POPULAR drama serial Ishqbaaaz continued its incredible run with a big trophy haul at the
recent Star Parivaar Awards in Mumbai and added to its many achievements that has included recently reaching 650 episodes.
Centre of that success has been its lead stars Surbhi Chandna and Nakuul Mehta, who have
consistently delivered great performances and gained an incredible fan-following. I caught up with Nakuul at a tea-shop in Mumbai to talk about Ishqbaaaz, acting and more...
Ishqbaaaz has just won more awards; how much do they mean to you?
To be honest, I don’t get as excited as I used to five years ago when I won my best debutante awards, but every time I receive one I think it is an acknowledgement for the good work the entire team has done. To me, I just feel like the courier boy who takes the awards for my parents.
I come from a background far away from the entertainment business and it is because of their belief that I have managed to carve a niche for myself. So every time I win one, I feel it’s my homage to them or repaying my debt of gratitude. It makes me happy that an award makes them happy.
Why has Ishqbaaaz been so successful?
It’s an interesting question Asjad and kind of hard to put a finger on what people have connected with, but I know it’s a lot of factors.
Firstly I think the producer and creator of the show, Gul (Khan), really has a pulse with romance and has done this in the past with shows like Iss Pyaar Ko Kya Naam Doon? So she knows how to make romantic characters popular and maps them out well. I think all the actors who have been cast in the show have been phenomenal.
Having great actors together must really help…
When it comes together as an ensemble, it is quite beautiful. If I was to look at TV today, I
couldn’t name another show I could see myself in besides playing my character, and I am not being biased. I think multiple things work for it. It’s aesthetically beautiful and the nicest looking show. It has a lot of heart in it. We have an audience that really backs us. When that happens, the show finds its own life.
You are very natural on-screen, how do you approach playing the character?
It is not an easy approach at all. I am glad if it looks easy, but it’s not. People have a different way of working, but I feel mine is the hardest because it is a very method-orientated way of working.
Luckily the character I play does a multitude of things. He was a quintessential bad guy who didn’t believe in relationships, to being the best family man to wanting to kill for his family. So he has had multiple shades, including some dark zones and extremely emotional scenes.
How do you approach those scenes?
I have distanced myself from a lot of things because I can’t work with distractions, and our industry is about distractions. But I am focused and know my main job is to do a great job with my character. Only then does the rest of it happen.
I don’t do too many interviews because I don’t find them exciting enough as they ask the same questions, and it takes away from the little free time I have to grow and evolve, and days to think about what I am doing for a scene. I keep myself away from everything so I have a weird way of working, but I really enjoy being in that space and alone sometimes.
How do you mentally, physically and emotionally cope with the really long hours Indian TV stars work?
I think you used the right word, you only cope and are always catching up. (Laughs) You meet me at any point of the day and will just see my eyes wanting to sleep. But that is the challenge of the job. The industry is such that you are delivering five episodes a week. I don’t see too many industries in the west doing that.
We have challenging timelines, but I keep reminding myself I am doing what I set out to
and very few people get to do this. So you have to really push yourself and try to do that. So I am always playing catch-up with sleep, friends, social life, but I think it is worth it because you eventually get to do what you love.
Can you talk about the amazing fan-following you have?
I still don’t believe it to be honest and sometimes feel maybe it’s not for me. I understand it is meant for the character I play and am not delusional at all. It still feels pretty surreal.
I have been to the UK a few times in the recent past, including once for a meet and greet, and secretly I was just hoping it doesn’t bomb and people just show up. It was after my first show, but I was just shocked in Leicester, Birmingham and Bradford where there were so many people. It has got crazier with Ishqbaaaz, where right from the airport we get mobbed and wherever we are in London.
That must feel great…
I think it is just wonderful that people get affected by what we do, and that is the speciality about being on Indian television. Not even in film, because with TV they follow you every day. And you are part of their lives. They want to protect you and be like your army. I just feel blessed and there is nothing especially I have done to earn that. I am just at the right place at the right time.
You are a talented actor, but do you have an acting hero yourself?
