Sanjay Leela Bhansali is one of the best directors we have in Indian cinema. He started his journey as an assistant director, and in the year 1996, he made his directorial debut with Khamoshi: The Musical which starred Manisha Koirala, Salman Khan, Nana Patekar, and Seema Biswas.
On Monday (09), Khamoshi completed 25 years of its release which means Bhansali also completed 25 years in the industry. To celebrate this achievement Bhansali Productions shared a video and tweeted, “Each passing day has been an onset of a new beginning. A journey of a thousand miles wouldn’t have been possible without each one of you. As we celebrate #25YearsOfSLB, we relive every moment of curating these handmade films just for you. Thank you for being a part of this incredible journey.”
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In the video, we get to see a montage from Bhansali’s movies, and at the end, there’s a quote by the filmmaker which reads, “I have enjoyed every minute of making films these 25 years and still a long way to go.”
In these 25 years, Sanjay Leela Bhansali has directed films like Khamoshi: The Musical, Hum Dil De Chuke Sanam, Devdas, Black, Saawariya, Guzaarish, Goliyon Ki Raasleela Ram-Leela, Bajirao Mastani, and Padmaavat. His next release will be Gangubai Kathiawadi which stars Alia Bhatt in the lead role.
Ajay Devgn, who has worked with Bhansali in Hum Dil De Chuke Sanam and Gangubai Kathiawadi, took to Twitter to congratulate the filmmaker. He tweeted, “Hey Sanjay, Congratulations on your silver jubilee. Your contribution to films is unparalleled. And, I love working with you because your passion & dedication is infectious. Will keenly await several more milestones that are meant for you https://youtu.be/eVa2-UkDJRc @bhansali_produc.”
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Deepika Padukone, who has worked with the filmmaker in three movies, Goliyon Ki Raasleela Ram-Leela, Bajirao Mastani, and Padmaavat, also shared a note on her Instagram story which read, “9th NOVEMBER 2007. My debut film Om Shant Om was pitted against Sanjay Leela Bhansali's Saawariya. And as grateful as I was (And I still am... I cannot think of another female actor who has been launched in the same manner as I was), I also remember thinking to myself at the same time, that I would never be good enough..to be a Sanjay Leela Bhansali muse. Fast forward to 2012. I was extremely unwell and laid up in bed. I received a call from my management saying ''Sanjay Leela Bhansali wants to meet you''. I said, ''What?!. They said, ''Yes! He is doing a film and would really like to meet you''. ''I would do cartwheels to go and see him right away, but I can't get out of my bed right now!'' I said. The next thing I know, he was on his way to see me!”
It further read, “What ensued in the years that followed was nothing short of an 'iconic partnership' I believe. And together we've created 'iconic characters'. Characters that have been etched in the minds and hearts of people forever! What I cherish even more though is the influence our collaboration has done on me personally. I say this without a shadow of a doubt that I wouldn't be half the person I am today if it wasn't for Sanjay Leela Bhansali! As he embarks on the next phase of this most incredible journey, I look forward to creating many more iconic characters together, but more importantly, I wish him good health, peace of mind, and happiness…always!”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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