Skip to content
Search

Latest Stories

Filmmaker Sanjay Gupta set to helm another gangster drama

Known for helming such successful gangster films as Kaante (2002), Shootout at Lokhandwala (2007) and Shootout at Wadala (2013), filmmaker Sanjay Gupta is gearing up to call the shots for yet another gangster film. The director has just announced his next project, saying he wanted to make it since 2013.

Sanjay is yet to announce the title of his next gangster movie. What we know so far is that the yet-to-be-titled project is inspired by the history of Mumbai. It will be a fictionalized account based on real-life events. The city of Mumbai never ceases to inspire Gupta and his next is also coming from the underbelly of the maximum city.


Spilling some more beans on the upcoming project, Sanjay Gupta told an Indian daily, “It is a space that has always intrigued me. The story of this city that we live in has its roots in several key events like the mills shutting down and the first ever murder of an industrialist, which became one of the key factors that changed Bombay into Mumbai. I have always enjoyed documenting the history of this city’s underbelly. It has taken me a while to research the subject and put everything in place.

The hit filmmaker goes on to add that the casting of his next film is yet to be locked, but his team is looking at rolling the cameras sometime in July or August. “We are yet to complete the casting, but we are going on floors in July-August this year,” he signs off.

Sanjay Gupta last helmed Kaabil (2017). Starring superstar Hrithik Roshan and Yami Gautam in principal roles, the movie was an instant hit at the box-office. Gupta is returning to the director’s chair after a gap of two and a half year. We wish him loads of luck for his next venture.

More For You

The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

Keep ReadingShow less