I don’t have an acting role model as such. I actually look up to sports people more than anything else. Sport really gets me going. When you are talking about Sachin (Tendulkar), Virat (Kohli) or (Mahendra Singh) Dhoni, I would wake up in the middle of the night to see them or have a conversation about them. There are people who have affected me with the work they have done, like Will Smith, I really love the person he is.
What about Indian actors?
There are lots from the young contemporaries I admire. I like what Ranveer (Singh) and Ranbir (Kapoor) have done and think they are phenomenal. I saw Andhadhun with Ayushmann (Khuranna), and to see his career trajectory grow so beautifully has been great.
Vicky Kaushal I think is a beautiful talent. All of that is inspiring. I love it when I see fellow actors or people my age doing wonderful work because that inspires me. It pushes me to work harder in my job.
What is the future masterplan?
The masterplan going forward is to be happy, and while I am getting there I would also like to do some meaningful work. I would hopefully also be remembered for the work that I have done and created.
I also do not want to work as just an actor because I feel that is limiting. I want to explore different facets of being a creative person in this industry, which is also writing, directing and producing. I don’t see myself limited to wanting to be an actor or star.
TANUSHREE TAKES A STAND
ALTHOUGH a number of high-profile personalities have been named and shamed, actress Tanushree Dutta opening the Me Too movement door in Bollywood has had a much bigger affect than has been reported by media. I had a number of off-the-record conversations with many top people in Bollywood and they told me countless film people are living in fear they will be named next as an abuser. Even those who are innocent are terrified that someone may name them out of spite or revenge. But I think this fear is good and may lead to a change in Bollywood. If that happens the future generations of women can thank Tanushree.
CHEAT INDIA FOR THE WIN?
IT WAS supposed to be an epic battle between high profile films Super 30 and Manikarnika: The Queen of Jhansi on January 25, 2019, but the most surefire hit releasing on that
same day is Cheat India. The two so-called blockbusters have hit the self destruct button, while interesting drama Cheat India has been made on a lower, controlled budget and according to all the industry experts I have spoken to it will likely be the only profit-making hit releasing on that day. The Manikarnika: The Queen of Jhansi budget has spiralled out of control and it had an awful first look trailer. Meanwhile Super 30 has been tainted by director Vikas Bahl, who has been named in the Me Too scandal hitting Bollywood and disowned by the lead star Hrithik Roshan.
MORE MAGIC IN MUMBAI
WHEN I started going to Mumbai back in 2000 there were no British Asians in the city, but today there are many doing wonderful things there. The wife of acting legend Kabir Bedi, Parveen Dusanj-Bedi moved to Mumbai for love, but has now also made a career as a producer and calls the city home. When I asked her what advice she would give British people relocating to Mumbai, she said: “Don’t be fool-hardy and think you are a know-it-all. There’s too many Brits that come here and make that mistake. This city is full of rewards and yet it’s incredibly challenging too. If you want to work hard and play hard, give it a try. Be prepared to find joy in the chaos because if you can do that you will thrive.”
CREATING A CULT CLASSIC
ONE comedy that has enduring appeal is 1994 classic Andaz Apna Apna, and there have been strong rumours it would be getting remade. When I met the film’s producer Vinay Kumar Sinha in Mumbai, he told me why he thinks the film starring Aamir Khan and Salman Khan is still so beloved. He said: “Andaz Apna Apna is a timeless film. My film, a family entertainer has achieved iconic comedy status over two decades later and continues to be showered with love owing to the youthful and fun subject. Also credit for its unmatched popularity goes to the performances of every actor of this ensemble cast, who have made this a cult comedy.”
HELLY CLOSE TO A RETURN
TALENTED actress Helly Shah has a huge fan following and they are all eagerly waiting for
her to make a small screen return. The in-demand small screen star won a young achievers award while I was in Mumbai and has patiently been waiting for the right project. There are strong rumours she has found something quite magnificent. Even though Helly is my raakhi sister, she wouldn’t reveal anything, so like the fans I too am waiting for some sort of
announcement.
