Actor Priyanka Chopra Jonas says she usually does not get bothered by people's opinions but she was “pissed off” when an Australian journalist questioned her qualification for announcing Oscar nominations last year.
In March last year, an Australian entertainment journalist tweeted wondering why the 39-year-old actor and her musician-husband Nick Jonas were roped in to unveil nominees for the 93rd Academy Awards.
Chopra Jonas posted a staunch reply to the journalist as she shared a video listing over 60 acting credits from her almost two-decade-long career at home in Bollywood, including Bajirao Mastani (2015), Mary Kom (2014), Fashion (2008), her international debut with the ABC series Quantico to her Hollywood feature debut Baywatch.
Chopra Jonas has now opened up about the exchange during a recent interview with Vanity Fair. "I usually don't get mad, but that just pissed me off," the Matrix Resurrections (2021) star said.
She further added she usually confides in her family when she feels low and doesn't seem to get affected by people's opinions. "I'll be mad, I'll be angry, I'll be annoyed. I'll speak about it to my family. I might cry a little bit, but it doesn't change my relationship with my work and what my actual quest is. My quest is not people's opinions. My quest is my job. My quest is to make sure that when someone watches something that I have done, it moves them or they enjoy it. My personal life, who I am, all of that is not my job,” she said.
The actor also spoke about the perils of social media where speculation was rife last month that all was not well in her marriage after she dropped Jonas from her surname on Twitter. Chopra Jonas termed this as a “professional hazard” as believes that there is unnecessary credence given to social media in real life.
"It's a very vulnerable feeling, actually, that if I post a picture, everything that's behind me in that picture is going to be zoomed in on, and people are going to speculate. It's just a professional hazard…. Because of the noise of social media, because of the prevalence that it has in our lives, I think it seems a lot larger than it is. I think that we give it a lot more credence in real life, and I don't think it needs that,” she added.
On the work front, the actor was last seen on the big screen in the Hollywood film The Matrix Resurrections, which opened in cinemas worldwide in December. Her upcoming slate of films includes Jim Strouse-directed rom-com Text For You, Amazon thriller series Citadel, produced by Russo Brothers, and Sangeet, an unscripted series co-produced with her husband. She will also produce a film with Amazon Studios on the life of Ma Anand Sheela, the former aide to late godman Osho Rajneesh.
In Bollywood, she will next star in Excel Entertainment’s Jee Le Zaraa, co-starring Katrina Kaif, and Alia Bhatt. The film will be directed by Farhan Akhtar.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.