As Bollywood's beloved filmmaker Karan Johar celebrates his birthday, it's the perfect time to revisit some of his most iconic love stories.
Johar, who has been at the helm of Dharma Productions, has given us films filled with love, heartbreak, and the complexities of relationships. Here are five films that solidify Karan Johar's status as one of the best directors of love films.
1. Kuch Kuch Hota Hai (1998):
Johar's directorial debut, Kuch Kuch Hota Hai, is nothing short of legendary. The film explores the themes of first love and friendship through the lives of Rahul (Shah Rukh Khan), Anjali (Kajol), and Tina (Rani Mukerji). The narrative seamlessly transitions from college days filled with youthful exuberance to a heartfelt journey of rediscovery and second chances. Its memorable dialogues and iconic songs have left an indelible mark on Indian cinema, making it a timeless love story.
2. Kabhi Khushi Kabhie Gham (2001):
A multi-starrer extravaganza, Kabhi Khushi Kabhie Gham, is a family drama interwoven with romance. The film showcases the saga of a wealthy family led by Yashvardhan Raichand (Amitabh Bachchan) and his wife Nandini (Jaya Bachchan), focusing on their sons Rahul (Shah Rukh Khan) and Rohan (Hrithik Roshan). The love stories between Rahul and Anjali (Kajol) and Rohan and Pooja (Kareena Kapoor) are beautifully portrayed, emphasizing the themes of love transcending societal norms and familial bonds.
3. Kabhi Alvida Naa Kehna (2006):
Breaking away from traditional love stories, Kabhi Alvida Naa Kehna delves into the complexities of extramarital affairs and the search for true love. The film stars Shah Rukh Khan, Rani Mukerji, Abhishek Bachchan, and Preity Zinta in a narrative that challenges societal perceptions of marriage and fidelity. Johar's sensitive handling of such a bold topic, combined with powerful performances and soulful music, makes it a standout in his filmography.
4. My Name Is Khan (2010):
Though primarily a story about identity and acceptance, My Name Is Khan also features a poignant love story between Rizwan Khan (Shah Rukh Khan), a man with Asperger's syndrome, and Mandira (Kajol). Johar deftly weaves their romance into a larger narrative about overcoming prejudice and the power of love to heal and unite.
5. Ae Dil Hai Mushkil (2016):
Ae Dil Hai Mushkil explores unrequited love and the bittersweet nature of relationships. The film stars Ranbir Kapoor, Anushka Sharma, and Aishwarya Rai Bachchan, and follows the journey of Ayan (Kapoor) as he navigates love, friendship, and heartbreak. Johar's direction beautifully captures the intensity of one-sided love and the complexities of modern relationships.
Karan Johar's contribution to Bollywood as the maestro of love stories is undeniable. His films not only entertain but also delve into the myriad emotions and challenges that accompany love and relationships. As we celebrate his birthday, these five films show how he portrays the many shades of love on the silver screen.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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