Rahat Fateh Ali Khan’s magical voice and his 12 greatest Bollywood songs
By ASJAD NAZIRAug 18, 2022
Singing sensation Rahat Fateh Ali Khan returns for another major UK tour later this month and will be looking forward to entertaining audiences with his greatest hits.
Although he has sung iconic qawwalis, delivered solo singles, performed Pakistani film/TV songs, and done stunning collaborations, like the Coke Studio classics, the Pakistani star has perhaps had his biggest global success in Bollywood.
To mark the music maestro’s UK return, Eastern Eye put together a playlist of 12 Hindi movie songs that help define his magnificent career, listed in chronological order.
Mann Ki Lagan:The qawwali singer made his Bollywood debut with this heartfelt love song, which was arguably the biggest highlight of 2003 film Paap. His unique vocals added a new dimension to the Hindi film romantic number and started a great journey for him in India.
Jiya Dhadak Dhadak Jaye: Rahat’s second Hindi music success appeared in 2005 action thriller Kalyug. The beautiful combination of world-class vocals, lovely lyrics, and free-flowing music on the deeply romantic song connected with cross-generational listeners.
O Re Piya:The soundtrack for 2007 dance film Aaja Nachle was wonderful and a great highlight was this haunting number, powered by the Pakistani singing star’s unique voice. The successful song would later be used in Malaysian movie Talentime.
Teri Ore:Rahat teamed up with Bollywood singing queen Shreya Ghoshal to deliver arguably the finest duet of his career. The smash hit song from 2008 film Singh Kinng, oozing romance from start to finish, remains massively popular.
Ajj Din Chadheya:This award-winning song from hit 2009 romantic comedy-drama Love Aaj Kal received critical acclaim right across the board. The dream-like song was another musical success that was a superb celebration of love.
Sajdaa:This song that combined spirituality with love brilliantly brought together the vocal talents of Shankar Mahadevan, Richa Sharma, and Rahat Fateh Ali Khan. The deeply meaningful number was a major highlight of 2010 film My Name Is Khan and earned the singer multiple award nominations.
Dil To Bachcha Hai Ji:The chart buster from hit 2010 film Ishqiya has a multi-layered vocal that added a magical quality the love song. He would win a Filmfare Award for Best Male Playback Singer and help earn the movie a prestigious National Award for Best Soundtrack.
Tere Mast Mast Do Nain:It is no surprise that this smash hit from 2010 film Dabangg is one of the singer’s biggest Bollywood successes. The masterful vocals squeeze romance from every word of a song, which connected with all those who have ever fallen deeply in love. There is also a great duet version with Shreya Ghoshal.
Teri Meri:This delightful duet once again saw Pakistan’s finest team up with Indian singing queen Shreya Ghoshal and the result was majestically magical. The love song helped Bodyguard become the biggest Bollywood hit of 2011.
Jag Ghoomeya: This song unsurprisingly has collectively been viewed more than 300 million times on YouTube since it featured in 2016 smash hit film Sultan. It was another romantic number that shows very few can match Rahat at his best, when expressing deep emotions through a song.
Mere Rashke Qamar: Rahat has delivered countless cover versions of songs made famous by his late uncle Ustad Nusrat Fateh Ali Khan and this hypnotic number from 2017 film Baadshaho is right up there with the very best. The catchy song became a rage globally and remains high on the request list whenever he performs live.
Tere Bin:The ban on Pakistani artists in Bollywood means Rahat has been robbed of the chance of singing more Hindi film songs. This clever cover version of a qawwali classic from popular 2018 film Simmba remains the last great Indian hit film song from him. It, of course, has lots of love, which is what we have for him.
Rahat Fateh Ali Khan performs at Resorts World Arena, Pendigo Way, Marston Green, Birmingham B40 1PU on August 26, First Direct Arena, Arena Way, Leeds LS2 8BY on August 27 and The O2 Arena, 205 Peninsula Square, London SE10 0ES on August 28. www.ticketmaster.co.uk
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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