PIONEERING PRODUCERS
FOR me, Hyderabad-based Shreedevi Chowdary and Swati Sanghi are heroes who should be showered with praise for their debut movie Friends In Law. With the comedy drama,
the producers took the courageous step of making a film about understanding and acceptance of the gay community before the recent verdict that officially decriminalised homosexuality in India. Their story of a mother having her whole outlook changed after unexpectedly spending time with her gay son’s partner has been selected by a number of film festivals and features a great lead performance from Shreedevi. The duo is planning to make more challenging films in the future.
I turned 43 recently, and it was the best birthday of my life. Special for so many reasons. For the first time since my twenties, I spent my birthday abroad. (In case you were wondering – Phuket, Thailand.)
Last year, I impulsively booked myself onto my friend Urvashi’s mind, body and soul expansion experience. Since then, life has taken some unexpected turns – including being made redundant from my day job – so this trip could not have come at a better time.
Before leaving, I was apprehensive. I had never been to East Asia. Would I like it? Would I get on with the other women? Should I really be going on a two-week trip without a job? What vaccinations would I need? Would the street food give me Delhi belly?
I need not have worried. Within the first day, all my fears melted away. The group of women on the trip were inspiring – each there for her own reasons – and across the week, I connected with them in unique and beautiful ways.
We ranged in age from 37 to 53. Some of us were single, others married with grown-up children. Some were high-flying execs, others unemployed.
But there was no sense of hierarchy – no “I’m better than you.” Just acceptance.
It was a trip of firsts. I got up at 5.30am on my birthday to do a four-kilometre mountain hike to see the Big Buddha. I got in a kayak and floated in the middle of the ocean, despite being a terrible swimmer. I took a Thai cooking class and finally learned how to make some of my favourite dishes.
But the biggest lesson from this impactful trip was this: it is so important to find people who bring good energy, who listen without judgment. Surround yourself with those who offer wisdom and support, not force their opinions on you. Who remind you that you are respected. That you are loved.
For anyone feeling lost, unloved, or unsure of how to navigate life, know that your tribe might be out there, waiting to meet you in the most unexpected of places. I found a new sisterhood in just one week. So take a chance. Step out of your comfort zone. Do something you never imagined doing.
I will leave you with the words of Usha, who was on the trip: “We are all devis in our own way.” I dedicate this column to Jaymini, Leena, Nina, Usha, Iram and Rinku – for helping me in ways they may never fully understand.
And to my darling Urvashi, thank you for bringing us all together. You created magic. You gave me the best birthday gift I could ever have asked for.
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Britain faces challenges in changing attitudes around diversity
IT HAS been five years since the biggest anti-racism protests in a generation – but how far did they have a lasting legacy?
The protests across America after the murder of George Floyd spread to Britain too. There was no central organisation, nor a manifesto of demands, as students and sixth formers took to the streets.
This was the time of the Covid pandemic in which two-thirds of NHS staff who had tragically lost their lives were ethnic minorities. But placards declaring “racism is the real pandemic” risked mixing metaphors to deadly effect. So the Covid context reinforced a generational divide.
The UK protests of 2020 were a cross-ethnic movement primarily of black, Asian and white young people – though there were many older armchair supporters. Indeed, a third of ethnic minority Britons felt they had participated, primarily by voicing online support.
The Black British are four per cent of the population, compared to 13 per cent in America – about a quarter of visible minorities in the UK. Most of the larger British Asian group felt supportive of the anti-racism protests too. Cricketer Azeem Rafiq felt it was why his challenge to racism in Yorkshire cricket finally cut through.
The protests mobilised – and polarised. Online arguments were especially heated, but offline conversations could be more thoughtful. Quite a few people were in listening mode that summer.
Britain is not America was the core point for those critical of the protests – yet I found those who took part often quick to acknowledge that. America’s gun problem gave racism in policing a different intensity of urgent threat. But too much focus on transatlantic differences could underpin complacency about real challenges to face up to in Britain too.
Once the statue of Edward Colston was pulled down in Bristol on June 7, history and statues became a central theme. A year later, ahead of Euro 2021, footballers taking the knee became the symbolic focal point.
Boris Johnson’s government commissioned a review of ethnic disparities, but the Sewell report generated a starkly polarised debate with its optimistic counter-narrative about Britain leading the world.
