ENGLISH HERITAGE has linked Enid Blyton’s books as ‘racist and xenophobic’ and it will soon update its blue plaque information.
The Telegraph reports that the heritage charity has a blue plaque scheme, and to commemorate historical figures it has put up 950 signs in London.
Following the Black Lives Matter protests in 2020, English Heritage will now review links to "contested" figures, stating that objects "associated with Britain’s colonial past are offensive to many”.
In an updated information after review the charity has now linked the Famous Five author's work to racism. Blyton attempted to create her first work in 1922 at 207 Hook Road in Chessington, now in southwest London, where she worked as a governess. In 1997, a blue plaque was installed there in her honour.
Now the visitors who check the plaque online via the English Heritage app - it now clearly says that Blyton's work has been criticised “for its racism, xenophobia and lack of literary merit”.
Like her 1966 book The Little Black Doll, with its main character "Sambo", having racist elements because the doll is only accepted by his owner “once his ‘ugly black face’ is washed ‘clean’ by rain”.
In the updated information on the app also says how on one occasion Blyton's publisher Macmillan refused to publish her story The Mystery That Never Was over its “faint but unattractive touch of old-fashioned xenophobia”.
Blyton had best-sellers, which included Secret Seven, the Famous Five, the Faraway Tree, Malory Towers, and Noddy before her death in 1968.
In its new information, English Heritage states that some “have argued that while these charges can’t be dismissed, her work still played a vital role in encouraging a generation of children to read”.
The Telegraph report says at the moment the charity is focusing on giving information on those “whose actions are contested or seen today as negative”.
Moreover, the charity, founded in 1866 with its first plaque being dedicated to French emperor Napoleon III, is now looking to improve representation of groups historically marginalised by the scheme.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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