YOUTUBE SENSATION PARLE PATEL ON HIS HILARIOUS COMEDY SHOW AND EXPERIENCES OF PLAYING A FEMALE CHARACTER
by MITA MISTRY and PRIYA MULJI
Hit theatre play Mrs Kapoor’s Daughter’s Wedding is back on tour in the UK with sold out shows.
The musical stage comedy about an overbearing Gujarati mother planning the perfect wedding is touring across the UK until May and sees popular YouTube star Parle Patel perfectly playing the title role. The family-friendly show, written and directed by Archana Kumar, has received great reviews, and returned due to popular demand.
We caught up with Parle to talk about the show, his experiences playing a female character, his sari-draping skills and hopes for the future.
Did you expect the show to be such a huge success when it was created?
When Archana Kumar told me about this idea, I took the opportunity on as a one-off show rather than something we’d definitely do again. I did feel people would ask for more, but I didn’t think it would result in so many more shows. How Archana has blended dance, live music and singing became a perfect habitat for the style of comedy I create. Her added ideas and direction meant I could approach what I do differently while still remaining extremely in line with my own style.
Tell us, what does the current UK tour mean to you?
I think every comedian or artist hopes to tour one day and when it finally begins to happen, you just want to start. It won’t even hit me that I’m on tour, until it’s almost all over. The feedback has been amazing and news of this London-based show has reached the US, India and Canada, so am majorly humbled.
What initially inspired the show?
The whole concept of the show regarding a daughter’s wedding is by Archana Kumar. I got a few messages on Instagram I wasn’t too sure about, that quickly turned into an email once I requested a brief. Here Archana explained her idea and why I’d be suited to the role of playing Mrs Kapoor. I helped to format the script and formalise the Gujarati or Hindi-centric dialogue and created overlaps from my own content.
Tell us about the show and your character?
The show revolves around Mrs Kapoor, a matriarch, mother and typical desi aunty who wants to marry her daughters off ASAP. Upon finding a possibility of this happening, she is at full steam ahead in trying to put on the biggest desi wedding of an era. The drama begins when there are clashes in cultures and expectations, but along with the drama comes the comedy, dance, music and masti. While Mrs Kapoor is what many would call traditional, she is often up-to-date with current trends.
What has the experience of playing your role been like?
It has been a huge opportunity to learn, develop and deliver, but it has been really fun and humbling too. I’ve learned all the life hacks of how to get lipstick to last longer and why a desi outfit always requires spare safety pins. Jokes aside, I’ve really had to think about the character to try and make it authentic. I’m used to creating digital content as a female character, but on the stage, there is less space for mistakes. Animating myself more has also been a challenge, especially when you’re on the last show after being in a sari and make up for, sometimes, 10 hours, but I’ve built up stamina. While the character has been something I’m used to playing, I’ve tried to find a way of challenging myself. Overall, I’ve been really lucky to work with AK productions.
So are you now an expert on make-up and women’s fashion?
Archana and I tried to make sure we are true to the character, including her being dressed in a way typical ladies of her age would. So, perhaps, I’m not an expert on contemporary women’s fashion. But I know how to wear a sari, and what wonders setting spray can do. I must say, I hate wearing makeup, so salute to all makeup wearers for not constantly wanting to scratch it all off.
Is your character Mrs Kapoor based on anyone in particular?
Lakshmi Kapoor is based on my character Kokila Patel who has become infamous via my own YouTube channel and social media, Planet Parle. I’ve now based my character Mrs Kapoor on what my new surroundings are - a Punjabi husband and being a mother to five daughters. Kokila Patel was based on all the super mums living their best desi lives in a world where there is a pressure to disown your roots. I hope anyone who sees’s overlaps with Mrs Kapoor and someone they know can celebrate them too.
Tell us, are any of the moments inspired by real life?
There are plenty. For one of the shows, I attended a wedding the previous week and saw something that then became improvised content. The audience feedback also says that they can relate because it’s happened to them before or they have seen it happen to someone they know.
What is your favourite moment?
There are so many moments I love, but some of my dialogues require a certain kind of silence from the audience before delivery. If they laugh, I know I’m doing my job right, if they don’t, then I approach the next act slightly differently.