The argument was about language – what it meant to be ‘institutionally racist’ – with the report’s incremental proposals on issues such as curriculum reform, policing data and online hatred barely discussed.
As the pattern of opportunities and outcomes on race in Britain becomes more complex than ever, the politics seems ever more binary. The Tories chose three more leaders – our first Asian prime minister, who preferred that not to be noticed too much; and the party’s first black British leader, a vocal critic of all things ‘woke’.
In opposition, Sir Keir Starmer declared the protests a ‘defining moment’ and issued an awkward photograph of himself taking the knee in his office alongside his deputy leaders.
Efforts to weaponise that image against him fell rather flat.
Labour pledged a new race equality act but tried to say as little as it could about race. The party had an electoral strategy of taking ethnic minorities for granted – a product of its exclusive geographical focus on the people and places who were not already Labour.
Shedding minority votes on both its left and right flank complicated the party’s nascent thinking about whether or how to respond.
In government, the party was reluctant to draw attention to its legislative pledge. It is now consulting on those measures so quietly that very few people have noticed.
Beyond one strong Starmer passage about last summer’s racist riots at the Labour conference, no leading voice in this government has found an appetite or voice to make a substantial argument about race, opportunity or identity in Britain today.
The anti-racism protests galvanised but polarised. It is the identity politics of Donald Trump which set America’s agenda now – ironically taking affirmative action to absurd lengths, but only for deeply unqualified Trump loyalists. Because Britain is not America, most people would reject emulating the Trump effort to repeal any mention of diversity or inclusion here.
But finding forward momentum is more challenging.
Those suspicious of the sincerity of corporate declarations of support for the Black Lives Matter movement felt vindicated by their flipping as the political weather changed.
UK corporations are often seeking to continue work on inclusion while side-stepping polarised political controversies. National charities lag behind the public and private sector.
That patchy response may explain why one institutional legacy of the protests is the effort of high-profile black Britons, such as Lewis Hamilton, Raheem Sterling and Stormzy, to create their own foundations.
Five years on, the legacy can be hard to discern. The core message of the anti-racism protests in Britain was that the progress we have made on race has not met the rising expectations of the next generation.
It will take more confidence among institutions of political, economic and cultural power about how to act as well as talk about race and inclusion – or those rising expectations risk remaining frustratingly unmet.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
Hollywood actor Kumail Nanjiani has returned to his stand-up comedy roots with a major tour of his show Doing This Again. He is set to perform at Union Chapel in London on September 20. Once the tour concludes, the stand-up special will stream on a major platform. The multi-talented star also has several upcoming projects, including roles in the high-profile films Ella McCay, The Wrong Girls and Driver’s Ed.
Kumail Nanjiani
DYNAMIC DRESS
Unlike most Indian celebrities who wear expensive designer gowns on the Cannes red carpet, Simran Balar Jain chose to do things differently. The social media influencer wore a striking outfit featuring a symbolic silhouette of one woman lifting another. Her hand-sculpted gold metal corset, made from recycled materials, conveyed a powerful message of collective empowerment and sisterhood. She also shared engaging behind-the-scenes vlogs from the film festival.
Simran Balar Jain
SOCIAL MEDIA SPOILER
The Sixth Sense (1999), directed by M. Night Shyamalan, was a spectacular success thanks to its unexpected twist ending. If the film were released today, it would not have had the same impact – social media users would have quickly given away the big surprise. Bollywood comedy Housefull 5, like many modern-day murder mystery films, is likely to face a similar problem when it is released next Friday (6).
Within hours, social media users, vloggers and influencers will reveal the identity of the murderer, which will undermine one of the film’s main selling points
Mumtaz
STREAMING SITE STINKER
It is utterly tragic to see how Netflix has become a dumping ground for substandard Indian content. Whether it is acquiring disastrous box office failures or greenlighting dreadful original productions, the clueless streaming platform seems to attract horrid Indian projects. A prime example is the recently premiered series The Royals, which is shockingly poor. The cringeworthy drama, headlined by Bhumi Pednekar and Ishaan Khatter, is best avoided.
