Bollywood star Ranbir Kapoor on Tuesday said he is interested in making a biographical feature film on the life of his grandfather and Hindi cinema veteran Raj Kapoor.
The actor, who belongs to the fourth generation of the prestigious Kapoor film family, was speaking at a panel discussion following the launch of the book Raj Kapoor: The Master At Work in New Delhi.
Published by Bloomsbury India, the book is written by filmmaker Rahul Rawail, who served as an assistant director to Raj Kapoor on films like Bobby (1973).
Asked what he would say to his grandfather if he were alive, Ranbir Kapoor said, "I would like to have a drink with him, just chat with him about life. I am very much interested in making a biopic on his life. There are so many things that were off the record probably when Rahul uncle was working with him. I know Rahul uncle has many stories which he did not put in the book," he said.
Vice President M Venkaiah Naidu launched the memoir at India Habitat Centre's Stein Auditorium in Delhi on account of the late filmmaker's 97th birth anniversary. Regarded as the Showman of Hindi Cinema, Raj Kapoor was an actor, a director, and producer known for films like Aag (1948), Shree 420 (1995), Mera Naam Joker (1970), and Ram Teri Ganga Maili (1985), among others.
A recipient of Padma Bhushan and the Dadasaheb Phalke Award, the legendary filmmaker died in 1988 at the age of 63.
Rawail, who was friends with his mentor's younger sons Rishi Kapoor and Rajiv Kapoor, said he would like to write another book in which he would talk about "all the three sons (of Raj Kapoor)". While Rishi Kapoor passed away in April 2020 after a two-year battle with cancer, Rajiv Kapoor died following a heart attack in February this year.
"I would write a book called Kapoor and Sons (2016)," the director said in a reference to Rishi Kapoor's 2016 film of the same name. Raj Kapoor's eldest son, veteran actor-director Randhir Kapoor, who was also present at the book
launch, said cinema was the only thing that mattered to his father. "We didn't matter to him actually. He only saw us grow," he quipped.
"He ate, he sang, he drank, he did everything... only for cinema," Randhir Kapoor, who has penned the book's foreword, added.
Growing up there were so many stories of Raj Kapoor, usually, they were stories of glory, Ranbir Kapoor said.
"Rahul uncle has painted him real. When you assist someone at work, you get to know who that person was. Rahul uncle has put his madness in perspective very nicely."
The actor, who is in the capital to launch the motion poster of his upcoming film Brahmastra on Wednesday, also remembered his father, actor Rishi Kapoor as a "strict but passionate" man. "He was passionate about everything -- his wife, his family, his food, his alcohol, his movies.
He used to love playing bridge on the computer while listening to old Hindi songs on the radio. Apart from all the cinema values, what I and my sister are really proud of are the moral values that he instilled in us. He was truly a great father, we miss him dearly."
Randhir Kapoor said when Mera Naam Joker, which his father directed, produced, and featured in, bombed at the box office and opened to bad reviews, the late director was so disheartened that he didn't want to celebrate his birthday.
But today the film, about a clown who must make his audience laugh at the cost of his own sorrows, is the "biggest profit point in my organisation", he said. “I make the most money out of Mera Naam Joker, the first choice of every distributor of mine is this film,” he added.
The philosophical drama, also starring Simi Garewal, Padmini, and Russian actor Kseniya Ryabinkina, was probably ahead of its time, Randhir Kapoor said.
Initially criticised for its extremely long running time of 248 minutes, "Mera Naam Joker" went on to become a cult classic and is regarded as one of Raj Kapoor's best films and among the best Bollywood films of the 20th century.
"Maybe the film came a bit too soon. People say that the picture was too long. It was but a minute or two longer than Sangam (1964). Sangam could be a huge success. I don't think the length was the problem. People didn't understand the film then."
As the commercial aspect in films tends to supersede creativity today, Randhir Kapoor said "the Raj Kapoor era of films is over".
"Today, people prefer to work in a film which completes in 13 days rather than 300 days. Like Rahul said that Raj Kapoor started shooting for Bobby at 6.30 in the morning and at 6.45 am, the day was over. He didn't calculate money. I remember he got the rooftops of Gulmarg painted during the shooting of 'Bobby' because they were not looking nice. That was personal cinema."
Ranbir Kapoor partially agreed to his uncle's remarks, saying he used to hear stories that Raj Kapoor's house was mortgaged and his grandmother Krishna Kapoor's jewellery was sold to complete a film.
Defending the new-age directors, he added, "Not saying that my generation of filmmakers are only running behind the commercial aspect... When I assisted Mr (Sanjay Leela) Bhansali (on Black), he used to really treat me as an assistant director. I used to be kneeling down for hours, he used to hit us, he used to abuse us... that only hardens you and prepares you for the world."
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.