‘Squid Game 2’, ‘Cobra Kai S6’ to release in second half of 2024
Specific dates for all of those shows will not be announced for a while, although Sarandos’ statements limit the release window from “sometime in 2024.”
The second seasons of Squid Game, The Night Agent, and Cobra Kai season 6, among others, are all set to release in the second half of 2024.
According to The Hollywood Reporter, Netflix CEO Ted Sarandos said Squid Game Season 2 will arrive in the second half of this year.
Squid Game debuted on Netflix on September 17, 2021, and became a global phenomenon. The show netted 14 Emmy nominations for Season 1. It ultimately won six, including a historic win for Lee in the best actor in a drama category. Hwang also won the Emmy for Best Directing for a Drama.
Squid Game tells the story of a group of desperate contestants who risk their lives to become the final winner in a mysterious extreme survival game with a 45.6 billion won cash prize.
New additions to the second season of the international hit series are Park Gyu-young, Jo Yu-ri, Kang Ae-sim, Lee David, Lee Jin-uk, Choi Seung-hyun, Roh Jae-won, and Won Ji-an.
Among the series set to premiere in the second half of the year are the second seasons of The Night Agent, season 6 of Cobra Kai, and new seasons for Outer Banks, Emily in Paris, and Ryan Murphy's Monster anthology, whose second season will focus on Lyle and Erik Menendez, as per The Hollywood Reporter.
Among the new series set for the back half of the year are Peter Berg's Western American Primeval, the limited series Senna, about legendary Formula 1 driver Ayrton Senna, and an adaptation of Elin Hilderbrand's novel The Perfect Couple, starring Nicole Kidman and Liev Schreiber.
Co-CEO Ted Sarandos teased a host of marquee series set to debut in the last six months of the year on the streamer's first-quarter earnings call Wednesday. Sarandos was asked about going into this year's upfront market for advertisers and promised that buyers would see a long list of anticipated titles at Netflix's presentation.
Specific dates for all of those shows will not be announced for a while, although Sarandos' statements limit the release window from "sometime in 2024."
The schedule is due in part to production delays caused by last year's dual labour strikes, which slowed down production for several months over the summer and fall. Since then, production has stepped back up, perhaps leading to a glut of programming in the latter months of the year.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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