Five years from now
BAD BOLLYWOOD IDEA
Instead of using their platform to call for peace, most celebrities in India and Pakistan have either remained silent or acted as cheerleaders for bombings that have claimed lives on both sides of the border. Some C-listers in both countries have even used the ongoing conflict to generate cheap publicity. Perhaps the worst response has come from those already looking to cash in on what is ultimately a human tragedy. Bollywood producers and stars rushed to register the title Operation Sindoor and now plan to profit from a film named after India’s missile strike on Pakistan. If past films are any indication, the conflict will likely be exaggerated on screen, featuring caricatured villains and misinformation – further inflaming tensions rather than promoting understanding.
Janhvi Kapoor
PHALKE FILM BIOPIC
The dream team of actor Aamir Khan and filmmaker Rajkumar Hirani will reunite – after record-breaking hits PK and 3 Idiots – for a biopic on the father of Indian cinema, Dadasaheb Phalke. The film will trace his journey towards making India’s first feature film, Raja Harishchandra, in 1913. Meanwhile, acclaimed director SS Rajamouli is planning a separate film on the same subject, with superstar NTR Jr in the lead role. This follows the 2009 award-winning Marathi film Harishchandrachi Factory, which was India’s official entry for the Academy Awards.
Dadasaheb Phalke
HOLLYWOOD BUBBLE BURST
For Indian celebrities, it often seems that anything made in America is labelled a Hollywood project – even when it has no connection to a major studio. That is why reports of Kangana Ranaut making her “Hollywood debut” with the forthcoming film Blessed Be the Evil are rather absurd. A closer look reveals that it is an independent production, co-written and directed by the relatively inexperienced Anurag Rudra. Ranaut will reportedly star alongside a couple of Z-listers in this psychological horror drama. The only genuinely entertaining aspect of this film might be watching the clueless individuals bankrolling it eventually discover just how notoriously difficult Kangana is to work with. That is why I predict this project will either be shelved or flop badly — if it ever gets completed at all.
Kangana Ranaut
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Diplomacy competes for attention in a crowded news cycle.European Council president Antonio Costa, Britain’s prime minister Keir Starmer and European Commission president Ursula von der Leyen with members of the Royal Navy in central London last Monday (19), during a summit aimed at resetting UK–EU ties
THERE is just too much news. The last month probably saw more than a year’s worth of events in more normal times – a new Pope in Rome, continued war in Ukraine, escalating conflict in Gaza, and the relief of India and Pakistan agreeing a ceasefire after a fortnight of conflict.
Domestic and global events that might once have dominated the news for a week can now come and go within hours. The biggest-ever fall in net migration – 2024’s figure half of 2023’s, according to Office for National Statistics data released last Thursday (22) – did not even get a brief mention on any of last Friday (23) morning’s newspaper front pages. It would have been a very different story if net migration had doubled, not halved, but falling immigration risks becoming something of a secret.
On the same evening as the UK-EU ‘reset’ summit, the UK government issued its strongest criticism of Israel in living memory. A joint statement with Canada and France described conditions in Gaza as ‘intolerable’, the language of Israeli ministers as ‘abhorrent’, and its expanded military operation as ‘egregious’. Germany did not join the trio, yet Chancellor Merz’s explanation that Germany would exercise more restraint in its criticism of Israel than others, for historical reasons – made his own calm but stark warning about breaching international humanitarian law more striking.
Israel had strong diplomatic support after the October 7 Hamas attack, but has never been this isolated. The administration of US president Donald Trump has not joined the public criticism, but is much cooler to Benjamin Netanyahu than in Trump’s first term, with sharp private clashes over diplomacy versus war with Iran.
Trump’s second term has turned the Oval Office into a reality politics show, giving the president the ‘main character’ energy he craves. He is at war with the courts and universities at home, last week seeking to ban all international students from Harvard.
