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Salman Khan keen on having a female co-host on Bigg Boss 13

Word is out that the next season of the controversial reality show, Bigg Boss, is set to hit the small screen in the month of September. Preparations are in full swings and the work on the new set of the show has begun in Goregaon Film City in Mumbai.

The latest we hear that superstar Salman Khan, who is set to host the show for the 10th time, will be sharing the stage with a female co-host. Interestingly, the suggestion has been given by Dabangg Khan only as he feels that a female co-host can bring newness to the show.


“Salman felt that to add freshness to this year’s season, the makers should get a female co-host. Apparently, Salman might take a backseat and give his female co-host more exposure so that she can bring newness to the show. Nothing is concrete as of now, these are mere ongoing conversations,” a source reveals.

Meanwhile, Salman Khan is presently busy promoting his forthcoming film, Bharat. Directed by Ali Abbas Zafar, Bharat is an official remake of South Korean film, Ode to My Father (2014). Also starring Katrina Kaif in the lead role, the much-awaited movie is scheduled to hit the marquee on 5th June, 2019.

After the release of Bharat, Salman Khan will move on to wrap the last schedule of Dabangg 3. Directed by Prabhudeva and produced by Arbaaz Khan, Dabangg 3 is slated to buzz into theatres on 20th December, 2019.

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Razid Season’s 'Elijah' examines immigration, identity, and the fragile promise of the American dream

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  • Short film Elijah traces the emotional toll of migration on a Bangladeshi family in the US
  • A child’s evolving identity exposes generational and cultural fault lines within an immigrant household
  • The film links personal conflict to wider despair among displaced communities

A quiet opening that sets the divide

Razid Season’s short film Elijah opens on an unassuming domestic moment: a family seated around a dining table. The parents eat with their hands, while their daughter uses a spoon. The contrast, subtle but deliberate, signals the generational gap that underpins the film. This divide soon sharpens when the child resists her mother’s insistence on traditional clothing and asks to be called Elijah.

Further tension emerges when the father dismisses same-sex relationships while watching a television news segment, unaware that his own child is already questioning both gender and identity. Season avoids direct explanation, allowing everyday interactions to reveal the growing distance between parents and child.

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