What can audiences expect this time around?
Each and every show is different. As actors, we often refer to each show as ‘the one where this or that happened’ and that is the magic of a sketch-based theatre show. While each show is anchored down to highly energetic dancing, great live music and singing, from a comedy perspective, we try and add in current affairs when appropriate.
What does the future hold for this show?
We want as many people to attend the show as possible. It’s hugely special for me as I’ve not really taken any of my viral video elements to the stage like this. Archana does have lots of plans, but for now, we are concentrating on getting one daughter married and making sure as many people as possible attend.
What can we expect next from you?
More theatre, I hope. Honestly, it’s really difficult to find platforms to work on for south Asian comedy unless you’re doing stand-up, which I tend to dive into less. But, I hope the right people see this and what I’m striving to do. I’d very much like to join a theatre company or find an agent who can help me explore a potential that I can’t see myself. I’ll also create digital content, which gathers an audience globally and I really appreciate that. I do have some new song releases planned for Navratri. I’m still learning lots and hope someone sees what I do as something that could possibly be taken to TV or cinema.
What inspires you?
This varies hugely. Recently, I met Riz Ahmed after his show and he was so inspiring. Sometimes it’s someone whose story is unknown, but filled with passion, hard work and the hope to change the world for the better. My immigrant parents inspire me with their ability to work hard no matter what.
Why should we all come watch the show?
Let’s just say that my 91-year-old Baa, (grandmother) who can’t understand English, and Archana’s little three-year-old daughter, who runs around the house shouting the punch lines, loved the show. The show really is for all ages and audiences. It really does let you escape from the hectic nature of life while still reflecting on some deeper relationships. Everyone is welcome to attend Mrs Kapoor’s daughter’s wedding.
The tidal wave of top Indian stand-up stars touring the UK continues with upcoming shows by Shraddha Jain this July. The hugely popular comedian – who has over a million Instagram followers – will perform her family-friendly show Aiyyo So Mini Things at The Pavilion, Reading (4), the Ondaatje Theatre, London (5), and The Old Rep Theatre, Birmingham (6). The 90-minute set promises an entertaining take on the mundane and uproarious aspects of everyday life.
Shraddha Jain
MEMOIR NIGHT Acclaimed author Arundhati Roy will mark the publication of her hotly anticipated memoir Mother Mary Comes to Me with a live event at London’s Cadogan Hall on September 4. The Booker Prize-winning author of The God of Small Things will reflect on her life and work in what promises to be one of the year’s most compelling interview-based events. The evening will also include an opportunity for audience members to ask their own questions.
Arundhati Roy
SPECIAL AUTHOR SELFIE Acclaimed author Onjali Q Rauf shared this great photo with historian William Dalrymple from the recent Hay Festival. What made this snap extra special is that they delivered Eastern Eye newspaper’s best two books of 2024. While Rauf wrote the year’s best fiction, The Letter With The Golden Stamp, Dalrymple delivered the greatest non-fiction book of 2024, The Golden Road: How Ancient India Transformed the World. Both brilliant books are highly recommended.
William Dalrymple and Onjali Q Rauf
DREAM TEAM WINS AGAIN Producing power couple Sargun Mehta and Ravie Dubey have scored another success with their latest release, Saunkan Saunkne 2. The Punjabi comedy sequel received critical acclaim and performed well at the box office. Actress Mehta was especially praised for her dynamic double role opposite Ammy Virk and Nimrat Khaira This latest triumph adds to the growing list of achievements for the husband-and-wife team, who also run the entertainment platform Dreamiyata Dramaa. The YouTube channel, now nearing 1.4 million subscribers, continues to produce popular original TV serials.
Ravie Dubey and Sargun Mehta
THE YOUTUBE DUMP One recent decision that made little sense was quietly dumping the 2023 Pakistani film Money Back Guarantee onto YouTube. With streaming platforms seemingly buying anything and a wide range of video-on-demand services available, the political satire heist comedy – headlined by Fawad Khan – surely deserved better. YouTube is typically a last resort when all other options fail. What made the move even more baffling was the near total lack of promotion, leaving most film fans unaware that it was available to watch for free. Unsurprisingly, it generated little buzz or interest – another example of why Pakistani cinema is in the doldrums.
