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After Hero, Salman Khan to produce another film for Athiya Shetty

Bollywood megastar Salman Khan has a big heart, so big that he can help people close to him not once but innumerable times. In 2015, Khan launched two star-kids, actor Suniel Shetty’s daughter Athiya Shetty and Aditya Pancholi’s son Sooraj Pancholi with his mid-budgeted production Hero.

However, even after all the ballyhoo ahead of the release of the movie, Hero bombed at the ticket window, incurring heavy losses to Salman Khan Films. After the dismal performance of the Nikkhil Advani directorial, Sooraj Pancholi and Athiya Shetty did not find much work and went into oblivion.


The latest we hear that Khan has taken it upon himself to resurrect Athiya’s career and is looking for another project for the young girl. “Bhai (Salman Khan) had made a promise to Aditya Pancholi and Suniel Shetty to launch their progenies  Sooraj and Athiya, respectively, which he even did in Hero. The matter should have ended there. But since Hero didn’t work, Bhai is now looking at another project for Athiya. Sooraj is being relaunched in a musical-action film co-starring Katrina’s sister Isabelle,” informs a source.

Meanwhile, Athiya is presently shooting for Manish Harishankar's Hope Solo, wherein she plays Kashmiri student and footballer Afshan Ashiq. The film is currently being shot in the Kashmir Valley.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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