BRITISH and Indian researchers have joined forces to curb “superbugs” evolving due to the impact of pharmaceutical waste release on microbial ecosystems.
Scientists in India and the UK noted that waste generated by India’s drug manufacturing industry could be damaging environmental bacteria, and leading to creation of the antibiotic-resistant superbugs.
Most of the world’s antibiotics are produced in Indian pharmaceutical factories, either through chemical synthesis, or by growing huge volumes of the micro-organisms that naturally produce them.
Both methods generate large quantities of waste, potentially containing active antibiotics, and chemicals which may be toxic to bacteria and other cell types.
Though the waste usually goes through treatment plants before being released into the environment, experts have raised concerns over their efficiency.
About 58,000 babies die in India every year from superbug infections passed on from their mothers, whilst drug-resistant pathogens cause between up to 38,000 extra deaths in the European Union every year.
The UK-India joint project, announced last week, will try to determine how much active antibiotic is released from production units, and analyse which other potentially toxic chemicals the medical waste might contain.
Led by scientists at the University of Birmingham, the ‘SELECTAR project’ will include experts from the University of Leeds, Aligarh Muslim University, Panjab University (Chandigarh), CSIR-Central Drug Research Institute (Lucknow), Indian Institute of Technology (Delhi) and Jamia Millia Islamia University (Delhi).
Project lead Professor Alan McNally, from the University of Birmingham, said antibiotics were vital “wonder drugs”, but the waste generated while producing them posed an “enormous potential issue”.
“Put simply, the more we expose bacteria to antibiotics the more likely they may be to evolve resistance to the drugs meaning they can’t be used to treat infections,” he explained.
“We desperately need to know exactly how much the release of antibiotic production waste leads to increasing antimicrobial resistance, which could ultimately plunge medicine back into the dark ages.”
Professor Iqbal Ahmed, of Aligarh Muslim University, said the more bacteria to get exposed to antibiotics “the faster they evolve resistance to the drugs, meaning they can’t be used to treat infections”.
“Our approach will allow us to determine exactly what effect the waste has on the microbial ecosystem; does it kill all beneficial bacteria to only leave harmful resistant bacteria alive,” he added.
Supported by over £790,000 funding from UK Research and Innovation’s (UKRI) Fund for International Collaboration, the UK-Indian team of scientists will study environments into which antibiotic production waste is released, and compare them with pristine environments.
The project will be executed as part of an £8-million UK-India package for research aimed at “deepening existing scientific research collaboration”, with five new programmes to boost the global fight against antibiotic-resistant bacteria and genes.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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