Money Back Guarantee
LITTLE FILM BUZZ Despite a glitzy world premiere at this year’s Cannes Film Festival, Indian film Homebound has failed to make a meaningful impact. Unlike other festival favourites, it received little coverage from global media, prompting producers to share handpicked audience reviews instead. This meaningful movie with a message has also struggled to stand out due to its ill-judged title. Not only does the English-language title alienate core Hindi-speaking audiences, it is identical to a 2021 British horror film that was widely savaged by critics. Several other films and TV shows with the same or similar name have appeared in the past 15 years, making it even harder for the film – starring Ishaan Khatter and Vishal Jethwa – to find visibility.
Homebound
DOOMED DUTT BIOPIC Recent reports suggest a biopic on legendary Bollywood actor and filmmaker Guru Dutt is in the works. This is not the first time a film based on his life has been discussed, but like earlier attempts – including those centred on icons such as Meena Kumari and Madhubala – the project has yet to materialise. The reason is clear: telling an honest story would require confronting the darker aspects of their lives, making it difficult to secure life rights from those involved. Bollywood also has a tendency to whitewash difficult truths, which can compromise the integrity of such projects and limit their commercial appeal. If a truly candid account of Dutt’s life were ever made, many film fans might find it hard to forgive the way he reportedly treated his wife, acclaimed singer Geeta Dutt.
Guru Dutt in Chaudhvin Ka Chand
SARITA STUNS IN NEW SERIES The recently launched third season of Sex and the City spin-off And Just Like That has received more positive reviews than its previous seasons. Sarita Choudhury’s glamorous realtor remains the standout new character, continuing to make such an impact that many feel she deserves far more screen time. The 58-year-old British actress is simply brilliant in the sassy role and looked stunning as she joined fellow cast members for a recent photocall in Paris. She has seamlessly filled the space left by Kim Cattrall, and her performance is so compelling that a spin-off series focused solely on her character would be hugely entertaining.
Sarita Choudhury
DILJIT’S DETECTIVE DUD Bollywood film Detective Sherdil is set to premiere on ZEE5 on June 20, following a high-profile announcement. Despite being headlined by Diljit Dosanjh and Diana Penty, one major red flag suggests this quirky detective mystery-comedy may fall flat: it is being released directly to a streaming platform, bypassing cinemas entirely. This often signals a lack of confidence in the project. ZEE5 is typically seen as a last resort when bigger platforms like Netflix or Amazon decline interest – which further works against the film. Although whodunnits are trending globally, the genre remains underdeveloped in Indian cinema, and that adds to the low expectations surrounding this release.
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THE US president Donald Trump and billionaire businessman Elon Musk went to war on social media.
Geert Wilders brought the Dutch government down after less than a year. Nigel Farage scrambled to hold his Reform team together.
Populism is a potent political force – but this week demonstrated the power of populist politicians to destabilise themselves too.
A Trump-Musk break-up always was more a question of when, than if, given the egos involved. Musk criticised Trump for his large spending bill. Trump threatened retribution against Musk’s companies – knocking a sixth off the Tesla share price. Musk declared Trump would not be president without his money. “Such ingratitude,” he tweeted. Trump acolyte Steve Bannon declared that he wanted to see Musk deported.
Musk is the Citizen Kane of our times. Even having the biggest media megaphone of the age and the highest spending did not guarantee political success. Trump came to see Musk as a political liability, as growing mistrust of the erratic billionaire’s motives offset the power of his money.
Musk is much more toxic in Britain than America. That story can be told in three words – familiarity breeds contempt. Most people had no firm opinion of Musk before he bought Twitter three years ago. YouGov shows disapproval of Musk rocketing from 60 per cent to 70 per cent to 80 per cent over the past year.
Most British Twitter/X users feel he made the platform worse. No other platform did so much to amplify the misinformation and hatred that fuelled the racist riots. Reform voters had been the only pro-Musk segment post-riots, but Musk’s attack on Farage for refusing to embrace Tommy Robinson split the Reform voters against him too.
