Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Maddock Films unveils teaser for Thama, the first love story in its horror-comedy universe
Ayushmann Khurrana and Rashmika Mandanna star as star-crossed lovers in a tale of passion and horror
Nawazuddin Siddiqui introduced as Yakshasan, the “King of Darkness”
Malaika Arora, Paresh Rawal and Faisal Malik add glamour and humour to the dark saga
The much-anticipated Thama teaser is finally out, and it has given audiences a chilling glimpse into Maddock Films’ next addition to its successful horror-comedy universe. Starring Ayushmann Khurrana and Rashmika Mandanna, the film has been pitched as Bollywood’s first “bloody love story”, bringing together romance with gothic horror. With Nawazuddin Siddiqui stepping in as a vampire overlord, and a surprise cameo from Malaika Arora, the teaser has set social media abuzz with excitement.
Thama marks the first love story in Maddock Films’ hit horror comedy universe Instagram/maddockfilms
What is shown in the Thama teaser?
The teaser begins on a romantic note, with Ayushmann’s Alok asking Rashmika’s Tadaka if she can live without him for a hundred years. Her reply: “Not even for a moment” sets the stage for a tender love story. But within seconds, the tone darkens with flashes of supernatural forces, blood-soaked chaos and Rashmika screaming in fury.
Malaika Arora makes a striking appearance in what appears to be a special dance sequence, while Paresh Rawal and Faisal Malik provide lighter moments to balance the horror. The final frame delivers the biggest punch: Nawazuddin Siddiqui’s entry as Yakshasan, menacingly introduced as the “Andhere ka Badshah” (King of Darkness).
Character posters released earlier revealed that Ayushmann plays Alok, described as “Insaaniyat ki aakhri umeed” (the last hope for humanity). Rashmika steps into the role of Tadaka, “Roshni ki pehli kiran” (the first ray of light), symbolising strength and resilience.
Nawazuddin Siddiqui’s Yakshasan represents the opposing force, the king of darkness who threatens their love. Veteran actor Paresh Rawal plays Ram Bajaj Goyal, a character designed to bring humour to the otherwise chilling narrative. The supporting cast also features Faisal Malik, while Malaika Arora’s cameo adds glamour to the supernatural tale.
Thama is the fourth instalment in Maddock’s expanding horror-comedy universe, which began with Stree (2018), followed by Bhediya (2022), Munjya (2024) and Stree 2 (2024). Each film has explored folklore-inspired horror with a comic twist, and Thama continues this tradition by introducing a desi vampire romance.
Director Aditya Sarpotdar, who also helmed Munjya, alternates the story between modern-day India and the ancient kingdom of Vijayanagar. This layered narrative hints at mythological roots of vampirism while presenting a love story that crosses timelines.
Produced by Dinesh Vijan under Maddock Films, Thama is scheduled for a grand theatrical release this Diwali 2025. The studio has confirmed a worldwide rollout, with expectations of a large-scale box office opening. Given the success of earlier films in the horror-comedy universe, many of which grossed over £12 million (₹12 crore), industry insiders anticipate that Thama could emerge as one of the biggest releases of the festive season.
Stephen Fry is playing Lady Bracknell. Yes, that is correct.
It completely sold out at the National Theatre.
Olly Alexander and Nathan Stewart-Jarrett are the two young men lying about their names.
It is directed by Max Webster, the man behind the Life of Pi play.
You can see it at the Noël Coward Theatre until 10th January.
This new production of The Importance of Being Earnest is the one everyone is talking about. It has moved from the National Theatre to the West End after tickets for the first run were completely unavailable. The whole production has a massive buzz, and, honestly, most of it is about Stephen Fry’s decision to take on the role of Lady Bracknell. It is a proper talking point.
Stephen Fry delivers a commanding performance as Lady Bracknell in the West End transfer Marc Brenner
What is the deal with Stephen Fry playing Lady Bracknell?
Look, it is genius casting. The role is usually played by a formidable older woman, but Fry completely owns it. He has the height, the voice, and the sheer presence. You truly believe he could silence a room just by walking into it. That famous "A handbag?" line? With him, it is not a shriek. It is slower, deeper, and somehow much more devastating. It is the kind of performance people will definitely remember.
Stephen Fry takes on Lady Bracknell in the West End run of 'The Importance of Being Earnest'Marc Brenner
Who else is in this production?
He is not up there by himself. Olly Alexander from Years & Years is playing Algernon, bringing a truly playful charm to the part. Nathan Stewart-Jarrett is Jack, the character with the fake country brother. The supporting cast is rock solid. Hugh Dennis is the Reverend Chasuble, and Shobna Gulati is a wonderfully flustered Miss Prism. It is a proper ensemble; there are no weak links.
Jessica Whitehurst and Kitty Hawthorne in West End transfer of The Importance of Being EarnestMarc Brenner
How do I actually get tickets to see it?