America’s allies must second-guess his impulsive unilateralism on security and trade. The February clash with Ukraine’s president Volodymyr Zelensky sent shockwaves around the world. Trump is now frustrated that conceding so much to Russian president Vladimir Putin achieved nothing – except losing leverage. Repeating the trick last week, ambushing South African president Cyril Ramaphosa with fabricated footage of a racist conspiracy theory about the genocide of white farmers, had a weary familiarity. There was sympathy for Ramaphosa at home and abroad. Trump lacks any evident tariff strategy, simply hiking and suspending rates to maintain surprise. Business expects little stability while the Trump presidential gameshow runs.
Prime minister Sir Keir Starmer has the opposite instincts and personality to Trump, believing in a rules-based world order – both on principle and in Britain’s enlightened self-interest as a middle power. Starmer’s challenge is to show that cooperation can work – for security, trade and boats in the Channel too. Whitehall sees progress in a volatile world in the trade deal with India, mitigating some of Trump’s car tariffs at least, while prioritising the UK-EU reset.
The ‘Brexit betrayal’ headlines had little impact on public opinion, where there is broad pragmatic permission to pursue closer UK-EU ties within current ‘red line’ commitments – ruling out single market membership, at least this parliament, to avoid a return to Brexit trenches.
Despite fierce clashes at Westminster over the value and cost of the Chagos Treaty, that seemed one controversy too many for most people to process.
The Starmer government’s juggling of events saw its biggest domestic Uturn, heeding criticism of its plan to means-test the winter fuel allowance for pensioners.
The irony is that this became the government’s most famous decision because chancellor Rachel Reeves did not just include it in her first budget, but led with it as a symbol of ‘tough choices’ for fiscal responsibility. Backbench pressure to reduce child poverty by scrapping the twochild cap on welfare has been accepted too. These U-turns send the government back to the drawing board after its first year.
This summer and autumn, it must not only revise plans for spending and taxation, but also articulate a public narrative – a strategy that explains what the government’s choices amount to, and why. A comparative strength of populist insurgents is that they offer a simpler story about a complex world than their mainstream rivals.
News fatigue is rising across countries, according to Reuters Institute research conducted over the past decade. Around four in 10 people are avoiding the news – for a variety of reasons. If everything, everywhere, all at once remains the theme of politics and global affairs, the risk is more people will simply switch off.
Sunder Katwala
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
Actor babil khan recently had a public breakdown on instagram, sharing a concerning video that was later deleted. those close to the 27-year-old son of the late star irrfan khan have since said he is doing fine. however, the incident highlights the urgent need to take mental health more seriously across all areas of society, including among high-profile figures in the film industry. it also serves as a reminder that anyone who is struggling should be encouraged to reach out for help.
Babil Khan
POOR ADVERT
It was recently revealed that, in terms of brand endorsements, Ananya Panday is one of the most visible celebrities on Indian television. The fact that an actress with limited talent and an underwhelming film record has become a go-to face for advertisers reflects the current state of popular culture in India. While she cannot be faulted for making the most of these opportunities, one would hope that those investing in such campaigns could find more compelling representatives to promote their products.
Ananya Panday
FILM FESTIVAL HERO
The annual UK Asian Film Festival delivered a vibrant 27th edition with another action-packed programme celebrating cinema. Founder and festival director Dr Pushpinder Chowdhry deserves particular praise for being the driving force from day one and providing a valuable international platform to filmmakers from around the world.
The great British champion told me the festival’s strong ethos has always inspired the dedicated team to use their platform to challenge norms, build empathy and bring communities together. She explained: “The festival themes have always focused on the universal search for identity, connection, and purpose. The films and events we select include stories of displaced immigrants, quests for love, and negotiations between heritage and modern life.
The festival has received strong support from dedicated individuals, communities, and businesses, who believed in our work, reinforcing the idea that storytelling remains a vital force for unity in a divided world. “In an era marked by fear and division, the festival’s programming emphasised that it is not people we should fear, but the forces that seek to silence or divide us.”
SOCIAL MEDIA SUICIDE
One of the most damaging effects of social media influencers is the way they can create unrealistic expectations for young people, including follower counts. Tragically, this pressure recently contributed to the suicide of content creator Misha Agrawal, just two days before her 25th birthday.