Twitter/X is a tinderbox – the irresponsibility of its ownership exacerbates the real and present danger it presents during any future flashpoint. Yet Musk’s relationship with Trump was a significant impediment to tackling this. The platform uses its relationship with the Trump administration as a shield, threatening the UK or EU governments if they intervened. The Trump-Musk break-up could offer a new opportunity to at least make the platform uphold its duties to remove unlawful content. It is awash with rape and deportation threats – which the Twitter/X’s broken complaints system usually defends. That is a breach of the platform’s legal duties to provide an equal service to women or to ethnic minorities.
Nigel Farage and Zia Yusuf
The government recently announced its preferred candidate for the EHRC [Equality and Human Rights Commission] chair, Dr Mary-Ann Stephenson, who will now face parliamentary committee hearings. MPs should ask her whether the regulators’ legal powers apply when major platforms breach their duties.
The Washington social media war of words was in stark contrast to how Nigel Farage handled a twitterstorm within the Reform party.
His party chair, Zia Yusuf, declared it “dumb” for the party’s new MP to be asking the prime minister last week to ban the burqa. Yusuf then quit, declaring that trying to make Farage prime minister was no longer a good use of his time.
Farage gave a strikingly unTrumpian response. He empathised with the racism that Yusuf has faced as a Muslim public voice – though attributing much of it to ‘Indian bots’ deflected attention from the racism within the online right.
Farage’s emollience was rewarded. Yusuf declared his resignation was a mistake. He even implausibly claimed he would probably vote to ban the burqa himself. He told the Today programme that Reform would deport 1.2 million illegal migrants – a patently impossible pledge, even if there were that many people without secure legal status. Yusuf moving towards the party’s base might signal an ambition to be a Reform general election candidate.
Farage handled the crisis with skill: reinforcing his rejection of the overtly racist fringe, while hardening the party line on integration. Yusuf was not offered his old job as party chair back. He will volunteer, instead, as chair of a “DOGE” [Department of Government Efficiency] taskforce, named in tribute to Musk.
Reform have talked up Yusuf as having “professionalised” the party from a low base. Yet the DOGE initiative could hardly have begun more unprofessionally. Yusuf declared a ‘gotcha’ moment – claiming to have found Kent County Council spending £87 million a year on recruitment advertising. This was an absurdly false claim. Former Kent County Council leader, Roger Gough, pointed out that Yusuf had simply not understood the document. Kent was raising revenue by hosting a national framework, yet Yusuf had attributed any possible spending across England as profligacy by the council.
Whether his mistake was unwitting or more cynical, it resonated by confirming the biases of Reform’s supporters. How long it takes Yusuf to retract his mistaken Week One headline claim is now a simple good faith test of whether the DOGE process attempts to be at all credible.
Yusuf is presented by Reform as the professional among populists – that may demonstrate just how untested the party’s credentials to provide a potential government still are.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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Priya Mulji with participants at a Thailand retreat
I turned 43 recently, and it was the best birthday of my life. Special for so many reasons. For the first time since my twenties, I spent my birthday abroad. (In case you were wondering – Phuket, Thailand.)
Last year, I impulsively booked myself onto my friend Urvashi’s mind, body and soul expansion experience. Since then, life has taken some unexpected turns – including being made redundant from my day job – so this trip could not have come at a better time.
Before leaving, I was apprehensive. I had never been to East Asia. Would I like it? Would I get on with the other women? Should I really be going on a two-week trip without a job? What vaccinations would I need? Would the street food give me Delhi belly?
I need not have worried. Within the first day, all my fears melted away. The group of women on the trip were inspiring – each there for her own reasons – and across the week, I connected with them in unique and beautiful ways.
We ranged in age from 37 to 53. Some of us were single, others married with grown-up children. Some were high-flying execs, others unemployed.
But there was no sense of hierarchy – no “I’m better than you.” Just acceptance.
It was a trip of firsts. I got up at 5.30am on my birthday to do a four-kilometre mountain hike to see the Big Buddha. I got in a kayak and floated in the middle of the ocean, despite being a terrible swimmer. I took a Thai cooking class and finally learned how to make some of my favourite dishes.
But the biggest lesson from this impactful trip was this: it is so important to find people who bring good energy, who listen without judgment. Surround yourself with those who offer wisdom and support, not force their opinions on you. Who remind you that you are respected. That you are loved.
