THE significance of DI Ray on ITV was that such a crime drama, with an Asian actress in the lead role, has been made at all – Parminder Nagra plays Detective Inspector Rachita Ray in the four-episode thriller which ended last week.
Parminder – if I can call her by her first name – is now an experienced actress with an impressive CV. Most viewers will remember the 46-year-old from Gurinder Chadha’s hugely enjoyable 2002 film, Bend It Like Beckham, in which her character Jess Bhamra wanted to play football rather than learn to cook aloo gobi as her mother (played by Shaheen Khan) wanted.
But I can go back a bit further. We once chatted when we caught a bus in north London. That was in the days when she was yet to become an international celebrity. Parminder Kaur Nagra (“Mindi” to friends) is a Leicester girl, born there to a Sikh immigrant family on October 5, 1975, but she is now settled in Los Angeles.
I have found my notes from 1997 when she was cast as a little boy in the Tamasha Theatre Company’s memorable production of A Tainted Dawn. That year marked the 50th anniversary of the Partition of India. The play was based on Bhisham Sahni’s Pali, a poignant story set in the time of India’s partition about a young boy who is accidentally left behind by his Hindu parents, who return years later to reclaim him from a Muslim couple who have lovingly brought up “Altaf” as their own child. When he is taken back to India, the religious elders want to cleanse him and make him Hindu again. The traumatised boy sits down and shocks all around him by offering namaz.
“It is, by far, the best thing Parminder has done,” I wrote at the time.
Parminder Nagra with Ian Puleston-Davies in the show (Photo: ITV)
Despite all the wonderful things she has done since then – play Dr Neela Rasgotra, for example, in 129 episodes in the NBC medical drama series ER from 2003 to 2009 – I think that is still the case. Firstly, A Tainted Dawn is a very powerful story. Secondly, the play proved that Parminder is a very special actress.
“Ms Parminder Nagra, film, stage and television actress”, came back in 2007 to receive an honorary Doctors of Letters from Leicester University.
In her acceptance speech, a tearful Parminder said: “You have no idea how much this means to me. A degree is something I had always wanted but had thought it was something that had just passed me by.”
She added: “The inspirations of my life were …God, I’m getting emotional….right there under my nose, my mother and family and amazing mentors, who have come and gone throughout my life, but people who I have always remembered.. I come from a very normal background.”
And she recalled her mother’s words: “‘If there is a roof over your head and food on the table, then everything will be fine.’”
Twenty-five years on from A Tainted Dawn, fast forward to DI Ray. She plays a police officer with an Asian heritage who had grown up with English girls, dated white men and never heard of Lata Mangeshkar. Her boyfriend, DCI Martyn Hunter (Jamie Bamber), who has bought an engagement ring for her, is a white police officer but she is not quite ready to marry him. It turns out her boss, Supt Ross Beardsmore (Ian Puleston-Davies), has recruited DI Ray more for her ethnicity than her professional qualities.
There are some familiar Asian faces in the cast, including Shaheen Khan and Simon Nagra. Among the newcomers is Maanuv Thiara, who plays DI Ray’s close colleague, PS Tony Khatri.
A still from DI Ray (Photo: ITV)
DI Ray is called upon to solve the murder of a Muslim man, Imran Aziz. Since he had a Hindu girlfriend, Anjuli Kapoor, her brothers – Kabir and Navin Kapoor – are accused of the killing by senior officers. Only DI Ray isn’t convinced this is a “culturally-specific homicide”.
There are shades of Line of Duty in DI Ray. That’s partly because Jed Mercurio, who wrote the hit TV series, is an executive producer in the latter show. And DI Ray has been written by the actress Maya Sondhi, who played PC Maneet Bindra in Line of Duty and had her throat slit in episode five.
DI Ray is partly about bent coppers but it is also to do with the casual and institutional racism faced by Parminder’s character. This is probably why Neil Basu should be made Metropolitan Police commissioner in succession to Dame Cressida Dick. When DI Ray expresses irritation at being stereotyped, it is she who is accused of bullying and subjected to disciplinary proceedings.
Sondhi was asked what she felt about writing a series led by a 40-something woman of colour. “When I was in the edit, I felt choked up just watching Parminder in pretty much every scene, remembering that I didn’t have this when I was little,” she replied.
“I didn’t have that person to watch, I didn’t have that heroine. I had white women to look up to, which is fine, but I could have done with more people that looked like me on TV. I’m so excited for the future generations of kids coming up, who will be able to see themselves on the telly and see what they could be. I want to be part of that. I can’t believe it’s taken so long, I don’t think we’ve had it before enough in drama.”
The Parminder of 2022 is obviously not the Parminder I knew in 1997. “I live in LA now and it’s not always easy for me to make decisions about being away from home,” she admitted.
She pointed out: “The show tackles everyday racism head-on, doesn’t it? Yes, it’s those subtleties that we probably haven’t seen much of on TV. I can’t think of any examples off the top of my head, I don’t think we’ve seen a lot of what happens day to day. The other day I went somewhere for work, I’d been there four times and the person still kept misspelling my name…. Rachita has a similar moment when her lanyard gets mixed up, and she is given somebody else’s… I remember on ER, I’d speak to the writers about this quite a lot, and we included some moments, like when a patient would tell my character, ‘You speak pretty good English’ and I’d look at her and say, ‘Yes, better than you probably.’
“Rachita’s thing is that she’s part of a whole generation of people born and brought up in the UK who see themselves as British. I’m British but you still have those stumbling blocks. With Rachita she also has to work twice as hard to be recognised for the work she does.
“I can see the change with the likes of Bridgerton, but in DI Ray, this is my generation of women…. That was the main appeal for me that I’m not playing the best friend of somebody or a secondary character, it’s all about Rachita.
“One day I would love to play a character who isn’t thinking about her identity – Bend It Like Beckham was about her identity, too. But those parts are really hard to come by or actually don’t get made very often."
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.