt by West Yorkshire Police.
Her mother, Monwara Begum, speaking from Bangladesh last year, said: "I am in shock. She was my youngest daughter and I adored her greatly... The only day I didn't hear from her was the day she was attacked."
Music has inspired every aspect of Rick Ram’s life. The massively popular chutney soca star grew up surrounded by songs that shaped him as both an artist and individual. That journey led him to become an award-winning singer with a string of hits.
When Eastern Eye asked him to select his favourite songs, he chose ones filled with magic, meaning and cherished memories.
Tu by Sonu Nigam: When I was about 11, my mother Camla Ramoutar sang with a band called Melody Express and rehearsed at our home. One night, the lead singer did not show up, and they were practising this song. Jerry Beharry overheard me singing along and told me to perform it on stage. It became the first song I ever sang live.
Nache Man Mora Magan by Mohammed Rafi: Known as one of the most difficult songs to sing, this track encouraged me to pursue a music career. It was my first entry into Mastana Bahar, a respected platform that launched the careers of many artists.
Pretty Woman from Kal Ho Naa Ho: This song brought me my love and life partner, Vanessa Ramoutar. I entered a major competition in Trinidad and Tobago for the best cover version of this song. I did two versions with Xsitaaz Band and Caribbean Vibrations Band. We performed on a live TV show called Indian Variety, and I needed a dancer. That is when the beautifully talented Vanessa walked into my life.
Mitwa from Kabhi Alvida Naa Kehna: This film track is a personal favourite to sing live. It remains one of the sweetest songs ever composed.
Sapano Main Pyardi by Ramdeo Chaitoo: This was the first traditional chutney song I covered. It will always hold a special place in my heart because it represents Caribbean music.
Ro Na Kabhi Nahin Rona from Apna Desh: I recorded a cover version of this song in 2007 and was blessed with a beautiful baby girl that same year. She brought such light into our lives, and the song became a huge success. To commemorate that moment, we named our daughter after the track – Varonah. For her sweet 16, we created a special remix of it just for her.
Ah Wish I Was Single by Rick Ram: I have many original hits in the chutney soca genre, but this one stands out. In 2012, I recorded the song and entered two competitions. I placed third in the Chutney Soca Monarch and won my first title as South Super Saturday Chutney Soca Monarch.
Nanda Baba by Anand Yankarran: This iconic song, originally sung by the late, great legend Anand Yankarran, remains one of the greatest traditional chutney tracks. I remember calling Mr Yankarran to ask his permission to do a cover, just before he passed away. He was so excited and said he had never heard anyone sing it the way I did. I recorded it with his blessings.
Luuuzzaarr by Rick Ram: This song was born out of a difficult time, when my wife and I were being bullied. Rather than retaliating, we channelled that experience into creating something positive. Luuuzzaarr made a huge impact – and helped me win two titles: the 2024 Chutney Soca Monarch and the 103.1FM Chutney Soca Road March competition.
Party Like This by Rick Ram: This original song is dedicated to my little prince, my son Rick Junior. He is full of energy and watches everything I do. A reflection of him, I am proud of this track just as I am proud of him and everything he is. It has become his anthem.
Instagram: @rick.ramoutar.75
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Tom Felton returns to the role of Draco Malfoy for the Broadway stage
For the first time since the final Harry Potter film wrapped over a decade ago, Tom Felton is returning to the wizarding world, but not on screen. Instead, the actor is headed to Broadway, where he’ll take on the role of an adult Draco Malfoy in Harry Potter and the Cursed Child. The stage production, which continues the story 19 years after the original books, will now feature one of its most iconic characters portrayed by the man who first brought him to life.
Felton will join the cast at New York’s Lyric Theatre beginning 11 November 2025, for a limited 19-week run until 22 March 2026. This also marks his Broadway debut, making the moment doubly significant. Not only is he the first actor from the original film series to step into the stage version of the Potter universe, but he’ll be playing Draco at the exact age the character is in the play, creating a rare full-circle moment for both the actor and the fans.
Unlike the sneering schoolboy we met in The Philosopher’s Stone, this Draco is a father now. Cursed Child picks up nearly two decades after the Battle of Hogwarts, with the next generation of witches and wizards, including Harry, Ron, Hermione, and Draco’s children starting their own journey at Hogwarts.
Speaking about the experience, Felton admitted that slipping back into Draco’s signature look affected him more deeply than expected. “The blond hair came back on, and I immediately started crying,” he said in an interview. “It felt like going back to school.” He reflected on how the role shaped his childhood and said stepping back into those robes was like “meeting Draco as an adult for the first time.”
Producers Sonia Friedman and Colin Callender called Felton’s casting “a powerful moment of nostalgia and evolution,” acknowledging how his presence bridges the film legacy with the stage story in a way that resonates deeply with longtime fans.
Since his time in the films, Felton has explored a mix of stage and screen roles, from the sci-fi blockbuster Rise of the Planet of the Apes to his stage debut in 2:22 A Ghost Story and the recent A Child of Science. He also published a memoir, Beyond the Wand, sharing his experiences growing up in the spotlight.
But this latest role has stirred a different kind of emotion. “It’s surreal,” he said. “I let go of that character 16 years ago. Now I get to explore him again with new responsibilities, regrets, and maybe redemption.”
Tom Felton makes his Broadway debut in Cursed ChildGetty Images
Harry Potter and the Cursed Child continues to be one of the most successful plays in Broadway history, having sold over 10 million tickets worldwide. Felton’s involvement is expected to bring in a fresh wave of fans, especially those who grew up with the original films. Presale for tickets begins 10 June, with general sales opening on 12 June.