Riz Ahmed-led Left Handed Films has joined hands with BAFTA–winning Rogan Productions and GroupM Motion Entertainment to produce a racism docuseries Defiance for Channel 4.
Defiance is set to examine how Britain’s Asian community was targeted with a campaign of violence and murder between 1976 and 1981, as National Front activity became increasingly prominent. The series investigates seminal events ranging from the Southall riots, the death of Blair Peach, the Battle for Brick Lane, and the extraordinary story of the Bradford 12 - events that were often overlooked by the press, the police, and the government. Through a cache of archive footage and compelling new testimony from key figures on the front line at the time, the ground-breaking documentary series will show what happened when the British Asian community decided to fight back.
These timely films will lift the lid on a period in recent British history, in which the violence, and injustice – as well as the extraordinary courage of those who confronted it – resonates through the decades.
Defiance was commissioned by Shaminder Nahal, Channel 4 Head of Specialist Factual.
Nahal said, “I couldn’t be more excited to have been able to commission this series, which feels like it will be the first of its kind. At a moment when we have a British Asian Prime Minister and an Asian First Minister in Scotland, it is incredibly powerful to be able to tell the stories of everyday British Asians fighting to make their way in this country and to be heard. It’s a huge privilege to be working with Rogan Productions, Riz Ahmed and Left Handed Films, and GroupM Motion Entertainment on this uniquely Channel 4 project - I’m hoping that all together we will create something that feels like a bolt of energy, making us stop and think, and change perceptions.”
Riz Ahmed and Allie Moore of Left Handed Films said, “The British Asian civil rights movement is a forgotten piece of history. The Southall Riots, the death of Blair Peach, and the story of the Bradford 12 all continue to shape Britain. These are stories of bravery in the face of violence, and a refusal to let prejudice go unchallenged - they could not be more timely. We’re excited to be working with an incredible team to grip audiences and stretch our idea of who the United Kingdom is as a nation."
Executive Producer for Rogan Productions James Rogan said, “A comprehensive telling of the extraordinary experiences of a generation of Asian refugees and migrants who came to Britain and faced an unprecedented wave of racial violence, stood their ground and turned the tide, is long overdue. In the hands of a brilliant creative team, this will be a landmark documentary packed with jaw-dropping stories and thrilling tales of resistance, breaking new ground on stories long overlooked and forgotten.”
Executive Producer for GroupM Motion Entertainment Deep Sehgal said, “Defiance tells an incredibly important, moving, and powerful story - and the filmmakers at Rogan have done this with great integrity. GroupM Motion Entertainment are very proud to have supported them in partnership with Channel 4 and it’s a perfect example of how our Diverse Indies Fund can help bring story-telling of the highest caliber to the screen.”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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