For anyone feeling lost, unloved, or unsure of how to navigate life, know that your tribe might be out there, waiting to meet you in the most unexpected of places. I found a new sisterhood in just one week. So take a chance. Step out of your comfort zone. Do something you never imagined doing.
I will leave you with the words of Usha, who was on the trip: “We are all devis in our own way.” I dedicate this column to Jaymini, Leena, Nina, Usha, Iram and Rinku – for helping me in ways they may never fully understand.
And to my darling Urvashi, thank you for bringing us all together. You created magic. You gave me the best birthday gift I could ever have asked for.
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Britain faces challenges in changing attitudes around diversity
IT HAS been five years since the biggest anti-racism protests in a generation – but how far did they have a lasting legacy?
The protests across America after the murder of George Floyd spread to Britain too. There was no central organisation, nor a manifesto of demands, as students and sixth formers took to the streets.
This was the time of the Covid pandemic in which two-thirds of NHS staff who had tragically lost their lives were ethnic minorities. But placards declaring “racism is the real pandemic” risked mixing metaphors to deadly effect. So the Covid context reinforced a generational divide.
The UK protests of 2020 were a cross-ethnic movement primarily of black, Asian and white young people – though there were many older armchair supporters. Indeed, a third of ethnic minority Britons felt they had participated, primarily by voicing online support.
The Black British are four per cent of the population, compared to 13 per cent in America – about a quarter of visible minorities in the UK. Most of the larger British Asian group felt supportive of the anti-racism protests too. Cricketer Azeem Rafiq felt it was why his challenge to racism in Yorkshire cricket finally cut through.
The protests mobilised – and polarised. Online arguments were especially heated, but offline conversations could be more thoughtful. Quite a few people were in listening mode that summer.
Britain is not America was the core point for those critical of the protests – yet I found those who took part often quick to acknowledge that. America’s gun problem gave racism in policing a different intensity of urgent threat. But too much focus on transatlantic differences could underpin complacency about real challenges to face up to in Britain too.
Once the statue of Edward Colston was pulled down in Bristol on June 7, history and statues became a central theme. A year later, ahead of Euro 2021, footballers taking the knee became the symbolic focal point.
Boris Johnson’s government commissioned a review of ethnic disparities, but the Sewell report generated a starkly polarised debate with its optimistic counter-narrative about Britain leading the world.
The argument was about language – what it meant to be ‘institutionally racist’ – with the report’s incremental proposals on issues such as curriculum reform, policing data and online hatred barely discussed.
As the pattern of opportunities and outcomes on race in Britain becomes more complex than ever, the politics seems ever more binary. The Tories chose three more leaders – our first Asian prime minister, who preferred that not to be noticed too much; and the party’s first black British leader, a vocal critic of all things ‘woke’.
In opposition, Sir Keir Starmer declared the protests a ‘defining moment’ and issued an awkward photograph of himself taking the knee in his office alongside his deputy leaders.
Efforts to weaponise that image against him fell rather flat.
Labour pledged a new race equality act but tried to say as little as it could about race. The party had an electoral strategy of taking ethnic minorities for granted – a product of its exclusive geographical focus on the people and places who were not already Labour.
Shedding minority votes on both its left and right flank complicated the party’s nascent thinking about whether or how to respond.
In government, the party was reluctant to draw attention to its legislative pledge. It is now consulting on those measures so quietly that very few people have noticed.
Beyond one strong Starmer passage about last summer’s racist riots at the Labour conference, no leading voice in this government has found an appetite or voice to make a substantial argument about race, opportunity or identity in Britain today.
The anti-racism protests galvanised but polarised. It is the identity politics of Donald Trump which set America’s agenda now – ironically taking affirmative action to absurd lengths, but only for deeply unqualified Trump loyalists. Because Britain is not America, most people would reject emulating the Trump effort to repeal any mention of diversity or inclusion here.
But finding forward momentum is more challenging.
Those suspicious of the sincerity of corporate declarations of support for the Black Lives Matter movement felt vindicated by their flipping as the political weather changed.
UK corporations are often seeking to continue work on inclusion while side-stepping polarised political controversies. National charities lag behind the public and private sector.
