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Archbishop of Canterbury to make a statement on 'dreadful' Jallianwala Bagh massacre

Archbishop of Canterbury Revd Justin Welby on Sunday (8) said he would make a statement on the "dreadful" Jallianwala Bagh massacre when he visits Amritsar, but insisted that it should not be "pre-empted".

"... I did make a statement on the anniversary of this dreadful massacre... I will make another statement on Tuesday. I think it is important that is not pre-empted," he told reporters at the Bishop's House.


On the 100th anniversary of the tragedy in April, the Archbishop of Canterbury had said in a tweet that "as British people, we can't avoid this shameful part of our colonial legacy".

Welby said that being a religious leader, he had no political authority to offer anything on behalf of the UK or its government.

"I cannot speak for the British government or the United Kingdom... So what I would be saying will be in my capacity as a religious leader," the head of the Anglican Communion said.

The massacre took place at Jallianwala Bagh in Amritsar during the Baisakhi festival on April 13, 1919 when the British Indian Army under the command of Colonel Reginald Dyer opened fire at a crowd staging a pro-independence demonstration, leaving scores dead.

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Martin Parr death at 73 marks end of Britain’s vivid chronicler of everyday life

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Martin Parr, who captured Britain’s class divides and British Asian life, dies at 73

Highlights:

  • Martin Parr, acclaimed British photographer, died at home in Bristol aged 73.
  • Known for vivid, often humorous images of everyday life across Britain and India.
  • His work is featured in over 100 books and major museums worldwide.
  • The National Portrait Gallery is currently showing his exhibition Only Human.
  • Parr’s legacy continues through the Martin Parr Foundation.

Martin Parr, the British photographer whose images of daily life shaped modern documentary work, has died at 73. Parr’s work, including his recent exhibition Only Human at the National Portrait Gallery, explored British identity, social rituals, and multicultural life in the years following the EU referendum.

For more than fifty years, Parr turned ordinary scenes into something memorable. He photographed beaches, village fairs, city markets, Cambridge May Balls, and private rituals of elite schools. His work balanced humour and sharp observation, often in bright, postcard-like colour.

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