Skip to content
Search

Latest Stories

Singapore bans Vivek Agnihotri hit film The Kashmir Files

Singapore bans Vivek Agnihotri hit film The Kashmir Files

Indian filmmaker Vivek Agnihotri’s Hindi film The Kashmir Files, which hit theatres in India on March 11 and went on to emerge as one of the most successful films of recent times, has been banned in Singapore. The film is based on the exodus of Kashmir Pandits from the Kashmir Valley in the early 1990s.

The Kashmir Files stars Anupam Kher, Mithun Chakraborty, and Pallavi Joshi in important roles.


The authorities have assessed the film to be “beyond” Singapore’s film classification guidelines, said the Infocomm Media Development Authority (IMDA) in a joint statement with the Ministry of Culture, Community and Youth (MCCY) and the Ministry of Home Affairs (MHA).

“The film will be refused classification for its provocative and one-sided portrayal of Muslims and the depictions of Hindus being persecuted in the ongoing conflict in Kashmir,” the authorities told Channel News Asia.

“These representations have the potential to cause enmity between different communities, and disrupt social cohesion and religious harmony in our multiracial and multi-religious society,” they added.

Any material that is “denigrating to racial or religious communities in Singapore” is refused under film classification guidelines, the authorities clarified.

The film will start streaming on the streaming media platform ZEE5 later this week.

More For You

5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

Keep ReadingShow less