Skip to content
Search

Latest Stories

Pushpa 2: Allu Arjun film sees 1100cr Box Office Collection in India in 2 weeks

Pushpa 2 has emerged an all-time blockbuster and is now on a dream run against Baahubali 2 box office collection

Pushpa-tops-box-office-collection-india

Allu Arjun in Pushpa: The Rule

Pushpa: The Rule

In an incredible show of strength, Pushpa 2 posted Rs 301 crore in its second week at the Indian box office. Compared to the staggering first-week collection of Rs 600 crore, the 51% drop in the second week is as robust as it is. And it’s nothing short of magical. And guess the magic number. The total box office gross for the two weeks is Rs 1110 crore.

Pushpa 2 is no more a mere favourite to beat Baahubali 2, but is now pacing toward making a record. The collection today in its third week will put it in stone.


The movie, directed by Sukumar, is on a dream run in Hindi and has already become an all-time blockbuster in the elite list of legendary films, including Sholay, DDLJ, HAHK, Gadar, and, not to mention, Baahubali 2. The film has already made it the highest-grosser in several circuits, including Odisha, Gujarat, CP Berar, and CI.

Amid narratives that the film isn’t performing well in the Telugu states, the film’s box office collection has proven that the rumour is a complete hogwash. It is already the fourth-highest grosser in the twin states and is set to achieve the third position soon surpassing Kalki 2898 AD. Within a few days, it will overtake Baahubali 2 as well, trailing only RRR. In retrospect, the narrative of underperformance only comes from the old-school ways of analysing film performance solely based on distributor recovery.

More For You

Samir Zaidi

Two Sinners marks Samir Zaidi’s striking directorial debut

Samir Zaidi, director of 'Two Sinners', emerges as a powerful new voice in Indian film

Indian cinema has a long tradition of discovering new storytellers in unexpected places, and one recent voice that has attracted quiet, steady attention is Samir Zaidi. His debut short film Two Sinners has been travelling across international festivals, earning strong praise for its emotional depth and moral complexity. But what makes Zaidi’s trajectory especially compelling is how organically it has unfolded — grounded not in film school training, but in lived observation, patient apprenticeships and a deep belief in the poetry of everyday life.

Zaidi’s relationship with creativity began well before he ever stepped onto a set. “As a child, I was fascinated by small, fleeting things — the way people spoke, the silences between arguments, the patterns of light on the walls,” he reflects. He didn’t yet have the vocabulary for what he was absorbing, but the instinct was already in place. At 13, he turned to poetry, sensing that the act of shaping emotions into words offered a kind of clarity he couldn’t find elsewhere. “I realised creativity wasn’t something external I had to chase; it was a way of processing the world,” he says. “Whether it was writing or filmmaking, it came from the same impulse: to make sense of what I didn’t fully understand.”

Keep ReadingShow less