Despite building a solid brand and a strong following on Instagram, the founder of Misha Cosmetics reportedly took her own life after falling short of reaching one million followers. This is heartbreaking when you consider that many public figures have large numbers of fake followers. Her death serves as a stark reminder that much more needs to be done to safeguard the mental health of those consumed by online validation.
If you are struggling, help is available. Samaritans offers free, confidential support 24 hours a day on 116 123 or via email at jo@samaritans.org.
Misha Agrawal
PERMISSION TO RETURN
There is another chance to catch the acclaimed theatre production Permission, which had its UK premiere last year. The multi-layered story, which moves between a Heathrow immigration line and a rooftop in Karachi, will be staged at Tara Theatre in London from May 30 to June 7. Writer Hunia Chawla said the play, starring Rea Malhotra Mukhtyar and Anisa Butt, “will make you think, laugh and cry at the same time.”
Permission
BOLLYWOOD’S BAD EXCUSE
It seems as if those connected to Hindi cinema are shamelessly using the current conflict between India and Pakistan to save face.
The recent Bollywood concert headlined by Salman Khan and Madhuri Dixit was cancelled with the Kashmir terror attack cited as the reason – though it was more likely due to poor ticket sales.
Similarly, the last-minute cancellation of Bhool Chuk Maaf, starring Rajkummar Rao, was blamed on cross-border tensions. In reality, this time-loop comedy had generated little buzz or advance interest and seemed destined to flop. Producers had planned to quietly shift the film to a streaming platform, but cinema owners in India took the matter to court, forcing a theatrical release this week. When the film inevitably fails, it may only confirm what many suspected from the start.
Bhool Chuk Maaf
STORY OF A DREAM TEAM
One of this year’s standout music collaborations is between internationally renowned Norwegian music producer Alan Walker and rapidly rising Indian hip hop star King. Their newly released, genre-defying track Story of A Bird is a powerful dance-pop anthem described as a global creative rallying cry. The fusion of Walker’s signature atmospheric EDM production with King’s raw lyricism resonates strongly with a new generation on the rise. These self-made music stars have bridged cultures and sounds, while celebrating the unstoppable spirit of those who dare to dream.
King and Alan Walker
MAGNIFICENT MARK
The recently released season five of comedy series Man Like Mobeen is packed with hilarious moments from start to finish, thanks to its marvellous characters and strong performances. While co-creator Guz Khan is brilliant in the title role, the standout star is once again Mark Silcox, who shines in his superb supporting role as Uncle Shady. He owns every scene he appears in with his deadpan delivery and is so good that a spin-off series – or even a movie – centred on him would be entirely justified. The full season is now available on BBC iPlayer and is well worth watching.
Mark Silcox and Guz Khan
MESMERISING MANASI MANASI
Manasi Ghosh showed exactly why she recently won Indian Idol 15 with stunning performances during her recent UK concerts.
Touring with fellow finalists Anirudh Suswaram and Sneha Shankar, the wonderfully talented singer swept across the stage like a tornado, delivering a terrific range of tracks. Her performance was perfectly complemented by strong stage presence and a charming personality that instantly endeared her to audiences. It is no surprise that this versatile singer won the long-running music reality show and if this UK tour, organised by Rock On Music, is anything to go by, she has a spectacular future ahead.
HIRAN’S HAMLET HURRAH
Hiran Abeysekera has quietly but powerfully established himself as one of the most compelling stage actors of his generation. From his Olivier Award-winning turn in Life of Pi to his recent haunting portrayal of Nathuram Godse in The Father and the Assassin, Abeysekera has brought an intensity, precision and emotional intelligence that continue to captivate audiences.
This autumn, he takes on the demanding title role in Hamlet at the National Theatre’s Lyttelton stage. Few parts test an actor’s range like Shakespeare’s tortured Dane, and few contemporary performers are as well-equipped to take it on. With his gift for balancing vulnerability and charisma, Abeysekera is likely to deliver a Hamlet that feels both deeply human and viscerally modern. This is unlikely to be just another Shakespeare revival, but a potential milestone for one of British theatre’s brightest talents. As his ascent continues, this role may well cement Abeysekera’s place among the greats.