Right, pay attention. The production is at the Noël Coward Theatre and the run ends on 10 January 2026. That is not very far away. Tickets start at £25 (around ₹2,990). Given its history of selling out, you would be smart not to wait around. Check the theatre's official website.
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Cillian Murphy joins as executive producer for the highly anticipated BBC One revival
Two new series confirmed, set in post-war 1950s Birmingham.
Story shifts focus to a new generation of the Shelby family.
Filming will happen at Digbeth Loc. Studios in the city.
Cillian Murphy is on board as an executive producer.
The show will air on BBC One and iPlayer, then Netflix globally.
Guess the Peaky Blinders saga got a proper, extended run. Just when you thought the Shelbys were done, the BBC has gone and confirmed two brand new series. But this time, they are shaking things up, jumping forward in time to follow a completely new generation of the family. Imagine the same surname, but a whole new set of faces causing trouble in a city desperately trying to rebuild itself.
Cillian Murphy joins as executive producer for the highly anticipated BBC One revival Instagram/peakyblindersofficial
What is the deal with this new storyline?
They are leaving the flapper dresses and the Great Depression behind. We are landing right in the middle of 1953. Birmingham's landscape is just a collection of cranes and concrete skeletons, still shattered from the Blitz. And you know what all that rebuilding means, right? Contracts. Money. Power. A massive, brutal scrap for control of the city's future. It is actually a genius move. The setting is a character in itself: all cranes, concrete, and chaos. The Shelbys, of course, are right in the middle of it.
Steven Knight remains the driving force, writing and creating this new iteration. That is a relief for fans worried it might continue without its original voice. The production is a joint effort between Kudos, known for SAS Rogue Heroes, and Garrison Drama, the team behind the original six series. Here is a juicy bit: Cillian Murphy has signed on as an executive producer. Will his character Tommy's shadow loom large over the new kids? Will we even get a cameo? They are not saying. But filming in Digbeth again means they are keeping it real, sticking to the city that made the show.
The 66-year-old, best known for creating Peaky Blinders and A Thousand Blows Getty Images
When can we expect the new Peaky Blinders?
A specific release date has not been announced. What we know is that each of the two new series will consist of six hour-long episodes. The plan is for it to run on BBC One and iPlayer here in the UK first. After that, it will pop up on Netflix for the rest of the world to binge. This new show is actually coming after that Peaky Blinders film, The Immortal Man, which is set in the war. Think of that movie as the bridge. So there is a whole lot of Shelby drama coming down the pipeline. Guess we better get ready.
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Taylor Swift exposes the hidden toll of fame with 'The Life of a Showgirl' and shocking new single
Swift’s twelfth studio album, The Life of a Showgirl, released on 3 October 2025
Lead single “The Fate of Ophelia” unveiled alongside a global cinema event
Sabrina Carpenter features on the shimmering title track
Visual campaign drenched in orange, nodding to cabaret history
Photographers Mert and Marcus shot the album’s flamboyant artwork
Taylor Swift’s The Life of a Showgirl is finally here, and it feels less like a simple album drop and more like a deliberately staged spectacle. This new record, landing today, completely abandons the muted tones of The Tortured Poets Department for something far more theatrical. The whole project, conceived during the European tour dates, dives headfirst into the manic energy of performance, using the showgirl motif to ask what it costs to live under stadium lights. It’s a theme echoed in the ambitious, limited-run cinematic event accompanying its release.
Taylor Swift exposes the hidden toll of fame with 'The Life of a Showgirl' and shocking new single Instagram/taylorswift
What is the real story behind The Life of a Showgirl?
Okay, so it’s not actually about being a showgirl in the literal sense. That’s just the metaphor she’s clinging to. Swift has talked about the songs coming to her in bits and pieces between shows last year. Think about it: one night you’re screaming on stage in front of 70,000 people; the next you’re on a silent tour bus staring at a wall.
That whiplash is the album’s core. It’s about the duality, the person versus the persona. The tracklist alone hints at it with songs like Elizabeth Taylor and Father Figure, suggesting she’s playing with icons and archetypes, maybe seeing her own life reflected in theirs.
Right, the sound. This is a hard pivot. Where Poets was often sparse and lyrically dense, this one is loud. It’s pop, but with dramatic, soft-rock layers. Bringing Max Martin and Shellback back into the fold says everything you need to know; she’s going for big hooks and that polished sheen, clearly making a conscious return to a grander production style. “The Fate of Ophelia” kicks the door in with a driving beat and a chorus that feels designed for stadium chant-alongs, like a world away from the muted synthscape of “Fortnight.”
This is key. It’s not another Eras Tour film. From 3 to 5 October, fans are gathering in cinemas worldwide for Taylor Swift: The Official Release Party of a Showgirl. It isn’t a concert film. You get the premiere of the “Fate of Ophelia” video, sure. But also, lyric videos for all the new songs, along with behind-the-scenes footage and audio of Swift talking about the tracks.
