Filmmaker Anushree Mehta of Mrs Undercover fame will tackle the remake of Hrishikesh Mukherjee’s classic film Bawarchi, starring Rajesh Khanna.
The project is part of a three-film collaboration between Jaadugar Films and Sameer Raj Sippy Productions. The two studios will also develop retellings of the Amitabh Bachchan-Jaya Bachchan starrer Mili (1975) and Gulzar's 1972 drama Koshish.
Mehta, who is also producing along with Abir Sengupta through Jaadugar Films, said she is excited and honoured to direct the film, which will be a modern-day retelling of the classic movie.
"When my business partner Abir Sengupta, Sameer Raj Sippy, and I decided to join hands to produce these three iconic films, we were clear that we would leave no stone unturned in remaking them with utmost love and respect. During our discussion on 'Bawarchi', Abir and Sameer were of the opinion that I should be writing and directing the remake.
"They were convinced that I would be able to tell the story in a manner which would make them proud. We were in sync with our vision and I wholeheartedly agreed to come aboard as the writer-director," the filmmaker said in a statement.
Released in 1972, Bawarchi featured late cinema icon Rajesh Khanna and Jaya Bachchan in the lead roles.
The film revolved around The Sharmas, a middle-class family desperately looking for a servant and are relieved when an exuberant and multi-talented man, named Raghu (Khanna), takes up the job.
Also starring Asrani, Harindranath Chattopadhyay, AK Hangal, and Durga Khote, Bawarchi was a remake of the 1966 Bengali film Galpo Holeo Satti by Tapan Sinha.
Mehta said she will ensure that the adaptation will feel relatable to the modern audience.
"The idea of retelling a film is to adapt it according to the current times and make it more relatable to the world we live in today—while keeping the soul and purpose of the original intact. Since 'Bawarchi' itself was a remake of a Bengali film, Hrishida in his time recreated it and made it relatable to that era.
"My attempt is going to be with a similar intention, to retell the classic story of 'Bawarchi' in a way that the family audiences of all age groups can watch and enjoy the movie together. I'm aiming to create a wholesome, unforgettable family experience," she added.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.