Newly released Bollywood film Runway 34 being a passion project for Ajay Devgn is illustrated by the fact that he has produced, directed, and starred in the powerful drama.
He plays a pilot, who is investigated after an emergency while flying, in the big budget Bollywood Eid release, which also stars Amitabh Bachchan, Boman Irani and Rakul Preet Singh.
Eastern Eye had a quick catch up with the popular star to find out more about the film.
What drew you towards the subject of Runway 34?
The script is exciting. It shows how the truth is not something that it appears to be, especially when it comes to an aviation thriller. In the case of Runway 34, the truth lies 35000 feet above sea level. You have to see the film to discover the real truth.
What made you want to direct it?
I was drawn to the script because it has a magnetic quality about it. Thrillers are a genre I have enjoyed even as a cine-goer. So, I had to get behind-the-scenes for this one.
Tell us about your character in Runway 34?
He’s a flying prodigy who has fantastic people skills. But he’s also a bit cocky and a rule-breaker. He’s an interesting shade of grey.
Is it fair to say you have not played a role like this before?
I have never played a role like Captain Vikrant Khanna from Runway 34. It’s a first for me.
Is he a good guy or a bad guy?
He’s a good guy with shades of grey. He’s no saint, but he’s not a sinner either. He’s very human, just like you and me.
What is it like sharing the screen space with Amitabh Bachchan and directing him?
Ajay Devgn with Amitabh Bachchan
Mr Amitabh Bachchan and I have shared screen time in Khakee, Major Saab, Bol Bachchan (where he was in a song) and now in Runway 34. I’m a fan of Mr Bachchan and also his neighbour. I have known him personally from the time I was a child because I would accompany my father (Veeru Devgan) to film shoots that had Mr Bachchan. Sharing screen space with him is a privilege and a joy. Directing him is a dream come true.
What is your own favourite moment in the movie?
Frankly there isn’t any single favourite moment. I was so involved in the film. Each and every frame is my favourite.
How do you feel before the release of a film after all these years?
Ajay Devgn plays pilot in Runway 34
I haven’t had a long gap at the theatres. Tanhaji-The Unsung Warrior, which was the biggest box office grosser of 2020, released in January, 2020 just before the pandemic struck. When the pandemic eased out, I was in guest appearances in Sooryavanshi, RRR and Gangubai Kathiawadi. So, you see I was never really away.
How do you manage to balance so many projects as a filmmaker and actor?
By working hard and preparing with precision.
Why should we watch Runway 34?
To get a first-time experience of an Indian film that is made on what seems like real-time. It’s not orchestrated. Runway 34 has believable characters, a script full of twists and it will give the audience an edge-of-the-seat thrill.
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm; totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. And honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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