It feels like a controlled, immersive unboxing of the album’s world. And then it’s gone. Perhaps, that scarcity is the whole point, making the album release itself a fleeting, must-see event.
You’ve definitely noticed the orange. It’s everywhere. The photoshoots by Mert and Marcus, the promotional materials, even city landmarks got lit up in orange. It’s not an accident; in fact, it’s the entire branding.
Orange is intense, it’s warm, it’s attention-grabbing. It perfectly sells the showgirl aesthetic, think old Vegas, cabaret feathers, the glow of the stage lights vibe. But it’s also a complete departure from the moody blues and grays of Poets. This colour choice seems like the first and loudest signal that this is a new, defiantly un-sad era.
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Priyanka Chopra shuts down global tag and doubles down on Indian actor pride
She shot down the 'global actor' tag with a definitive, almost weary, clarity.
Her first major jewellery purchase was a self-funded diamond from an early film pay cheque.
She's deep in the trenches of her pirate film The Bluff and the Citadel sequel.
The Bulgari partnership works because it, unlike many, shouts out Indian craftsmanship.
Despite the Hollywood slate, the SS Rajamouli film in India is absolutely confirmed.
Look, Priyanka Chopra is done explaining herself. On a quick stop in Mumbai, sandwiched between Hollywood schedules and a glittering Bulgari event, someone dared to ask the question again. You know the one. Global or Indian? Her answer wasn't just sharp; it was a sigh of finality. For an Indian actor in Hollywood, the constant need to define her identity is just noise. And she's done listening to it.
Priyanka Chopra shuts down global tag and doubles down on Indian actor pride Instagram/bvlgari
What’s her deal with Bulgari?
This isn’t some random cheque for her. You can tell it actually means something. She gets a real kick from how Bulgari gives India its due, shouting out the craftsmanship and the gemstones. Then she hit us with a classic story. Her first serious jewellery buy was a two-carat diamond, funded entirely by the signing amount from one of her earliest films. Her mum called it her "becoming a woman" moment. Try finding that level of meaning in a standard brand partnership.
This is where she doesn’t mess about. When the whole "global actor" thing came up, her answer was a verbal mic drop. "I’m Indian, and I’m an actor. That makes me an Indian actor," she stated. No fluff, no diplomatic answers. She talked about loving her job and following the work, but the core of it all never budges. It’s a refusal to have her identity rewritten by a map.
Priyanka Chopra embraces Indian actor title while juggling Hollywood and SS Rajamouli projectsGetty Images
So what’s next for Priyanka Chopra?
The woman isn't resting. She's fresh off a boat, literally, having wrapped The Bluff, this pirate flick with the Russo Brothers. "Exceptional" is the word she uses, and with her, that's not just PR talk. Then, no rest, she's straight back into the messy, big world of Citadel for another season. Oh, and the globetrotting SS Rajamouli’s film? It’s confirmed. She's in. So yeah, she's operating on a different plane of existence altogether.
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Strictly Come Dancing brings back Cynthia Erivo to guide celebrities in Wicked-inspired Movie Week performances
Erivo returns to the BBC dance show in a new role.
She will advise contestants during Movie Week.
The professional dancers are doing a Wicked performance.
She previously served as a guest judge.
The move ties in with her new film release.
Strictly Come Dancing has called in Cynthia Erivo for special duties. The award-winning performer will act as a guest mentor when the show holds its Movie Week. This marks a fresh job for Erivo on the programme after she previously served as a judge. She is expected to guide the celebrities through their big screen themed routines.
Strictly Come Dancing brings back Cynthia Erivo to guide celebrities in Wicked-inspired Movie Week performances Getty Images
What does a guest mentor do?
This is a new position created for the series. Erivo will visit the couples during their practice sessions. She will give them tips on how to sell a performance. Her job is to help them look more like film stars on the dance floor. When the live show happens, she will also join the judging panel to watch the results.
Cynthia Erivo takes over mentoring on Strictly Come Dancing to boost celebrities for high-stakes Movie Week Getty Images
Why choose Cynthia Erivo?
She knows her way around the Strictly ballroom. Producers brought her in to cover for judges before. People still talk about how she spoke to Rose Ayling-Ellis using sign language. That moment showed she understands how to connect with performers. She also has a new Wicked film in cinemas right now, which makes the timing work well.
Yes, the professional dancers have prepared something special. They will perform to As Long As You're Mine from the musical. Erivo sings that song in the movie version. The number will likely feature costumes and sets from the production. It should serve as a major moment during the broadcast.
The Movie Week episode airs this Saturday evening on BBC One. The competition is starting to get serious now. Some couples are already struggling to impress the judges. Having Erivo there might give someone the boost they need to avoid elimination this weekend.