That patchy response may explain why one institutional legacy of the protests is the effort of high-profile black Britons, such as Lewis Hamilton, Raheem Sterling and Stormzy, to create their own foundations.
Five years on, the legacy can be hard to discern. The core message of the anti-racism protests in Britain was that the progress we have made on race has not met the rising expectations of the next generation.
It will take more confidence among institutions of political, economic and cultural power about how to act as well as talk about race and inclusion – or those rising expectations risk remaining frustratingly unmet.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
Hollywood actor Kumail Nanjiani has returned to his stand-up comedy roots with a major tour of his show Doing This Again. He is set to perform at Union Chapel in London on September 20. Once the tour concludes, the stand-up special will stream on a major platform. The multi-talented star also has several upcoming projects, including roles in the high-profile films Ella McCay, The Wrong Girls and Driver’s Ed.
Kumail Nanjiani
DYNAMIC DRESS
Unlike most Indian celebrities who wear expensive designer gowns on the Cannes red carpet, Simran Balar Jain chose to do things differently. The social media influencer wore a striking outfit featuring a symbolic silhouette of one woman lifting another. Her hand-sculpted gold metal corset, made from recycled materials, conveyed a powerful message of collective empowerment and sisterhood. She also shared engaging behind-the-scenes vlogs from the film festival.
Simran Balar Jain
SOCIAL MEDIA SPOILER
The Sixth Sense (1999), directed by M. Night Shyamalan, was a spectacular success thanks to its unexpected twist ending. If the film were released today, it would not have had the same impact – social media users would have quickly given away the big surprise. Bollywood comedy Housefull 5, like many modern-day murder mystery films, is likely to face a similar problem when it is released next Friday (6).
Within hours, social media users, vloggers and influencers will reveal the identity of the murderer, which will undermine one of the film’s main selling points
Mumtaz
STREAMING SITE STINKER
It is utterly tragic to see how Netflix has become a dumping ground for substandard Indian content. Whether it is acquiring disastrous box office failures or greenlighting dreadful original productions, the clueless streaming platform seems to attract horrid Indian projects. A prime example is the recently premiered series The Royals, which is shockingly poor. The cringeworthy drama, headlined by Bhumi Pednekar and Ishaan Khatter, is best avoided.
Five years from now
BAD BOLLYWOOD IDEA
Instead of using their platform to call for peace, most celebrities in India and Pakistan have either remained silent or acted as cheerleaders for bombings that have claimed lives on both sides of the border. Some C-listers in both countries have even used the ongoing conflict to generate cheap publicity. Perhaps the worst response has come from those already looking to cash in on what is ultimately a human tragedy. Bollywood producers and stars rushed to register the title Operation Sindoor and now plan to profit from a film named after India’s missile strike on Pakistan. If past films are any indication, the conflict will likely be exaggerated on screen, featuring caricatured villains and misinformation – further inflaming tensions rather than promoting understanding.
Janhvi Kapoor
PHALKE FILM BIOPIC
The dream team of actor Aamir Khan and filmmaker Rajkumar Hirani will reunite – after record-breaking hits PK and 3 Idiots – for a biopic on the father of Indian cinema, Dadasaheb Phalke. The film will trace his journey towards making India’s first feature film, Raja Harishchandra, in 1913. Meanwhile, acclaimed director SS Rajamouli is planning a separate film on the same subject, with superstar NTR Jr in the lead role. This follows the 2009 award-winning Marathi film Harishchandrachi Factory, which was India’s official entry for the Academy Awards.
Dadasaheb Phalke
HOLLYWOOD BUBBLE BURST
For Indian celebrities, it often seems that anything made in America is labelled a Hollywood project – even when it has no connection to a major studio. That is why reports of Kangana Ranaut making her “Hollywood debut” with the forthcoming film Blessed Be the Evil are rather absurd. A closer look reveals that it is an independent production, co-written and directed by the relatively inexperienced Anurag Rudra. Ranaut will reportedly star alongside a couple of Z-listers in this psychological horror drama. The only genuinely entertaining aspect of this film might be watching the clueless individuals bankrolling it eventually discover just how notoriously difficult Kangana is to work with. That is why I predict this project will either be shelved or flop badly — if it ever gets completed at all.