Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Zoë Kravitz and Harry Styles were seen walking arm in arm through Rome on 24 August
The sighting comes while Kravitz promotes her new film Caught Stealing with Austin Butler
Both stars have had recent high-profile breakups, adding fuel to dating speculation
Neither Kravitz nor Styles has commented on their relationship status
Zoë Kravitz and Harry Styles have set off fresh dating speculation after being spotted walking arm in arm in Rome. The sighting of the actress and the pop star has drawn attention not just for their closeness, but also for the timing. Kravitz is currently in Europe promoting her new film Caught Stealing, while Styles has been keeping a relatively low profile since the end of his relationship with actress Taylor Russell.
Zoë Kravitz and Harry Styles fuel dating rumours in Rome Getty Images
Are Zoë Kravitz and Harry Styles dating?
The video of Zoë Kravitz and Harry Styles strolling through the streets of Rome was shared by a fan account on 24 August. In the clip, Kravitz, dressed casually in a white mini dress, flats, and a cap, can be seen linking arms with Styles, who wore a denim jacket and sunglasses.
The pair appeared at ease as they walked together, with Kravitz clutching a coffee cup while holding Styles’ arm. The relaxed outing immediately fuelled questions online, with fans debating whether the two are romantically involved or simply close friends enjoying time together in Italy.
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What do we know about Zoë Kravitz’s relationships?
Zoë Kravitz has had a series of public relationships in recent years. She split from her fiancé Channing Tatum in October 2024 after three years together, though the two continue to share a professional connection through her directorial debut Blink Twice.
Earlier this month, Kravitz was linked to her Caught Stealing co-star Austin Butler after they were seen socialising in Paris following the film’s French premiere. However, sources close to the production told US media that the pair are “just friends” and not romantically involved.
Kravitz was also previously married to actor Karl Glusman for a year before their divorce in 2021.
Director, writer and producer Zoë Kravitz and Channing Tatum attend the photocall for "Blink Twice"Getty Images
Who has Harry Styles dated recently?
Harry Styles has also been in the spotlight for his high-profile relationships. His most recent was with actress Taylor Russell, though the two split in May 2024 after less than a year together.
Styles was later seen at Glastonbury Festival in June, where he was caught on video kissing a woman identified as producer Ella Kenny. Prior to that, he had been romantically linked with various women during his travels across Europe, though no long-term relationships were confirmed.
The singer and actor has been keeping a relatively private profile in 2025, with his last major screen appearances being Don’t Worry Darling and My Policeman in 2022. His last studio album, Harry’s House, was released the same year.
Fans call out Taylor Swift connection as Zoë Kravitz and Harry Styles stroll closely in RomeGetty Images
What projects are Kravitz and Styles working on now?
Zoë Kravitz is currently busy with the European promotion of Caught Stealing, a crime caper directed by Darren Aronofsky and co-starring Austin Butler. The film is set for release on 29 August. She also has two upcoming projects in production: How to Rob a Bank, alongside Nicholas Hoult and Pete Davidson, and Self-Portrait with Thomasin McKenzie.
Harry Styles, meanwhile, has not announced any new film roles. Fans are eagerly awaiting news about his next music project, with speculation that he may be working on material during his time in Europe.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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