Babita Sharma's new book celebrates ‘sassy sleuth’ and corner shop lives
Author of Priya Mistry and the Paw Prints Puzzle credits her personality and drive to ‘typical immigrant story’
By Pooja ShrivastavaMar 07, 2024
YOUNG Asian girls can be fun, sassy, adventurous and intelligent and should be celebrated, journalist and author Babita Sharma said, ahead of her new children’s book being published next week.
Priya Mistry and the Paw Prints Puzzle tells the story of a young girl who loves to solve mysteries, such as unexplained paw prints in her family’s corner shop.
Speaking to Eastern Eye, Sharma revealed that being a mother of four-year-old, she felt an acute lack of diverse representation in children’s literature.
“It was so important for me to do something that celebrates little Indian girls,” Sharma said. “As a writer, it is so important for me to have diverse representation in children’s literature. I want my daughter to pick up a book and find somebody that looks like her and is also a central character in a nonstereotypical way.”
Sharma set the storyline in a corner shop because she grew up in one, she added. It was vibrant and always buzzing with different events and people, she recalled, so she was able to bring honesty and authenticity into Priya’s world.
“I was so passionate about bringing her (Priya) character to life. She is free, sassy and fun. She is also incredibly cheeky and smart, but she’s always very curious about people and life. Being a proud British Indian, I know there is so much that can be celebrated about us, just like other children with similar backgrounds,” she said.
Some of the book’s incidents are loosely inspired from Sharma’s own childhood, who recalled mopping prints of muddy boots on the shop floor at the end of the day and wondering who they belonged to.
“What’s more similar between myself and the main character is the flow of customers and their stories. I remember sitting at the shop till as a little child and watching all these people coming in, wondering who they were and what do they did. I think there is definitely some similarity between the two of us,” Sharma said.
Calling herself a “proud corner-shop kid”, Sharma credits a huge part of her personality to her childhood spent working alongside her parents from a young age.
Cover of Sharma's new children’s book
“It’s ingrained in everything that I am. Even as a writer or as a journalist, my curiousness about people’s lives is just very much part of my DNA,” she said.
Having spent 15 years covering major news events as a presenter for BBC News, Sharma reported on the Covid-19 pandemic, the Hong Kong pro-democracy protests, the EU referendum and Brexit, the Donald Trump-Kim Jong Un summit, royal weddings, and the London and Rio Olympics, among others.
She said living above a newsagents for the first 10 years of her life made it seem like she shared her family with the public.
Their living room was the shop floor, where she used to eat by the till and do her homework while helping her parents stack shelves in between.
“My childhood was unique and different. When I came back from school, I was very hands on in helping mum and dad with the shop, whereas other kids would probably do something else, like playing in the garden.
“We used to have dinner very late because my parents were always busy running the shop and we had to wait till the shop was shut to sit down as a family.
“It’s the experience of a lot of immigrant families and still is today.”
As a child, Sharma said she sometimes yearned for a “normal life”.
“At the time, I wanted to be a bit like everybody else with a normal front door and a doorbell and not a shopfront door. But now that I look back on it as an adult, I realised how lucky I was to have such an extraordinary upbringing, where I was introduced to so many people from all different backgrounds every day.
“I also got to see my parents work and being incredible businesspeople.
“That phase of my life really inspired me as a writer and to be a good storyteller. I am passionate about people and telling their stories. I was always watching people and observing them,” she said.
Where independent newsagents were previously run mostly by south Asians, these days Afghans, Sri Lankans, Polish or Romanians are also in the business.
The USPs of such shops, which is usually a fresh bakery or samosas made in the kitchen, help them withstand tough competition from supermarkets as well as new-age quick home delivery apps, Sharma said.
“These big supermarkets can’t replicate what a corner shop has, which is human interaction on a personal level, which is so important for community life.
“The world is changing – we are becoming digital and tech savvy.
“That’s why I wanted to write this book so the younger generation realises that a world like this also exists.
“And yet it is not something they have not seen or are unfamiliar with.
“While reading about Priya’s adventures and her world, the little readers can also go down to their corner shop and relate to the fact that it’s the place where this character lives. It’s like bringing the real and fantasy and meshing it together, thereby creating my own USP,” Sharma said.
She is planning to develop Priya Mistry and the Paw Prints Puzzle into a series and has already written the second book.
“I would love it to be more than two books. I also want to see her on the screen as well in an animation series. So that is the next thing that I am going to be working on,” she said.
The illustrations in the book, done by Ali Pye, are detailed and authentic, featuring jars of colourful sweets and shelves stacked with different products.
Sharma said, “Ali Pye is fantastic. She was so open to exploring different things.
“I wanted the main character’s mother to wear a bindi, as my own mother wore one throughout her life. Everything in the book is authentic as I wanted the representation to be very true.”
Sharma said Asians did not celebrate themselves enough.
“We are not very good at celebrating our achievements. This book is an opportunity to say that we are proud of our young boys and girls and their identity, so that they can stand proud and feel seen, counted and recognised,” she said.
Priya Mistry and the Paw Prints Puzzle by Babita Sharma and illustrated by Ali Pye is available from next Thursday (14).
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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