SCOTLAND YARD’S head of counter-terrorism policing, Neil Basu, said he was
“disappointed” with the way the process for a new appointment which involved a promotion has been handled, and plans to seek an explanation from the Home Office, a UK media report has claimed.
Basu, a Metropolitan Police assistant commissioner and the country’s seniormost non-white officer, was in the running to lead the National Crime Agency (NCA).
According to the Sunday Times, Basu was one of the final two candidates until Downing Street’s preference for former Scotland Yard chief Lord Bernard Hogan-Howe emerged and applications were reopened.
“I am disappointed in the way the process has concluded and will not be applying again,” Basu, 53, told the newspaper.
“I will be seeking an explanation from the Home Office,” he added.
The newspaper said Basu is understood to be consulting lawyers and has served notice on the Home Office that he intends to lodge a formal complaint.
Privately, he is reportedly furious to miss out on the £223,000-a-year job, and his supporters suspect it may be linked to his outspoken views on race.
Last week, on the second anniversary of the murder of George Floyd in the US which triggered the worldwide Black Lives Matter movement, Basu wrote an article in which he said British policing had to accept that it is “institutionally racist”.
He also called for positive discrimination to boost the number of black and Asian officers in the police.
If his candidacy for the NCA job had succeeded, Basu would have become the first person of south Asian heritage, born to an Indian father and Welsh mother, to lead a UK law enforcement organisation.
The newspaper pointed out that any official complaint is likely to point out that delays to the recruitment process meant Basu missed the deadline to apply for the job of Met commissioner, as well as a senior leadership role at the College of Policing in England and Wales.
The top job at the NCA, the UK’s lead agency against organised crime, became vacant in October last year after Dame Lynne Owens stepped down as director-general on medical grounds.
Hogan-Howe had made it through to the final four candidates, but his failure to reach the last two is believed to have prompted the prime minister’s office at 10 Downing to intervene in the recruitment process. He and Basu worked together when Boris Johnson was mayor of London.
Asked if he planned to rule himself out of the NCA race, Hogan-Howe said: “Out of respect to the process and to the candidates, I have no comment to make.”
Downing Street sources told the Sunday Times that Johnson had no formal role to play in the appointment process.
“A fair and open recruitment campaign is underway to make the best possible appointment to this vital role,” the Home Office was quoted as saying.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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