Salman Khan says gang aimed to kill him and his family in April shooting
Court acknowledges sufficient evidence to proceed with charges against six suspects in the attack
By Eastern EyeJul 25, 2024
Bollywood actor Salman Khan has told the police that he believed the Lawrence Bishnoi gang carried out the firing at his residence in April this year with the intention to kill him and his family members.
The actor's statement is part of the charge sheet filed by the Mumbai police in a court here in connection with the incident.
Khan told the police he heard a firecracker-like sound while asleep at his residence in Galaxy Apartments in the early hours of April 14. His police bodyguard informed him around 4:55 am that two people on a motorbike had fired at the first-floor balcony.
Khan mentioned previous attempts to harm him and his family, adding that his bodyguard lodged a complaint regarding the firing at the Bandra police station.
Later, Khan learnt that gangster Lawrence Bishnoi and his brother Anmol Bishnoi had confessed and taken responsibility for the attack in a Facebook post, according to his statement.
The statement also noted that Lawrence Bishnoi and his gang members had previously discussed killing Khan and his relatives. "So, I believe that Lawrence Bishnoi, with the help of his gang members, carried out the firing incident when my family members were sleeping and (they were) planning to kill me and my family members," Khan said.
The actor also told the police that he and his family had received several other threats in recent years. In 2022, a threat letter was found on a bench opposite his building, and in March 2023, they received an email threat from the Lawrence Bishnoi gang. In January 2024, two unidentified persons tried to trespass into his farmhouse near Panvel using fake identities, he noted.
Police filed the 1,735-page charge sheet in the firing case before the special court for Maharashtra Control of Organised Crime Act cases earlier this month.
The court recently took cognisance of the charge sheet, stating that prima facie there was enough material to proceed against the six arrested accused.
Those arrested in the case were Vickykumar Gupta, Sagarkumar Pal, Sonukumar Bishnoi, Anujkumar Thapan (now deceased), Mohd Rafiq Choudhary and Harpal Singh.
Thapan allegedly committed suicide in police custody after his arrest. The other five are now in judicial custody. (PTI)
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.